Actually, Blackguard wasn't originally on this tour; a band called Destiny Potato was on the original bill, but at the last moment I suppose they canceled, and Blackguard was added instead for six shows before they head off to Europe to support Kamelot. They sounded good, with the same energetic stage presence and sound that they brought to their headline show two weeks ago. There was a technical issue at first, making them sound way too quiet, but that was quickly corrected and their epically fast guitars and vocals blasted into the crowd. In the second or third song, Paul, the vocalist, called for a pit and four or five people (including me) enthusiastically obliged. They played their new song, "In Dreams," and it sounded a bit more polished than last time; the folk melodies were less evident, but the riffs were stronger. Otherwise, they only played songs from Firefight (nothing from their folk metal days), and they didn't play my favorite song from that album, "Sarissas." Still, it was a fun time - a good warm-up for a night of epic metal.
Luckily for such a crowded evening, the show moved along smartly right on schedule, and Blackguard was soon followed by System Divide, a band that's hard to shove into a genre box. I had never heard them before, having been too busy listening to the other four bands the week before. One of the singers introduced them as being "from everywhere" and the other vocalist later explained that they came from Israel, Holland, Belgium, Washington DC and New York. (And when we spoke with her later at the merch table, she said several of the members were new to the band, and they only got together for three days to rehearse before the tour O.o) They had a very strong bass, to the point that its drone and/or thunder sometimes drowned out the vocals, guitars and even drums. The male vocalist provided harsh screaming extreme metal style vocals, while the female vocalist did clean vocals. Her vocals sounded a little weak to start, barely audible, but got better as the set went on. They had some poundingly heavy grindcore moments - this is the first time I've heard grindcore with clean female vocals, so that was something fun to hear - and a distorted industrial-like intro to one song. They were interesting to listen to; I particularly enjoyed the grind segments. It's a great type of music to hear live, although hard to listen to properly at home. There were a few pits for them - I think I got pushed into the circle pit by a certain someone, but there were too few people and so we were full out running around the pit, and I was afraid I was going to slip on the drink-slippery wooden floor.
Me and Miri Milman, vocalist of System Divide.
I know, I look truly ugly in this pic, but also truly metal methinks \m/
We hardly had time to chat and take some pics with Miri before Insomnium took the stage. They were quite a change of pace from the other bands - not as loud, hardly moving on the stage other than to headbang (shoegaze melodeath? Actually my favorite moment in the "Weather the Storm" video is when they all headbang together), and with a much calmer vibe (no moshing). They sounded good, their beautiful melodies and soul-filling riffs moving everyone on the floor, but I kept waiting for them to play "Weather the Storm" and was ultimately disappointed. Perhaps to my detriment, I possibly worship this one song too much and don't pay enough attention to their other songs. They also only played five songs, which seemed surprisingly few, less than System Divide. Still, I was satisfied to have seen them, and to meet their vocalist and tell him how much I love that song. (I talked to him while waiting for Epica's encore, and trolled him a bit, asking if they would come back some other time and play "Weather the Storm" :P He commented on my Swallow the Sun shirt, saying that they are great friends with "those guys" :) )
Then the pace picked up again as pirate metal band Alestorm took the stage. Their songs are full of salty dancing or drinking melodies with piratey lyrics, and they're my favorite band to mosh to, thanks to the jig-filled folk pits. The singer looked pretty rough as he wandered around the stage before set, but he seemed to rally - he looked much more energetic once they started, and his voice and keyboard sounded great. They played some songs they don't usually play live, like "Leviathan" and "Death Throes of the Terror Squid" (the vocalist said they were no longer a pirate metal band, but a "squid metal band"). I particularly enjoyed the "Terror Squid" due to its black metal sound - I was right in front of the stage for that segment, and the fast rumbling guitars were shaking the floor. There was a large TV screen on either side of the stage, which I thought just showed the band playing, but S reported that during "Leviathan," they also showed shots from a Pirates of the Caribbean fan video, and during "Terror Squid" I spotted segments of the official video for that song, which does feature the band playing on a snowy mountain in true black metal style. In the vein of less played songs, they also played "Pirate Song," which I didn't think was a good choice - the melody isn't that catchy and the riffs aren't very inspiring. I'd rather they had played "You are a Pirate" or "Wolves of the Sea." They did play their classic "Captain Morgan's Revenge," which was great since they didn't play it last time we saw them, and we had twenty or more people with their arms over each other's shoulders doing a jig - I was in the center cause I started it. Overall though, I was a little disappointed in the experience, because there was less dancing and arms-over-shoulders-headbanging than at previous Alestorm shows, and more of just a brutal mosh pit. It was still fun, though.
Oh that's why he was feeling better.
I could probably have gone home after Alestorm and been happy (and exhausted), but since we were already there and an amazing band just happened to be coming up next, we stuck around. I do like Epica, but for whatever reason I can't seem to get into them as much as I should - perhaps it's just that I'm not often in the mood for gothic/symphonic metal these days. They do (and did) put on a great show, though. They were loud and heavy, and Simone's vocals were clear and lovely. I thought they'd play a lot of songs from their new album, but there were actually only a few - still, they only played one song that I know really well ("Unleashed"). There were a couple pits toward end of the set, but I was way too tired to take part. Other people seemed tired too - the pits were small and short, and the crowd thinned considerably before the encore. Once again, they showed snippets of music videos on the TV screens - official videos for "Unleashed" and a couple other songs, and a least one fan video. I had feminist thoughts in mind and noticed that Simone was very conservatively dressed for a gothic female vocalist, and wasn't sure what to make of that. In spite of being tired, I did enjoy their set - they sounded good, and their songs are so epic that even though my head was starting to hurt, I was headbanging right up until the end.
Epica. Hey look, Mark has a wind machine.
This was a solid show, with the great performances that I expected from the four bands that I knew, and a nice surprise in System Divide. It was an eclectic mix of bands, but I for one didn't mind as I liked most of them. I thought it was nice to have some variety, and also a chance to rest from the more energy-requiring bands.
Photos by Steve Wass
Next show: Probably Dethklok with All That Remains, Machine Head, Black Dahlia Murder, Nov. 2 - although I may go to a show next week with a friend, we shall see.
PS. This was my first visit to the Howard Theatre, and it seemed like a super swanky place to have a metal show - high ceilings and marble in the foyer, impeccably dressed hosts/hostesses (I think I gave a weird look to two hostesses who greeted us as we went into the bar area, because I'm not used to people welcoming me to a metal show, and I hope they didn't get a poor impression of the metal scene from other surprised people like me), tables and sit-down food service near the bar, posh bathrooms, a WATER FOUNTAIN (every venue should have one of those). The only poor thing about it was the location - near Howard University, so a horrible trek by metro or an infuriating drive through DC to very limited parking. Still, I would go there again. Just for the water fountain.
