Concert Review - A Sound of Thunder, MindMaze, Iris Divine, Metanium - 6/6/14 at The Pinch, Washington, DC

My readers and friends will probably know that A Sound Of Thunder is hands down my favorite local band (although I've done my share of whining about them, too). But somehow I hadn't seen them in quite a while. Especially since I missed their "throwback" set opening for Ashes Of Ares in May (I'm one of the complainers who wishes they would play their old songs more), I was determined to get out and see their headline show.

I wasn't sure of the starting time, since the FB event said 7pm but the poster said show at 8 (I guess set times were posted day of, but that day was too hectic at work for me to check). And the first band was Hispanic heavy metal band Metanium, whom I really hadn't seen in a long time (just about a year), so I wanted to get there in time to see them. T and I ended up getting there around 7:20, which turned out to be way early. I'm pretty sure most of the other people there at that point were in bands :p We sat down in the corner upstairs and got some food (bbq duck smothered waffle fries once again), chatted a bit with Bobbie and talked about nerdy things until Metanium started a little after 8.

If I remember correctly, they started off with "Veneno Mortal" ("Deadly Venom"), which is a catchy song with some thundering fast parts. They played mainly from last year's album Alma de Guerrero (Soul of a Warrior) - "La Marcha Vikinga" ("The Viking March"), which unfortunately sounds like "The Ants Go Marching" to me; the English version of their album's title track, which is a motivating song but I think the Spanish lyrics are better, and "Sangra el Corazon" ("Bleed the Heart") which has a fun polka-ish rhythm. As before, they played a cover of Helloween's "I Want Out" which sounded great to me, and T, who's more familiar with that band/song, said the singer nailed it. In general, Marvin Serrano's vocals were amazing, from aggressive heavy metal delivery to soaring power metal screams. The band also covered Manowar's "Warriors of the World" and Dio's "Holy Diver," both excellently done and pleasing to the crowd. Overall their sound was great - the vocals were clear, and the guitars and drums were loud and thundering without being too distorted or too loud. The only thing was that the keyboards were totally drowned out save for one intro - but this is the case on their album, too; I usually forget they have a keyboardist at all. I was really glad we got to see them, because they sounded great (surprisingly great for this venue) and got the night off to an energetic start.

Next up was Iris Divine. I saw them once before at Bobbie's Face-Melting Friday series, but there was some personal drama going on at that show which prevented me from really paying attention, and so my only impression of them was that they're rather proggy and have long, kind of wandering songs. That impression was borne out, although I had forgotten about the hard rock vibes in their guitars and the angsty vocals. That seemed to be the main thrust of their music although well sprinkled with atmospheric, churning or riffy guitar passages. They had more than a few cool moments but couldn't seem to hold my attention long, and I felt tired after their set. They played their upcoming album in its entirety, which was cool to hear, even if I probably won't seek it out again.

Luckily they were followed by the inspiring heavy/power metal group MindMaze (from Allentown, PA - I'm very glad they made the trip down). The crowd was probably biggest for Iris Divine and MindMaze, and definitely very energized by the latter. There was moshing for several songs, started by guys who I guessed were Metanium fans (and at least one member of Metanium, if I'm not mistaken). It's not surprising; the rampaging heavy metal energy made me want to push people around, too, and I got in the pit once. They may have played one slower song, but the rest of their set was irresistible power metal riffs underlaid with heavy metal energy, with Sarah Teets's vocals soaring over it and some nice melodic guitar solos from Jeff Teets. Toward the end of their set, they did a cover of Black Sabbath's "Heaven and Hell" with Nina Osegueda of A Sound of Thunder joining Sarah on vocals, which was awesome. MindMaze also played a joke on the audience by playing the signature riff from ASOT's "Time's Arrow" at one point XD I was a bit dazed from exhaustion and headbanging after their set, but much more awake.

MindMaze seemed a hard act for even A Sound Of Thunder to follow - but they did and delivered a fantastic set that was definitely worth staying up till 2 AM for. They started off thundering with "Queen of Hell," a charging heavy metal song that shakes the walls and shows off Nina's powerful voice, especially as she splits your eardrums screaming, "I am the queen of hell!" The band was so on top of their game that even a song I don't like as much, "Just Another Fool" (from their first album Metal Renaissance) got me amped with its charging energy. Given almost a two hour set, they played a variety of songs from all their albums, even reaching into their demo for "Walls." Unfortunately, although that song is one of my favorite songs to hear live and usually does shake the walls, it seemed a little weak this time; maybe they were getting tired, as it was near the end of their set. Another rare song was the epic-length, ominous "My Name is Doom." The sound quality was so excellent that during the tragic "I'll Walk With You," we could make out every word of the vocals. Being able to hear the words fully brought home the intensity of that song.

The crowd was a bit thin when A Sound Of Thunder started, but filled out a bit as they went on, and people seemed very into the set. There was a dedicated circle of excited fans at the front and there was quite a bit of moshing at first. I joined in for "Out of the Darkness" - I had forgotten how fast that song was! But by the time they played songs I really wanted to mosh to, like "Fight Until the End" and "Blood Vomit," most of the moshers had disappeared. Guitarist Josh Schwartz actually ran out into the audience to find me at the start of "Blood Vomit" (don't worry, I was paying attention, I just had to hang back cause I don't wear earplugs :P), and I tried to start a pit, but no one else seemed to be feeling it. But since the band put out a "Blood Vomit" T-shirt, I have hope that they're bringing this song back into regular rotation! They ended the set with their theme song "A Sound of Thunder," another wall-shaking heavy metal song that lives up to its and the band's name. Then they played an encore of sorts, featuring "Kill That Bitch," their cover of Black Sabbath's "Trashed" and maybe one other song. They sounded good, but I think the high point was the last three songs before that ("Walls," "Blood Vomit," "A Sound of Thunder"). I was also very tired, and wanted to go home and...sleep. ;)

I'll punch out all your blood! J/k, more likely I'll just give you a friendly shove.

But honestly, until the very end I hardly noticed the late hour, it was such an amazing show. I was so impressed and gratified that the sound quality was so excellent! It really made the experience not just good, but awesome. I just couldn't get into Iris Divine, but the other three bands were fantastic - so full of energy, and delivered killer performances that kept me moving all night.

Next show: Not sure :( Thinking about trying to make the SepticFlesh/Fleshgod Apocalypse show at Empire on 6/22, but I dunno :/ This month is complicated..

Concert Review - Primal Fear, Arctic Flame, Flag of the White Rose, MindMaze - 4/29/14 at Soundstage, Baltimore, MD

I had this show on my calendar months ahead of time, and then a bunch of other shows were scheduled at the end of April - things I couldn't miss like Sabaton and Paganfest - so that kind of botched my plans. I wasn't gonna go, but the more I thought about it, the more I didn't want to miss this chance to see one of the heavyweights of the power metal scene - so I finally decided to head out after my kid went to bed, just to catch Primal Fear.

I hoped I'd catch at least a bit of the locals, but I had a long, busy day and then bedtime went slowly, so I didn't get to the venue till about 10:15. Primal Fear had just launched into "Nuclear Fire," which turned out to be three or four songs into their set, according to S. Still, I got to hear "Metal is Forever" (I knew they'd play that near the end anyway), "Bad Guys Wear Black," "When Death Comes Knocking," and a litany of other good songs.

A rather small crowd had turned out on this rainy Tuesday night, so small that I had to wear earplugs even standing near the back of the crowd. The crowd was not very energetic either; people cheered at the end of each song, but hardly anyone was really headbanging or moving. There was one guy right in front of us who was super amped, bouncing around, making faces and gesturing and trying to rouse the crowd. He did not succeed, unfortunately. The place felt rather empty with the small crowd in the large space, and it didn't help that they kept shining the lights on the crowd and showing just how small it really was. It might have been better at a place like Empire where a small crowd wouldn't feel quite so weird.

I also should have stood further back, because where I was standing the sound was a bit distorted, and also muffled by the earplugs. I could hear Ralf Scheepers's vocals clearly, and the thunder of the bass and drums, but the guitar leads were sometimes lost. Also, due to a combination of the sound and the crowd, I felt like most of the songs were not very intense, even great ones like "Bad Guys Wear Black," though there were a few with more oomph to them.

Still, I was glad I got out to see these guys. Just to hear Ralf Scheepers shriek "Metal is forever!" made it worth it.

Concert Review - Iced Earth, Sabaton, Revamp, A Sound of Thunder - 4/21/14 at Empire, Springfield, VA

Sabaton is one of my top bands to see live - the energy is just amazing, everyone gets so pumped. And to see them touring with the mighty Iced Earth, with Floor Jansen's band Revamp and my local favorite A Sound of Thunder in support, was a lineup hard to beat. Most amazing of all, before the show I interviewed Joakim of Sabaton for Shockwave Magazine! :D (I'll post links and/or info once the interview is published :) )

Needless to say I was not missing any of this lineup (besides, I had to be there early for the interview). So I was there when A Sound of Thunder came out to the chant "Hail, Queen of Hell." They were loud, thundering, just how I like my heavy metal. The drums seemed a bit too loud at times, though, but the vocals were clearer than usual. They played a lot from their newer releases, Time's Arrow ("Time's Arrow," "I Will Not Break," "Power Play") and the Queen of Hell EP ("Queen of Hell"), not necessarily my favorite songs to hear live, but the songs were all upbeat and energetic. We got to hear them play a new song, "Udoroth," from their upcoming album for the first time ever live. It was a charging heavy metal song, with some shouted vocals thrown in. They closed with my fave song of theirs, their anthem, "A Sound of Thunder." The other songs were good but this one was great - it was much more intense, really bringing the thunder. Overall, they sounded nice, but I wish they'd played more older songs ;) This show had the biggest crowd I've ever seen for A Sound of Thunder - the floor was pretty full and people on the sides and at the bar seemed to be paying attention, too. Nina's guerilla marketing seems to be working ;) Anyway, good for the band, the crowd seemed very pleased with them.

Next up was the Netherlands' Revamp, which features Floor Jansen (now the singer of Nightwish, too). I don't think I'd heard anything of theirs before the show. They were heavier than I expected, and I know I keep saying that about gothic-symphonic bands, but these guys really were astoundingly heavy. Most of the songs started with rampaging heavy metal riffs - the last song with churning riffs you'd expect from a much more brutal band. Then they'd launch into a melodic segment that melded perfectly with Floor's soaring vocals. I was surprised to hear her doing harsh vocals as well. My friends were disgruntled by this band - there seemed to be something wrong with the sound. I guess the melodic parts could have been a bit clearer, but I was pleased and entertained. And Floor announced that she will be back with Nightwish, although when was unclear - it sounded like she said "this time of year."

Next up were Sweden's power metal warriors, Sabaton, which was the band I came to see. They sounded great, and from what I could see, the band was as amped as the crowd and having the time of their lives. Great to see, considering 2/3 of the lineup left two years ago, and a new drummer (Hannes Van Dahl of Evergrey) was just added last fall. Although they have a new album coming out next month, they only played one song from it, the single "To Hell and Back" (catchy song - it was stuck in my head earlier today). I was surprised but not displeased since of course, I wanted to jump around to the Sabaton songs I knew. They played a set of classic after classic, closing with the amazingly fun "Metal Crue." The only song I thought a little weak was "Poltava," which is a good song, but I thought a better choice from Carolus Rex would have been "Lifetime of War." (They had a little extra time, so I think they played some three extra songs, one of which was the Swedish version of "Poltava.") The crowd was ecstatic - the floor was full, easily twice as many people on the floor as for Sabaton's headline shows, a furious pit for most songs, and so much Sabaton name-chanting between songs that Joakim had to tell us to shut up so he could talk.

After that, seeing Iced Earth was just icing. In fact, they seemed a bit lacking in energy after Sabaton, and it took me a while to get into them. They did sound good - Stu can really scream and the guitars were clear - but perhaps the song selection was a little lackluster. I enjoyed "V," "Burning Times" and a couple other songs, but the rest of the songs didn't really grab me and I didn't really get into it until the encore of "Dystopia," "Watching Over Me," and "Iced Earth." Those two fast songs brought the energy finally, and "Watching Over Me" was touching. I did enjoy that they played "A Question of Heaven" since that was in the soundtrack of a novel I wrote last year :) It was not a bad way to end the night, but Sabaton was definitely the highlight of the show for me.

Next show: Paganfest! Planning to attend both Friday and Saturday :D

Face-Melting Friday Melodic Metal Edition - Cassandra Syndrome, Iris Divine, Dogs and Day Drinkers, Fair Skies - 2/28/14 at Sidebar, Baltimore, MD

I'm on a quest to make my kid into a little metalhead :) As part of that, I took her to a show organized by my friend Bobbie at the Sidebar in Baltimore: Face-Melting Friday, Melodic Metal Edition. The lineup changed a couple times before the show, but I was still excited to see the bands. I'd heard good things about Iris Divine and Cassandra Syndrome, and heard that Dogs And Day Drinkers were folk metal, so I figured they'd be fun.

We got there before they were even ready to start selling tickets, although there were already people milling about inside. Shortly we were asked to form a line, inside. We met up with S and some other friends, and staked out a spot near the front, since besides being rather short and needing to be close up to see, Iz also just plain likes to rock out at the front of the crowd :D Unfortunately, this meant I had to wear earplugs, which I felt seriously dulled the sound. (I never wear earplugs. Why bother going to live shows if you can't hear the thunder of it being played live?) Partly for this reason, I don't feel like I got a very in-depth impression of any of the bands.

Not too long after we got in, the first band, Fair Skies, took the stage. I didn't know much about them besides a friend's comment that they were "power metal but not really." They did have soaring power metal vocals; I got some serious Stratovarius vibes from the vocalist during their second to last song, "More Than a Memory." The music had a bit of an oompah beat in the beginning (something that seems to happen occasionally in power metal) but settled into more of a NWOBHM sound as the set went on.

Next up were Dogs And Day Drinkers, all the way from Chestertown, MD (home of the schooner Sultana :D ). They were supposed to be folk metal, but they didn't actually seem to have much in the way of folk melodies. They perhaps had more of a Viking metal sound, with songs about drinking and war and science fiction. The vocals were average, rather like I think I'd sound if I tried to sing. Their take on Priest's "Breaking the Law" was decent. The crowd was pretty excited for them and there was a bit of moshing.

After that was Iris Divine. They were very proggy, but not in annoying way. The guitarist seemed to have a bunch of pedals that gave his guitar a synth-like sound, and they might have had some synth piped in, too, I couldn't tell. Unfortunately some drama happened during their set so I zoned out a bit and even had to go outside to deal with things :(

Finally, Cassandra Syndrome ended the night. I don't know how I never got into these guys earlier! I think I heard a song or two several years ago but somehow didn't get interested. I definitely should have seen them earlier. They featured lovely soprano vocals - I didn't know we even had a band around here with vocals like that! Their music was pretty straightforward heavy metal, with nice solos, but it was the vocals that really made it for me. So beautiful.

I enjoyed all the bands, although I would have preferred to hear them without earplugs. But Iz had a great time up at the front, dancing for Fair Skies and Dogs And Day Drinkers (and also taking some photos with her Leapster, which I should try to retrieve before she draws all over them :) ). Even though she got pretty tired and cranky by the end, it was still a great night, and everyone was telling her what an awesome little kid she is :D I'm not sure if I'll be able to make the next Face-Melting Friday since it's the day after The Ocean, but I can definitely see these face melting shows becoming a regular social fixture for me and Iz :D

Next show: Hoping to go to a locals show on March 8. After that, Children of Bodom, Death Angel and Týr on March 21. (The Fillmore's website seems to have the wrong date for this show, saying it was Feb. 28 O.o)

Concert Review - Face-Melting Friday feat. Odin's Court, Aries, Flag of the White Rose, Channel Volatile, Sin 4 Sin - 12/13/13 at Sidebar, Baltimore, MD

So this should have been on 2013 - but again I was spending December stressing myself out, and then spent the holiday season de-stressing and hanging with family, and so it didn't get done. But luckily I made detailed notes, so even nearly a month later I can give you a pretty complete run-down of the first three bands!

 I wanted to get out to support the local bands, but not being able to get babysitting so close to another show, I decided to bring my kid. Actually, that's a lie - babysitting or no, I wanted to bring my kid. Inspired by my friend R, who brought her six-year-old daughter to the Finntroll show at Empire, and by the countless other metal parents I've seen everywhere ranging from this summer's Wintersun show to Tuska Fest in Helsinki, I thought it a great opportunity to continue my daughter's metal education. (I tried to take her to the first Face-Melting Friday in August, but we didn't have the proper ear guards and so she was put off by the rather loud and aggressive thrash band Death Penalty.)

This time, we arrived equipped with noise-cancelling headphones. Since the show had been pushed back to 9:00, we were well in time for the first band, Sin 4 Sin. At that point, Iz was still entranced by her Leapster [a kids game device] and didn't respond much to my attempts to move to the music. Sin 4 Sin was very catchy, and their singer had great voice - he could really soar! They were totally party metal, with choruses like "I quit drinking," "My girlfriend always gets arrested," "I want to stay with you through the night." There were a few unusual moments - a punky intro to one song, some black metal cymbal crashes at another point - but they were pretty much rocking hair metal. The guitarist looked kinda of like my friend D (the musical theater actor) right down to his silly facial expressions. I had such a fun time during their set. Iz did draw a picture of the singer on her Leapster; I'll have to see if we can find it.

Next up was Channel Volatile. I had never heard of them, but I felt optimistic - I mean they had a keyboard! How many local bands have that? The singer had awesome extremely spiky shoes, tights with skeletons on them and a rather short black dress. The guitarist looked pretty metal in boots and a military-ish top. But their sound didn't do it for me. In the first song, I couldn't hear much of the guitar or other instruments; they seemed like just background for the vocals. In the second song, the guitar was much louder, overpowering everything else, so that even the vocals sank into the background. But the guitar didn't do much, just some simple melodies or bland background-music-y riffs. There was a cool part in the second or third song where they suddenly went full out with charging heavy metal riffs and enthusiastic, interesting drumming, the vocalist providing heartfelt "Whoooaaa"s over top. There were a few other moments throughout the set where she belted out the vocals a bit more strongly, but in general her vocals were rather lackluster, and too soft. I only really noticed the keyboard in one or two parts. The sound mixing definitely seemed to be an issue with the guitar being too loud, but I found the music rather lacking overall. Iz seemed to like it, though; after her Leapster ran out of batteries, she spent the rest of the set dancing.

By then it was past ten, and I was tired and thinking about leaving - but with Flag of the White Rose up next, I couldn't tear myself away. I planned to stay for a couple songs, but ended up staying for the whole set. They delivered a much more energetic experience then Channel Volatile, and sounded even better than last time I saw them, with headbang-inspiring heavy metal riffs topped off with Kerri's Halford-like vocals. Once again they covered Priest's "Heading Out to the Highway." As soon as they launched into that song, you could hear that while they're trying to emulate that sound, original Priest is a whole other level - tighter, more intense, not a shred of wasted energy or sound. But Flag sounded awesome playing it, which is a feat in itself. They have the image to back up their music - Kerri with her tall red mohawk and metal stud-encrusted leather outfit, the bassist with his police cap and handcuff belt, and the guitarist also sporting some studded accessories on his black denim outfit. (Nick, the drummer, just needs to add some leather or metal studs to his get-up ;) ) Bobbie, the show's organizer, took my daughter up to the front row and showed her how to rock out, and she was jumping around and waving her fist - so I'd say as far as metal education, the night was a success!

After that it was time to go, but we heard Aries start up while we were in the bathroom, and my first impression was that they sounded a bit like A Sound Of Thunder - the thundering heavy metal riffs, the powerful clean vocals. I'll have to catch them another time, since they sounded promising.

When I asked Iz her opinion of the show, she said, "It was really, really, really, really good!" I was inclined to agree; I really enjoyed two of three bands, and even better, I was so happy that Iz enjoyed the show and started on the path to being a metalhead.

Next show: There are a couple of local shows I hope to see this month - gonna try to see Feritas on Friday, hoping to see Demiz later this month, and I think there's a show with Flag of the White Rose even later on. Next big show is Amon Amarth, Enslaved and Skeletonwitch at the end of the month!

Edit: I mistakenly implied that Aries had a female singer. I should have known they were just channeling Priest. A night of 80's influenced music, FTW.

Stitched Up Heart, Serpent Witch, Flag of the White Rose, Decimate the Tyrant, Transitshop, Valdesa - 10/12/13 at Cafe 611, Frederick, MD

I love shows in Frederick. I can roll out after my kid goes to bed and still get there in time for most of the bands, no guilt, no hassle, no long drive in traffic (not to mention Sheetz snacks after the show!). Case in point, on Saturday I caught a show at Cafe 611 that I probably wouldn't have been able to get to anywhere else.

One of my friends had been talking up local band Flag of the White Rose for some time, but I hadn't managed to see them. (Last time I tried, when I took my kid to a show called Face-Melting Friday at Sidebar, she got tired and we had to go home before they came on.) This time, S and I got to Cafe 611 in time for their last 4-5 songs - we came in to see a tall woman with a four or five inch mohawk stomping about the stage, belting out vocals while the guitars and drums galloped and thundered. I thought I had seen them described as melodic, but they actually had more of a heavy metal sound, with several galloping Iron Maiden moments. Kerri's vocals were powerful, with an old school vibe, and they were very refreshing compared to the simpering singing style (usually with insipid lyrics) that's popular now (I've been spending too much time lately in coffeeshops where bland pop is blasted so loud I'd have to destroy my ears to drown it out with good music on my headphones). Anyway, Flag of the White Rose covered a Judas Priest song, "Heading Out to the Highway," and it was quite obvious that Kerri follows in Halford's footsteps, with her brash, high-pitched vocals. (Someone knowledgeable about the band later confirmed that Halford is Kerri's biggest influence.) I enjoyed the Halford-style clean vocals, but their set did also have some moments of punkish shrieking that made my ears cringe. Kerri's look was also quite punk with the mohawk, a tight leather outfit, multiple metal-covered belts, and high boots draped in more metal. (Overall, I saw more mohawks in one place that night than at any other metal show.) The bassist was also dressed up with a police cap and studded belt, with the rest of the band appropriately, though less flamboyantly, dressed in black and bands shirts. I liked their look, and their overall stage presence was very energetic and cohesive. I was surprised to hear they've only been playing for a few months; they look and sound very together.

Later on, we met and talked with Kerri, and she was actually very jovial and friendly. 

After Flag of the White Rose was another local band, Serpent Witch. I saw them, for a few songs, at Face Melting Friday, where I was not too impressed with them - slow and with a stonerish vibe, which is one of the few metal genres I can't seem to get into. Indeed, they started out their set with a slow doomy vibe. They sounded much better and clearer than at Sidebar, but S and I both thought they should have a thicker, heavier sound to enhance the doom atmosphere. The (small, female) singer's vocals were also very strong and clear, rather strident for a doom band, and she was moving about vigorously. As the set went on, though, they picked up the pace and the doom vibe lessened until they were playing something more like heavy metal. S compared them to Pentagram - read his review for his full analysis of which old school bands each band sounded like. By the end of the set, I was actually enjoying their music since the whole band seemed to have picked up on the energy of the singer. Also, they had an old guy drummer whose delicate movements in the slower segments were amusing to watch.

The headliner was a band I had never heard of, Stitched Up Heart. As were all the bands in the venue that night, they were hanging out with the crowd in the back bar room, which was open this time (the front bar was closed). Unlike the other bands, they were attempting to smear everyone with the black face paint that they had daubed all over themselves. From their look - streaks of black paint, mohawks both stiffened and floppy, (old school) Hot Topic-esque outfits - I guessed they were going to play some sort of angsty music for teens. The drummer telling us about his adventures with Butcher Babies (and the fact he was wearing a Butcher Babies t-shirt) made me further uncertain about how much I would enjoy their set.

But they were actually a lot of fun. Perhaps not the way a band that courts darkness wants to be described, but that was my overwhelming impression: fun. They were catchy and dynamic, with perfect delivery and stage presence - lots of jumping and dramatic guitar swinging. At the start of the set, the bassist (and perhaps also the guitarist?) somehow flung baby powder into the air, maybe from his hair, which created a cool effect, like he was emanating smoke, though the smell lingered for a bit. The band's sound was heavy with an insistent beat - suitable for dancing or headbanging - but not very audible guitar, save for a few solos and bridges. S critiqued the guitar; personally, I thought it was passable, especially since it was obviously not a prominent part of their sound. They turned out to basically be screamo but with bearable vocals - clear soulful pop vocals with occasional harsh screams, and not an overload of whininess. When she addressed the audience, the singer used a sing-song, mechanical, doll-like voice as did the singer of One-Eyed Doll when we saw them. They played a somewhat short set, and at the end, the singer sprinted to bathroom while the rest of band hid behind their merch table as the crowd chanted "encore!" There was no encore, however; that was the end of the show.

I was very glad I went. I finally got to hear (and be impressed with) Flag of the White Rose, I improved my opinion of Serpent Witch, and had a great time during Stitched Up Heart's highly energetic set. I can't say I've become a converted fan of any except the first band, but at least it was fun.

Next show: Tomorrow! Primitivity. Playing Megadeth on four cellos.

Concert Review - Midnight Eye, Exar Kun, Thrain - 8/8/13 at The Pinch, Washington, DC

Although I'd already been to two concerts in the past seven days (and I was only supposed to go to two per month), I wanted to get out to support Midnight Eye, so I waited till my kid was in bed and headed out. By that time, I thought I'd be lucky to get to The Pinch before Midnight Eye started - certainly not in time to have some of the restaurant's insane duck bacon BBQ cheese loaded waffle fries. Well, the intent was to go for the music anyway, right?

After the quest for parking (we passed several good spots, but got greedy and went on thinking we could get closer to the venue, but no such luck, we had to turn around and go back up 14th Street almost to where we were before) we got to the venue right around 10pm. It turned out that only the first band, experimental/black metal band Thrain, had played so far. I was thrilled, cause that meant we could get the awesome fries; I didn't really think about the implications for timing. I do want to see Thrain sometime - their demo is quite heavy and technically proficient for a local band, and combines some plodding doomy segments, cleaner vocals and melancholy melodic moments with the base black metal sound.

A few minutes after we got to the venue Exar Kun started up in the basement, so we headed down. They are, as a friend put it, two bassists and a computer. They provided some heavy background music, but did not really catch my interest. The two high points were when they did start to play something almost riffy; and when they sampled Lordi's "Would You Love a Monsterman."

After they finished, I went to look at Midnight Eye's merch and acquired a turquoise shirt (first ever turquoise metal shirt?), and then our amazing fries arrived.

 Yes, we ate all that between the two of us. Someone was hungry.

It was after 11pm when Midnight Eye finally came on, and they were immediately plagued by sound problems, for at least the first two songs of their set. They played (not necessarily in this order) the three songs from their new EP, Nightmonger (which you can still stream here); a cover of something I didn't recognize, but which they said was by a DC band; "Virtuous" and maybe one other song from their first album, Sign; and a new song with the working title "Weed Helmet." Their guitars were excellent as I expected. The thrashy and black metal parts sounded best on the spartan sound system, but the heavy metal riffs and solos sounded good, too. The vocals were very rough, though; scratchy and little off compared to the albums. I tried to start a pit for the frenzied thrash part near the end of the first song, "Alarm," but no one seemed interested in moshing except for Grimy Grant. The black metal segments of "Outsider" were amazing, so thick and heavy, although the melody was a little lost in the low noise. The new song also sounded very promising, starting off with energetic heavy metal riffs, just thrashy enough to mosh to - I pushed Grant and this time three or four other people joined in, yes! - with another thick, atmospheric black metal segment in the middle of the song, followed by some very heavy noodling that slowed down into a droning segment at the end. It was cool, but would have been more impressive on a better sound system where the low distorted notes would have made the building and everyone in it tremble. Needless to say, hoping to see these guys again soon and looking forward to more releases from them.

Next show: Not sure. There a couple local metal shows in Baltimore on Saturday, but I don't think I will be able to go so far from home. So the next thing might be Face Melting Friday at the end of August. In the meantime, there will be some book reviews!

Concert Review - Amaranthe, Kobra and the Lotus, Shattered Sanctity - 7/18/13 at The Note, West Chester, PA

When we saw that the power metal/metalcore/synthpop fusion act Amaranthe were embarking on a headline US tour, and the closest date, while out of state, was right during our summer vacation, we knew we had to go see them. So, after a short vacation on the beach, we trekked up (through four states) to West Chester, PA to see their show, not sure whether we should be more prepared to mosh or to dance.

The Note turned out to be a tiny venue, with a stage at the far end of a long rectangular room, and a bar on the right near the door. There were a good number of a people on the floor when we got there, and the whole place filled up by the time Amaranthe came on.

We were curious to see the local opener, Shattered Sanctity, after reading that they might appeal to fans of Sonata Arctica and Stratovarius. But the show started early, so even though we got there right on the advertised show time (8pm), we only caught the last song or so. We were stuck at the bar socializing and drinking, so I only caught snatches of some shredding and a couple wails, but not enough for a distinct impression. From the bar, they did not sound as fabulous as we hoped.

Touring with Amaranthe was Canadian band Kobra and the Lotus. I hadn't really heard of them before; a friend said they are pretty much straight ahead heavy metal, with a deep-voiced female singer. I was in the bathroom when they started, and if I hadn't known singer was a woman, I would have sworn it was a man, she had such a deep voice. Even then I doubted it for a moment. They were very good - solid NWOBHM metal riffs, verging on thrashy in one song, and the singer's rich, powerful vocals were a feast to the ears. They were quite thunderous for such a small place - it seemed the sound system was tuned to rumble.

After a rather longer wait than the first set change, Amaranthe emerged. You may know them for their single "Hunger" or the fact that their female singer has done backing vocals for Kamelot - up till a month ago that was pretty much what I knew of them. Once we decided we were going to this show, I listened to them more, and got pumped to see them. Their sound defies genres - clean power metal vocals from the female and male singers, Gothenburg-esque death growls from a third singer, riffs that range from pounding metalcore to In Flames like melodeath, and danceable synth melodies. It seemed like it should be one of the funnest shows I've been to. Unfortunately, they started out weak - the vocals were all right, but the instruments were off, even out of tune, and the synth inaudible for the first couple of songs. Guess they should have sound checked! (I didn't notice them doing so during that long break between sets.) Then they got it together, and sounded pretty good for the rest of the show. The synth was still a little low, but the vocals were very clear, and the guitar sounded good. The venue was full, and full of super-fans to boot. People I would never have pegged for knowing the lyrics to Amaranthe's "Amaranthine" were singing along to every word (here's a video). There was even a small pit for a few songs. Throughout the show, Elize, the female vocalist, profusely expressed the band's gratitude for everyone coming out to support them. So far, their first US tour seems to be a success, and I look forward to seeing them again sometime!

Next show - we went to The Agonist and co the following night.

Concert Review - Lamb of God, Decapitated, The Acacia Strain - 6/19/13 at Ram's Head Live, Baltimore, MD

So, to make up for the kind of lame night of metalcore the week before last, here's a review of a solid night of killer metal (and metalcore). Although none of these are among my favorite bands, I knew that Lamb of God would put on an intense show, and both the openers had things going for them that made me curious to see them, so this promised to be a solid night.

I thought the Ram's Head website said Decapitated was going on first, so we were surprised to see The Acacia Strain come out out just a few minutes after we got to the venue (they started 15 minutes late, though). I had been hoping to see them live for some time, cause they are quite heavy and brutal (and that's pretty much all they are.) Their sound was very low and heavy, a churning maelstrom. The first song was basically like one long breakdown, slow, crushingly heavy, the vocals kind of in the background. The vocals were utterly incomprehensible anyway (which I don't mind; I read some of their song lyrics a year or two ago and then decided I didn't want to know what their songs are about). Every couple of songs, the singer would go on a half-intelligible rant, telling us things like, "Don't hate yourself; hate everyone else," and "There's too much positivity going on in music today." I thought they were good as an opener - a nice heavy start to the evening - but I don't think they would have held my interest for a headline-length set. I started to get bored of the plodding heavy parts where they weren't doing anything besides being really heavy. They had a very few different moments like a few seconds of melodic guitar (omg, a solo?!) or increased tempo, but mostly it was just constant breakdown (ironically, a guy near us in a shirt that said "No breakdowns...no karate..." etc was bobbing his head during the breakdowniness).

So Polish technical death metal band Decapitated had the second slot, of which I was glad - I would much rather hear more of them than TAS. My first introduction to Decapitated was hearing "404" on the radio about a year ago, and I did not dig it at all. But I mean, they're from Poland, the land of Behemoth and Unsun, so I figured I must be missing something, and got intrigued at the prospect of seeing them live. Turned out they were great. Their guitar work and drumming was very complex, but still groovy enough for headbanging. I am pretty picky about drumming, but I enjoyed the unpredictable drum rhythms in their songs (the thing I hate most in metal is nonstop banging on the same drum over and over). Even "404" sounded good (I didn't realize what song it was at first because the singer called it "Four hundred and four" and I didn't hear the last word clearly; I've always thought of it as "four-oh-four"). The strange rhythms and guitar squeals that I found so grating when I first heard it were not as prominent. Overall, their sound was a thick, nonstop barrage peppered with fast rhythms, so it was a good thing they paused every few songs and we got a breather. I didn't really notice any solos, except for one short one that was rather slow and atmospheric. The singer was stalking about the stage, throwing about his Chris Barnes-esque dreads, and sometimes doing a repeated cobra-like motion that made me think he was spitting on the crowd. Obviously, I never saw the original Decapitated live, so I can't say how they compare to that, but they certainly sounded heavy and technically capable. And since I've seen Lamb of God before, Decapitated was the gem of the night - the performance that really made it worth it.

After an "intermission" where decades-old movie theater commercials for popcorn and corn dogs were shown on screens on the stage, Lamb of God came out thundering. They also delivered a solid set - I realized that I actually know a lot of their songs, at least the popular ones. Their guitar riffs are aggressive yet accessible, like a cleaned up version of thrash riffs, and Randy's low vocals and the thundering bass bring a bit of death metal brutality. We got much closer this time than last time at the Fillmore - we were about five rows back, but off to the left, off the actual floor and nearer the bar. Which was fine - we could still see great, and didn't get caught in the meatgrinder that was the jam-packed floor (if the show wasn't sold out, it was pretty damn close - B market be damned). Randy called for moshing a couple times and seemed impressed by the crowd-surfing wheelchair guy, which cued us in that he wasn't the one behind the "No moshing" and "No crowdsurfing" signs at the venue. The venue didn't seem to intend on enforcing this policy either, because wheelchair guy crowdsurfed to the front no less than three times.

They put on an intense show, delivering a fine-tuned aggressive sound, with great energy - Randy was running around the stage - and with strong, roving lights and videos on the aforementioned screens adding to the effect. Some of the videos seemed familiar from last time, such as the animated one for "Ghost Walking," but some seemed new, such as the one for "Now You've got Something to Die For," which showed photos of their fans in the armed forces (of course they dedicated that song to servicemembers like usual). During the encore, the drummer from Decapitated (they called him "Polish Pauly" and kept flashing the image of his face on the screens in front of a Polish flag) played a song with them.

I think I enjoyed seeing them even more this time than last. The sound was better - we could hear the vocals more clearly - and being closer to the stage, we could see the band a lot better. S discovered later that they actually played the same setlist as in the fall, and we found out later that their tour last year hit the "A" markets, since they were not sure how long they would have Randy, and now that he's back they did a tour of the "B" markets. Nice to know that bands consider Washington, DC an important market - now if only tours like Helloween and Godflesh would hit it up!

Next show: Maybe Holy Grail on 7/1 or maybe Amaranthe on 7/18. We shall see.

Concert Review - A Sound of Thunder, King Giant, Blood Corps, Sons of Eddie - 6/8/13 at Empire, Springfield, VA

A Sound of Thunder is hands down my favorite local band, so I try to get out to support them whenever they can. They have a kickass vocalist with a powerful voice, lyrics that delve into all kinds of fantastic and dark corners of the imagination, a really talented guitarist, and best of all, they live up to their name and shake the walls when they play live. I missed their last cd release party and a lot of their recent shows opening for awesome acts like Doro, so I was determined to get out to support them this time.

When the show was first announced, I was about equally excited to see Terracide open for them. I got their demo a month or two ago at a show, and was stupefied by the epic melodic metal assault that assailed my ears. Sadly, they dropped off the show, and were replaced by an Iron Maiden cover band, Sons of Eddie. S wanted to see them, but we did not get there in time. (Although we did get from Arbutus to Springfield in less than an hour, as promised, using my secret route, so it's not my fault!)

Fairfax, VA band Blood Corps was on next. We didn't have time to check them out ahead of time, so we had no idea what to expect. When I heard them sound checking, the guitars sounded all right, but I heard the vocalist doing metalcore screams and started to get worried. But once they started, I actually really liked the clean vocals. On most songs, they had a bit of an old rock and roll feel, like Volbeat has, with touches of Iced Earth or Disturbed on a couple songs. The metalcore screams were bearable (it's mostly the emo-sounding clean metalcore vocals that I can't stand, and they only used those on one song, "Drawn Together"). The guitars were solid, heavy and kind of groovy, but also kind of slow paced and bland. Maybe it was the sound mix, though - I caught some hints of something more interesting going on. The band seemed to have co-leading guitars - there was a girl guitarist and guy guitarist, and they appeared to be switching off taking the lead. Their best song was definitely the last song, "Rockstar Mafia," which was faster and very groovy, and thundering when the drums picked up.The band held my interest, but didn't quite hook me - perhaps if there had been more going on with the guitars.

Next was King Giant from Arlington, VA. We had looked into them ahead of time and got the impression that they're a southern metal band, there's a bit of twang to their sound. They were more polished than Blood Corps, but not my type of thing. They did have some interesting guitar hooks, but mainly had a droning stoner feel, with a bit of country twang, and I didn't like something about the vocals. I spent a good deal of their set trying to figure out what it was and couldn't quite put my finger on it, but something along the lines that the vocals were neither clean or harsh, but kind of gritty. And for some reason that didn't do it for me. I did like the gravelly vocals at the start of "Appomatox," though. They seemed very popular with the crowd, but I couldn't get into them.

Not too long after, A Sound of Thunder came on. I was looking forward to hearing them play a headline set, and hoping to hear a bunch of songs from all their releases. Unfortunately, I was kind of disappointed in their set and their sound overall. They started out with "Queen of Hell," a charging, fist-pumping type of song, but Nina's vocals were too low, and so the song didn't sound as impressive as it could be. The vocals were fixed a few songs in, but the band was plagued with sound problems throughout the set. They played a lot of songs from the new album, which was perhaps to be expected at a cd release party, but I had hoped they would spend a little more time on their "classics." They played a few from the second album Out of the Darkness, and only "Blood Vomit" from their first full-length, Metal Renaissance (although, if I had to choose only one song that album to hear live, that would be the one!). They didn't play any from their demo, which was unfortunate because that has awesome songs like "Walls" and "Archangel" (Metal Wings/Wings of Steel) that sound great live (the other two songs on the demo are good, too, of course). A lot of the songs they chose had long instrumentals which dragged, although the solos were great - Josh can really shred. Overall the new songs seemed slower paced and more low-key, and with post-drunk tiredness kicking in, it started to get hard for me to keep focused. "Power Play" and "Reign of the Hawklords" were my favorites among the new songs, because they were the most energetic, with something of a power metal sound. But none of new songs (besides "Queen of Hell," if it had been louder) had the thundering power of songs like "Blood Vomit" and "A Sound Of Thunder" which made me fall in love with band. The new songs sounded better on the album though, partly because I could actually hear vocals and follow the story in songs like "I'll Walk With You" where that really counts.

There were probably about a hundred odd people there when King Giant went on, and most of them still hanging about when A Sound of Thunder started, but by the time they finished the crowd had thinned to about thirty or forty. Not sure why the crowd diminished so, but I felt bad for the band. Usually they put on a really killer show, but this time it seemed a little slow and dragging.

Next show: Killswitch Engage, Darkest Hour, and some other bands, on 6/12.

Concert Review - Mago de Oz, Metanium - 5/22/13 at Howard Theatre, Washington, DC

Step aside Alestorm - the title of best folk pit now belongs to Mago de Oz. What an amazing show, and amazing energy from the band and the crowd.

That said, there were definitely some downers at this show, the biggest one being that it started over an hour late. We got there a little early, around 7, for a start time of 8. But the opening band didn't go on till about 9:30, so for two hours we had not much to do besides stand around saving at spot at the rail between the bar and the sound booth. Drinks were so heftily priced that I didn't drink at all ($10 for a rum and coke? I don't think I could drink $10 worth of rum in one sitting without passing out) and since it was a Heineken sponsored event, the only beer they were selling - at first - was Heineken. That is, until they ran out, in spite of the ridiculous price of $7-8 for a beer.

Finally the opener, local Hispanic heavy metal band Metanium, came on around 9:30. They seemed to be well known to the sizeable crowd that had gathered by then, with a lot of people jumping during their first song, and small pits thereafter. They played fast-paced NWOBHM or early power metal style heavy metal, a little reminiscent of Iron Maiden and Helloween. Their riffs were energetic and groovy, but their strongest point was their singer, who was capable of both powerful singing and lasting screams. He pulled off Helloween's "I Want Out" as easy as breathing. Overall, they were more interesting than I expected.

After short break, Spanish folk metal band Mago de Oz emerged. In my opinion, they put on a great show. Every song was filled with catchy folk melodies, jump inspiring power metal riffs and anthemic choruses. The energy never stopped; even the ballads cast a spell on audience. Well, there was some down time before "Finisterra" which killed the energy a little, and that song itself was a bit long and wandering. Other than that, they kept things going for their whole set. The crowd was very lively - the pit even took over most of the floor on a couple songs (and we're talking about a floor about a hundred feet across). Even in its most brutal moments, though, it wasn't a very brutal pit; mainly people were jumping, jigging, skipping around in pairs, forming big circles or knots of people with their arms over each other's shoulders. It looked like so much fun, I really regretted wearing a skirt (this always happens when I wear a skirt to shows!). If it weren't for the fact that people were throwing their drinks everywhere and the floor was like a huge slip and slide, I would have gone in anyway. It would have been amusing to see how the Hispanic dudes reacted to a girl in pit, since it didn't seem like something that really happens in the Hispanic metal crowd - although a female friend who did go in the pit said we got grabbed more than at any other show :/

Afterward S. raised the question of why there wasn't any crossover between this crowd and folk metal crowd for acts like Ensiferum and Korpiklaani. I figure it has something do with the language - the crowd for Mago de Oz was almost entirely Hispanic. Also, the style of music is different - Mago de Oz has more of a power metal sound rather than Viking metal, which might explain why more of the typical folk metal crowd isn't drawn to it. I found them through a power metal playlist, and didn't immediately associate them with folk metal. A friend called them "the Spanish version of Iron Maiden" in that most every Hispanic metalhead she talked to in her travels seemed to know this band.

They certainly lived up their reputation, and I'm glad I got to see this great performance by a band outside my usual metal circle.

Next show: A Sound of Thunder's CD release party, June 8

Concert Review - Ripper Owens, Ghost of War, March to Victory - 4/6/13 at Cafe 611, Frederick, MD

Finally, a concert review. I've been pretty busy this month - busy relaxing and taking care of myself, mostly, and spending time with people who are important to me. Life is complicated. But I did go to a couple shows already in April, so it's time to get some reviews up.. First off, Ripper Owens, practically in my hometown.

I'm not a super fan of Ripper Owens, although I do admire his talent (having seen him with Dio Disciples), but S. is a bit of a super fan and the show was right in my backyard (well, almost..I live 20 min from Frederick, as opposed to nearly an hour from most other places that have shows). So we headed on up for a night out after I put my kid to bed.

We got there during the last song of March to Victory, which had a heavy death metal sound. I think I would have enjoyed them, so I hope we'll see them open for someone else.

A bartender made me an amazing drink (it was some sort of Finlandia grapefruit vodka Sprite lemon and lime mix..so delicious and so strong. Finlandia is second only to Jaegermeister, mmmm) and I'm very much a lightweight, so I was pretty drunk when Ghost of War, a metal band from Gettysburg, PA, came on. They seem to be classic heavy metal band in the style of Judas Priest, and they sounded good. The singer was a bit..heavy, but he could really wail.

Ripper Owens was good, of course - although I don't know his material well, so I'm not really a good judge of his performance. The song I knew best was "Painkiller," and that sounded great. The Beyond Fear songs were very heavy, and besides the Priest hits, I think I enjoyed those the best. I started to get tired toward the end, and then Ripper passed the mic to other people in the band and started playing guitar while they sang covers of songs I didn't know, and I started to get reaaaally impatient and wanted to go home. Overall it was a good night, though, and it's always fun to see one of metal's superstars up close and personal.

Otep, One-Eyed Doll, Picture Me Broken - 3/30/13 at Empire, Springfield, VA

Although I like Otep pretty well (perhaps less now than two years ago), what motivated me most was that One-Eyed Doll was touring with her again. We missed One-Eyed Doll last time, and I really wanted to see them because they seemed interesting, to put it mildly - very gothic with a cheeky sense of humor. (That judgment was entirely based on this video, but luckily it wasn't mistaken.)

Unfortunately, it turned out the show would go on much earlier than we expected, so we had to hurry to get there, and we still missed Picture Me Broken.

We did get there before One-Eyed Doll's set, of which I was glad. They are a two person goth rock band, with a girl on vocals/guitar and a guy on the drums. They were very loud, but with more of a punky cabaret sound than metal or rock. Although there was no vampirism on stage, there were a lot of silly antics - the vocalist used a high-pitched, mechanical-sounding voice to introduce the songs and interact with the audience, she dug silly hats and other items ( such as a severed foot) out of trunk or box onstage, called the place various combinations of "Springfield Virginia Austin Texas," and climbed up onto the speakers for the guitar intro to one song. Although they didn't play the vampire song, all their songs were similarly humorous with morbid themes. I enjoyed their set immensely.

Otep was good as well. It's been a while since I've been able to relax and immerse myself in the music, but for Otep's set I was able to. Almost the entire set was quite heavy, and she didn't seem to spend as much time on artistic whinging and stage antics as last time - although she did don a military cap and do a salute before "Warhead," and brought out the pig's head for "Blood Pigs." I went in the pit for "Battle Ready" (my favorite song) but there really wasn't much of one - only for the first chorus - and not for other songs either. This was in stark contrast to last time we saw Otep, when there were huge pits for every song. However, the crowd was pretty large and they seemed into it, jumping and waving their fists. I just headbanged a lot. Otep did play an encore this time, perhaps partly just to give the finger to the venue, which was kicking everyone out early so that some hiphop event could happen at ten.

People seem to have strong opinions regarding Otep and her music, but I definitely think she's worth checking out if you're into heavy music. She put on a good, heavy show, and I had a good time, even not being very familiar with most of the songs. And of course, I was glad that I finally got to see One-Eyed Doll.

Next concert: We actually went to see Lich King and Possessor the same night XD

Lamb of God, In Flames, Hatebreed, Sylosis - 11/17/12 at Fillmore, Silver Spring, MD

I was really looking forward to this show. Three great bands, what could go wrong?

We got to the venue just as Sylosis was finishing up. I heard their last song; S went to get a drink. They were pretty listenable, with some energetic and melodic segments, but didn't especially catch my interest.

Hatebreed came out to "America, F**k Yeah" from Team America and immediately got everyone pumped. Pretty much the whole floor was jumping and singing along with Jamey Jasta. I'm surprised I wasn't hoarse after their set cause I sang along to most of the choruses in a low growl, which I didn't even know I could sustain that long. They had a very simple stage show - just the guys playing and Jamey moving around the stage - but they really brought the hardcore energy and got everyone moving with their anthemic and sing/shout-alongable songs (singing along was encouraged by Jamey on just about every song).

They were followed by Swedish melodeath band In Flames, who started with a mellow song and sort of sounded like an 80's rock band compared to Hatebreed. I know In Flames gets a bad rap for not being metal anymore or something, and for not playing some song that everybody really likes, but I thought they sounded all right. They were heavier than I expected, and as they went "back in time" playing older songs, they started to sound more energetic and thunderous. They still had some slow mellow segments in each song, though, and ended with a slow song. There some surprisingly large pits during their set, though, so perhaps they still have some metal cred.

Lamb of God was excellent, and to date the only band I've seen that could share a stage with Hatebreed and outshine them (granted, I've only seen Hatebreed once before). They were loud, fast and heavy, filling the hall with a thunderous barrage of sound, and had lights, spouts of smoke and videos augmenting their performance (no fire for In Flames at the Fillmore - just some banks of lights that blinded the audience). The bass was very loud and the vocals pretty low, so much so that I could hardly hear Randy at first, but I noticed it less as the show went on. The fast but rhythmic music was great for headbanging, and luckily not all of the floor turned into the pit, but we did get shoved a bit.

The show turned out just as good as I hoped. I would recommend it to any metalhead - these are bands you should definitely see if you're into heavy music at all, and you won't be disappointed (unless you expect In Flames to be something that they're not anymore *shrug*)

Next show: I think it's Sonata Arctica and Arsis on 12/9, unless I'm forgetting about something. And after that, Eluveitie and WINTERSUN on 12/19.

Dethklok, All That Remains, Machine Head, Black Dahlia Murder - 11/2/2012 at the Fillmore, Silver Spring, MD

The reviews for November will probably be a little abbreviated, because NaNoWriMo has taken over my usual method of note-taking at concerts (texting to email) and the back-up method I discovered (my phone's notepad) is pretty limited. But at least I can give you a general idea.

Anyway, I was looking forward to most of this line-up - except All That Remains. They didn't impress me last year, and the new song they've been playing on the radio seemed wimpy to me. The other bands all seemed like they'd put on a good show, though. Black Dahlia Murder's music is fast and intense, while Dethklok has some of the epic melodic feel of European metal (never mind the hilarious characters). I thought the highlight would be Machine Head, though. They were great when I saw them earlier this year, and I really respect Rob Flynn's songwriting and guitar skills. (On a halfway related note, Suicide Silence opened for them then, and I'm really glad I had a chance to see them, cause they were great as well.)

We were very lucky that this show wasn't earlier, because the first couple of shows on the tour had been canceled due to Hurricane Sandy. So this was actually the first show of the tour.

We got to the venue just as Black Dahlia Murder was starting. (It was exactly 6:30, the time the show was supposed to start, and the rest of the night continued just as precisely, with all the bands going on within ten minutes of their scheduled times.) As expected, they were loud and fast, an intense barrage of sound. They play something like a fusion of fast thrashy riffs with vocals that go from low death growl to black metal shriek in the space of one word - great energetic music. The singer looked like he was having a great time, grinning and jumping about, and the crowd did too - there were only a few small pits, but during several songs pretty much everyone in the front half of the floor started jumping up and down. I had too much stuff with me to jump, but I headbanged pretty happily, especially when they played my favorite song, "Stirring the Seas of Salted Blood." S. said he hoped the singer wouldn't take off his shirt - but he did just before the last song.

Machine Head played the third slot, which came as a little of a surprise and disappointment. I thought they were much more qualified for the second slot than ATR, and I wanted to hear more of their music. Since they were amazing last time I saw them, I had my standards set pretty high, and was disappointed at first - they sounded muddy and the vocals were too low, barely audible at times. (Also, the floor, which had seemed pretty full for BDM, had filled up even more, and Rob Flynn being a little short, I couldn't see him much of the time.) They hit their stride in their third song, however - "Aesthetics of Hate," which they dedicated to the late Mitch Lucker of Suicide Silence, and also included a Dimebag Darrell tribute in their visuals. (Right before their set, we were standing by the merch area when a kid in a Suicide Silence t-shirt came up, and one of the merch guys asked if he would let Rob wear his shirt on stage. The kid happily agreed, but apparently Rob didn't have time to put on the shirt, because it was just hanging off the drum kit.) Finally, in this song the guitars began blasting and Rob's vocals sounded stronger, and they killed for the remainder of the set. They played "Locust" a bit faster than they do on the album, making a cool song even better. Their set was soon over, though; it was only five or six songs. I was rather disappointed at the short set, and that we didn't get to hear "Darkness Within," which is my favorite off their newest album.

As a result I felt a little bitter toward All That Remains, but I ended up being pleasantly surprised by them. With the longer set, I was able to hear them play a wider range of songs, and got a better appreciation for their sound. They're also much heavier and intense live than on their recordings - "Down Through the Ages" sounds so much better live than on the radio. During this show, I noticed their guitar work for the first time - I'd never noticed before that their songs had such powerful and melodic guitars. They moved through a range of styles, from anthemic hard rock/classic metal-style songs, to metalcore shouted verses/clean choruses, to the unintelligible death growls at the end of "Some of the People, All of the Time" (is that why it's my favorite ATR song?), and even some grindingly heavy segments. I don't know if this makes me any more likely to listen to their albums (might still find them wimpy) but I was definitely satisfied with their live performance.

After all this, Dethklok was just icing on the cake, but they easily carried the night. They sounded great, with flawless speedy guitar playing and growled vocals delivered by Brendon Small and co. (He had Gene Hoglan on drums; I didn't recognize any other names.) They played several songs off the newest album ("I Ejaculate Fire," "Andromeda," "The Galaxy," "Crush the Industry") as well as classics like "Murmaider" and "Awaken." I wasn't sure what to expect as I'd never seen Dethklok live and wondered how exactly an animated band was going to perform live. Without spoiling too much, they basically showed the music videos for the songs on a large screen, with the stage darkened so that one wouldn't pay too much attention to the live musicians below. There were a few recorded interludes including talking-to's from Facebones and the Dethklok manager, Dr. Rockzo calling for crowd participation, a plot by the Tribunal and some "backstage" antics by the band. The best part, though, had to be the part before the last song of the encore, when all the lights went off except one red one shining straight into the audience and entirely obscuring the stage, and (presumably) Brendon Small proceeded to banter with the audience in the voices of all the band members. (And he talked about Hurricane Sandy, so I'm pretty sure it wasn't entirely scripted - maybe prepared earlier that day, but not a script for the whole tour.) At that moment, it felt almost like the Dethklok band from the show was actually there in the hall (of course, we're probably lucky that they weren't, because that wouldn't have ended well for half or more of the audience). They picked a sort of lackluster song to end on - good, but not as great as the others - but the second to last song (first song of the encore) was "Go Into the Water" and it was absolutely epic.

This was a great show, even with the disappointment about playing order and the first half of Machine Head's performance - Dethklok more than made up for the that, and the rest was pretty enjoyable too.

Next show: was Six Feet Under, Cattle Decapitation and Wretched, 11/3 - the review for this will go up soon.

Korpiklaani, Moonsorrow, Tyr, Metsatöll (Manala North America Tour), Yesterday's Saints, Burning Shadows - 9/21/12 at Empire, Springfield, VA

I couldn't believe it when I first heard about this line-up - some of my favorite folk metal bands on the same night (the only better combination so far has been Ensiferum and Finntroll). I looked up Metsatöll a few days before the show, and got pretty stoked to see them too - they have a very heroic folk metal sound.

I hoped to see Burning Shadows open for them all as well, since I've heard about Burning Shadows (BSMetal on Facebook XD) for ages, but there was no way I could make the 5:40 start time.

As it was, I got there just as Metsatöll started, during their first song. Surprisingly, the place was already full - both the floor and the bar and merch area - and the crowd responded enthusiastically to Metsatöll. There was a pit for almost every song - a folk pit no less - even though their tempo was a little slow for moshing. (Still, I went into the pit for "Vaid Vaprust" - favorite song largely due to the video.) Their sound combined aggressive guitars with a slow, solemn singing style which I think is typical of folk songs from the Baltic area. The bag pipes could be heard loud and clear. They only played five songs; it would have been nice to hear more, but I guess the schedule was a little crowded.

Set changes happened fast that night - it wasn't long before Tyr came out. Unfortunately, their first song, a newer one, was pretty weak - the vocals weren't strong and the guitars weren't very loud. The second song was better, and at the third one, "Hall of Freedom," they hit their stride. Their newer songs sounded a bit like power metal or Manowar, with the clean vocals and fast guitars and keyboards. "Hall of Freedom" and some others also had a polka-like melody, but there was no folk pit :( Their best songs were the slightly older songs like "Tróndur Í Gøtu" and "Hold the Heathen Hammer High," fast-paced, anthemic songs which led to energetic pits. They also played a ballad which slowed their energy way down without being exceptionally epic. They would have been better off playing more of their classics like "Hail to the Hammer."

Moonsorrow was quite a change in pace, and only about half the crowd stuck around on the floor for them. They play a slower, darker vein of folk metal, with melancholy melodies interspersed with fierce guitars and growled vocals of black metal intensity. Unlike the other bands of the night, it's not music best enjoyed by jumping and dancing around, but heavy and intense enough to slowly headbang while they lead you on a musical journey through bloodsoaked battlefields and the desolation of the land of the dead. They sounded excellent, as good if not better than they did a year ago at Tuska - perhaps because they could fill the small, dark room with their sound more easily than a gigantic tent. Their third song, "Taistelu Pohjolasta," which they introduced as "a demo song from 1998," was probably the fastest Moonsorrow song I've ever heard, and there was even a pit for a bit in the beginning. To my surprise, I noticed a large part of the crowd singing along for the last song, "Kuolleiden Maa," even though the lyrics are in Finnish.

After Moonsorrow I tried to get a quick bite to eat in order to be fueled up for the folk pit madness of Korpiklaani's set. Unfortunately, Empire's new menu does not feature anything quick to prepare and digest - the dishes sounded like something you'd get at a classy restaurant, not a bar. The quickest thing we could get was hummus and pita, and even that took ten minutes, in part thanks to the bartender's obliviousness. We got the food just before Korpiklaani came on; I stuffed as much hummus and pita in my face as I could and then hurried out to the floor. If any Empire staff are reading this: bring the old menu back! When I'm about to go into the pit, I want chicken tenders and mozzarella sticks, not fine dining, dammit.

Korpiklaani was great, in spite of the stomach cramp from moshing right after gobbling food. They started with several newer songs, which were heavier and more serious than their usual jovial drinking songs, and seemed based on older Finnish folk songs (ie. melancholy songs about how much life sucks, or eerie shaman-like spell-chants). They also had a song a bit heavier than the usual Korpiklaani, with a pop-song-like chorus. Their drinking songs as well as their version of "Ievan Polkka" made up the second half of their set (although they did play "Juodaan Viinaa" as their third song). There was an almost constant folk pit/communal jig going on, including people who didn't look like they'd usually be found in a folk pit. (Alestorm still holds the title for best folk pits though.) As a special treat, in the middle of their set the violinist played a solo from the band's days as Shaman, when they made songs based on Sami folk music.

This was probably the best show of the year for me (unless Wintersun upstages them). It was everything that I had hoped Paganfest would be - great performances, and great folk pits.

Next show: Blackguard, 10/10

Kamelot, A Sound of Thunder, Cassandra Syndrome, Fallen Martyr - 9/14/12 at Empire, Springfield, VA

For this show, I was equal parts excited to see Kamelot, one of the best power metal acts in existence, and to see local band A Sound of Thunder in the second slot, where I thought they would have plenty of time to play. I turned out to be disappointed on one of these counts, but not the other.

I headed out a bit late, picked up a friend on the way and then had to grab some food, so we got to the venue just before A Sound of Thunder came on. They had a great sound, loud, heavy and clear, and a bigger crowd than I've ever seen for them - about 3/4 of the floor. Like last time I saw them, they played songs from Out of the Darkness and new songs. They didn't play anything from Metal Renaissance (no "Blood Vomit"???). They seemed to be running short on time - Nina's explanatory spiels were cut short several times, and they were about to play my favorite song, "A Sound of Thunder" when they got cut off at the end of their set. I thought this was unfortunate, since their vocals are pretty difficult to decipher live, so any new listeners in the audience probably missed out on the meaning of the songs.

Kamelot also sounded excellent. Their new singer, Tommy Karevik, sounded a lot like Roy Khan for the songs I was familiar enough with to judge. He was very energetic and well received by the crowd. I think I enjoyed their set more this year than last year since I was more familiar with their songs. S. tried to start a pit for "Center of the Universe," and we jumped around a bit - I think we were some of the most enthusiastic fans there. Alissa White-Gluz of The Agonist provided female vocals, including harsh vocals in the new song "Sacrimony." The new song sounded good, with a catchy chorus, which makes me optimistic about their new album.

This show was a good warm-up to the next, even more epic show...Korpiklaani, Moonsorrow, Tyr and Metsatoll on 9/21!

M3 Fest (Day 2) - May 12, 2012 at Merriweather Post Pavilion, Columbia, MD

Wait, what happened? I went to M3 Fest, a big hair band festival, because S. was going. It was actually pretty fun. I didn't really know any of the bands well, and some not at all. The two bands that I wanted to see most were the ones that were least - perhaps not at all - hair band-like: Loudness and Queensryche. It might have been more fun if I knew the bands better, but I would also have gotten more hot and tired from jumping around if that were the case. For a relaxed day off when I didn't want to do much, it was a good choice.

When we got there, L.A. Guns were on. They were all right; they didn't especially stand out in my mind. After they finished we commenced a constant running back and forth between the main stage and the second stage, since the bands went on one right after the other, even overlapping sometimes. Bang Tango, on the second stage, was a little more energetic, loud and heavy enough to get me bobbing my head. Then it was back to the main stage for Dokken. The songs sounded decent but the singer was not into it at all. After that, Loudness was great - loud, fast and heavy. I didn't know any of the songs but they were heavy enough that I took my hair down to headbang. Warrant, back on the main stage, sounded really good too. In sharp contrast to Dokken, the singer was very into it, delivering the lyrics emphatically and waving the mic stand around. He wasn't the original singer of the band, though, as apparently that guy is no longer with us. During their set, S's pal T. kept telling me to sing along, but I didn't know the words. S. did manage to teach me the chorus to "Heaven." Last band I heard before having to leave to do work was Lynch Mob who were also pretty good. I can't remember if it was their singer who jumped down into the crowd or if that was Bang Tango. 

After I left, I later heard a bit of Queensryche and Skid Row while making copies at a place across the street. thought to myself, dangit they must be having so much fun. Indeed they were - when I picked up S and T later, S was completely hoarse from singing along to Skid Row.

Next concert - Sabaton and A Sound of Thunder!!! 5/21/12

S. wrote a more detailed review and setlists.

Machine Head, Suicide Silence, Darkest Hour - 2/1/12 at Ram's Head Live, Baltimore, MD

This was the first concert in a good six months that I was actually
excited to attend. Maybe it was just that I was less tired and
stressed out than usual, maybe that there was no hassle involved in
getting there (Ram's Head is a couple blocks from my place of
employment..). It was also the first in a while where I wasn't bored
and tired and feeling like
can't-wait-till-this-is-over-so-I-can-go-home in a good while. Again
maybe because I actually wasn't tired for once. But anyway..it was
nice to actually enjoy a concert again.

So now for the actual reviewing..

Darkest Hour was good, although not as excellent as I thought it would be
from my very quick pre-listening the day before. They had some melodic
bits and heavy bits and some bits that were both melodic and
heavy, but I kept wishing they would make the guitars a little heavier
and give the vocals more punch to make it into true melodic death
metal (but this may just be because I wish everything was death
metal..). Also, metalcore kids don't know how to mosh. During one
insanely heavy song, there was NO ONE in the pit. At one point the
singer called for a circle pit, and one guy pushed another around the
floor, and that was it. I had come straight from work and had a bunch
of "luggage" with me, otherwise I would definitely have had to teach
those kids a lesson.

Suicide Silence was great. Ultra heavy, just an all out assault
on the senses (being a bit ADHD, I like music that overwhelms all
distractions in my brain). But it wasn't just the usual grinding-bass
grindcore band; the vocals were more of a black metal shriek, and they
mixed in some other unusual sounds as well.
They varied the tempo, too, with some fast riffs and some slow,
soul-shakingly heavy segments. Overall it was just all-consuming
nonstop heaviness (the singer didn't waste a lot of time talking
either) and it never got boring either. There was better moshing for
these guys but some grindcore silliness too - a few guys doing moves
that reminded me of kung fu drills in the pit.

I thought that with their nonstop delivery of heaviness, Suicide
Silence would blow Machine Head out of the water, but I was
wrong. They weren't as heavy as Suicide Silence, but definitely heavy
enough. Also, they had great riffs and guitar solos, as well as
powerful lyrics and melodies that took the place of overwhelming
heaviness in holding my interest and making me headbang. I didn't
really like their old stuff much before this concert - although I
thought their new album was amazing and that was why I went to the
concert at all - but after seeing them live I have new enjoyment of
their music. The singer delivered a short speech before the first
encore, and usually I'm the jerk that shouts "Play some damn music"
when the band gets speechy, but it seemed like he was really speaking
from his heart, thanking the band's fans and talking about how music
got him through tough spots, as well as high points, in his life, so I
actually listened and was touched by what he said, even though I'm a
relatively new fan of the band. Then the first encore, "Darkness
Within," which starts with a long acoustic segment, convinced me for
certain of the guy's amazing songwriting abilities. That's right, I
said first encore. I think they played three encores. They played for
about 2 hours overall. I was so exhausted by the end, I was leaning on
the barrier in front of the sound tech area thing, but still the music
moved me to headbang till the end.

Overall it was an excellent experience, well worth the exhaustion. It
was also neat to see three bands of such different styles on one
night. You could definitely see the change in the crowd as the bands
changed - but I for one enjoyed all three.

Dio Disciples, Disciples of Sabbath, A Sound of Thunder, Bloodlines - 9/24/11 at Jaxx

Although I love Dio, to be honest I went to this concert because A Sound of Thunder was opening. Otherwise it would not really have caught my interest. But A Sound of Thunder is an awesome local band that I hadn't seen for some time, so mainly for their sake (and because S. wanted to) I went.

We got there in the middle of Bloodlines's set and listened to a few songs. I don't have much impression of them. (Sorry, my brain is not completely functional these days. Blame the meds.) S. posted a setlist albeit a very short one for Bloodlines.

Fortunately A Sound of Thunder was second, so we got to hear their whole set. They veer more toward a classic metal sound, although Nina does throw in some harsher vocals every now and then. What I like most about them is that when they get going, they shake the house with their thunderous sound. This time I thought they started out a little quiet. They started with "Walls" which is a pretty catchy song but didn't quite get me moving. But then near the end of second song, "Murderous Horde," came this amazing barrage of sound! I love it when this band lives up to their name! They played some new songs as well as their "classics." Apparently people get mad if they don't play "Blood Vomit" and I'm glad this caused to them to play cause it's one of my favorite songs from their latest CD. They ended with their "theme song," "A Sound of Thunder" which is my all time favorite song by them. I can't wait till their new album comes out but seeing them live is even better. Nina has a powerful voice and I love the way they shake the walls. Oh yeah and at one point Nina used a whip to induce awesome, virtuoso soloing from the guitarist. I just felt bad the guy didn't get any applause cause they went right into a song. I'm sure the whole room would have thundered with applause. ha, ha.


One of their new songs. It's not my video, and I'm not in it either..I'm afraid my hair would get tangled in someone's guitar if I went right up to the front O.o

After that was Disciples of Sabbath, an Ozzy era Sabbath cover band. I'm not a huge Ozzy fan so I was not terribly interested in them. The singer looked a bit like a chubby(er), blond Ozzy, complete with make-up, and they did decent renditions of the songs I recognized (could not for the life of me tell you the song titles though..um..see S's setlist.)

Last, of course, was Dio Disciples, which was Dio's band with Ripper Owens (Charred Walls of the Damned, Beyond Fear, Judas Priest, Iced Earth) and Toby Jepson (Little Angels, Gun) doing vocals. It was amazing to hear these songs live and performed by such talented people (not just the vocalists but the band as well). As a metal n00b I figured I'd never get to hear them anywhere close to original quality (I was just getting into metal when Dio died) but obviously, this was something quite other than an opening act cover band! The songs I knew well enough to judge were all sung by Ripper and I think he did his best on the lower parts, his high notes didn't quite match the sound of Dio. (But then, the guy's not Dio, and he did do a really good job anyway I thought.) My favorite was "Holy Diver" (too predictable?) I was literally falling asleep on my feet by the end and didn't enjoy the two encores ("Rainbow in the Dark" and "We Rock") as much as I should have. Damnable job interviews at 7 in the morning!

I thought that this was a one tour wonder but apparently Dio Disciples is an actual band. If so, I hope they come around again sometime. RIP Ronnie James Dio. Your music will live forever!

Next review: Would you like me to review Chinese opera?? That's what I'll be seeing tonight XD If it's metal you desire, then the next show on my calendar is Sabaton on Oct. 17 - with A Sound of Thunder opening!! can't wait!!