My readers will know that there are few things I love more than a good folk pit. And Switzerland's Eluveitie makes some damn good folk pit music. Estonia's Metsatöll, meanwhile, is among my favorite folk metal bands for another reason - their music has a very authentic feel, in large part due to the solemn singing style that reminds me of actual Baltic folk songs. And they play the kannel (Estonian zither) live on stage! What other metal band does that? Tyr meanwhile.. tons of my friends love them to death. I like 'em all right. I didn't mind seeing them but wasn't super excited about them, either. But anyway, I was looking forward to this show for most of the summer, just for the kick-ass folk pits for Eluveitie.
I don't know how good this review will be, though, because I found it a bit hard to actually pay attention to the music that night. For one thing, I had a lot of personal stuff on my mind, which was taking up a lot of my attention, even during sets sometimes. And then there's the fact that I always have a frickin blast at folk metal shows, and spend all my energy dancing and going crazy instead of thinking about what to write in some damn review. But I'll give it a shot anyway, for the record if nothing else.
We arrived about quarter or ten of eight, for an 8:00 show time -- and found that the line to get into SoundStage wrapped around the corner, from Market Pl onto Lombard St. Needless to say, K and I started to get antsy about whether we'd get in in time to see Metsatöll. Then we were told if we needed to buy tickets or pick up will call tickets, to go to another line, which seemed shorter, but in fact moved slower than the first line we were in. I heard some guys in line discussing my, uh, appearance, but didn't hear what conclusion they came to, but did hear an unfortunate slur :( It was not an omen of things to come though, as the evening went great for me in my new persona :)
We did get in in time for Metsatöll -- they started just as we were purchasing/picking up tickets. K and I watched from the back for a song or two. I linked arms with a guy who was dancing nearby. Then I saw that a pit had formed, so I ran to it, but it was rather brutal for me. They played a lot from their new album (so not a lot of stuff I recognized), which does indeed have a rather thrashy vibe under the the folk instruments and the solemn vocals. The singer even introduced one of the songs as a thrash song and told the audience to go crazy in the pit - which they did. The only song I can remember for sure was "Kivine Maa," although I think there were a couple of other older songs. I'm sure they played "Küü," for instance. I was stoked to hear/see Lauri play the kannel on stage (and also to hear people chanting his name..cause I recently changed my own first name to Lauri, so it was like people were chanting my name XD). From the new album, I believe they played "See On See Maa" and "Must Hunt," and perhaps "Tôrrede Kôhtudes," which, if I have the song right, they introduced as a "love song," and I went and danced around in the pit for it. They ended with something they introduced as "Together," which was another of the fast, thrashy ones.
It was to be a night of missed beginnings. When Tyr started, I was wandering around the venue looking for someone. I hurried into the crowd, and found some friends. (I can't remember if this was the point when I picked out S by his white Rainbow shirt. I do recall I was standing beside Im. for the first couple songs of Tyr.) Of course they started out with "Blood of Heroes" - I knew it from the opening riff that sounds so much like Amon Amarth's "Twilight of the Thunder God." It's a fairly catchy song, and the crowd was amped to hear it. They followed that up with an oldie, "Tróndur í Gøtu," one of my favorite Tyr songs for its epic melody. A few songs after that was the classic "Hold the Heathen Hammer High," and I think I ran to the pit at that point, because who could resist jumping around in the pit to that song? Besides, I wanted to mosh a little with my friend L, and he had said he was going to get destroyed in the pit for Tyr and be no good for Eluveitie, so I had to seize my chance during Tyr's set. But the pit was still so brutal I hardly dared go in. While I'm not super familiar with Tyr's discography, it seems like they played a pretty good mix of songs from their latest album Valkyrja ("Blood of Heroes," "Mare of my Night," "Lady of the Slain") and older songs, including the ones mentioned above, "By the Sword in My Hand," and "Shadow of the Swastika" (ok, just slightly older). Besides one slow song - which I liked for the vibes of old songs like "Ormurin Langi," my fave Tyr song - the songs were quite energetic, which made the pit fun, if even just to watch.
And then when Eluveitie started, I was outside, and had to abandon people who were slow getting back in the venue. I think they were in middle of something from their new album, Origins, when I made my way into the crowd and eventually to the pit. Of course, it was still big and crazy. This is the first pit in a while that's been so crowded that my hair was getting stuck between people (which is incredibly painful, and made the pit a lot less fun than it could be). They played largely from Origins, with one of their older (or newer) classics thrown in every 3 or 4 songs. Many of the new songs are quite speedy and heavy, which really got the pit going, but there were fun folk-melody moments as well, where I, and a couple others, tried to get the dancing started. Every now and then we were successful in getting a jig line or circle going, or at least in getting a bit of dancing in before the shoving started. There were a couple guys who insisted on shoving people around even during the slower, quieter or more danceable parts of songs. I mean, come on, "Slania's Song" and "Rose for Epona" are not really moshing songs. There are plenty of other Eluveitie songs for that. I was psyched that they played "Luxtos," which is probably my favorite Eluveitie song, or least their best folk pit song in my opinion. It has this chorus that makes you wanna jump, sing along, dance and push people around all that the same time, and I'm pretty sure I did all four at some point during the song. They would follow that up with the classic "Inis Mona" and then the highly danceable "Vianna," so I was too exhausted to do much besides watch for the rest of the set after that. But I got energized again during the encore, which started with their theme song, "Helvetios" (including the album intro track) and then another classic, "Omnos." I was stoked to get in a jig circle for them one more time, and then hung back while the crazies brutalized each other to the last song of the evening, "King." I'd be surprised if they hadn't played every song from Origins by the time the set was done.
I limped out of the pit with massive bruises on one leg (from someone falling over my leg while I was just standing by the pit), some scratches oddly enough, and my waist-length hair matted into one big tangle (yay!). It was worth every battle scar and all the time it will take this week to untangle my hair. Folk metal shows are the best - all the best people are there, the pits are the most fun, and the energy is amazing. The pits were certainly more brutal than I really like at a folk metal show (cause it makes it hard to dance), but I still had an awesome time, and the bands definitely did not disappoint.
Next show: Within Temptation & Amaranthe, Oct. 7
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Showing posts with label Eluveitie. Show all posts
Showing posts with label Eluveitie. Show all posts
Tuesday, September 23, 2014
Wednesday, January 2, 2013
Eluveitie, Wintersun, Varg - 12/19/12 at Mr. Small's Theatre, Millvale (Pittsburgh), PA
Wintersun's first ever US tour! I think we would even have driven to New York to see them, or even further if we had to, but as it was, the closest stop to us was in Pittsburgh, PA. The show was very well attended - several of the other tour stops were sold out, but I'm not sure if this one was. The venue seemed to have about the same capacity as Jaxxpire (a couple hundred people) but with a different layout. More on that later. The drive up to Pittsburgh, although long, was not bad because of the interesting terrain/roads/things on the side of the road, the mountain views and the proliferation of Sheetz along the way (I think we stopped at Sheetz four times on the round trip).I would definitely do it again for a group as phenomenal as Wintersun.
The show started at 7:30, but due to traffic and walking from a distant parking spot, we got there around 7:45, and then still had to wait in line to get in. Mr. Small's gave a new meaning to the term "Metal Church" - it literally was a big old brick church that had been turned into a concert venue (and recording studio and "funhouse"?). Inside, it was just one big cavernous room (former church after all) with a stage at one end and a bar at the other. On one side was the merch, and on the other a stand selling french bread pizza (every now and then during Wintersun's set, a garlicky smell would waft over the audience).
Because of our tardiness, we only caught the last song by Varg. They sounded much better live than on their recordings - more intense and more folk melody/vibe. It was too bad we missed most of their set.
Wintersun was great as expected. They played mostly songs from their newest album, but also a few old ones. They didn't play any of the "new" ones that they've played before like "The Way of the Fire." There were pits for most of their songs, with an especially wild pit for "Battle Against Time." I noticed that that song in particular sounds a lot like Ensiferum - not a huge surprise since Jari used to be the singer for Ensiferum.
Eluveitie was also great. They played the entirety of their latest album, Helvetios. I was pretty stoked about that since it meant I'd get to hear some of favorite songs from that albums, "Helvetios" and "Luxtos," which were songs that I didn't think they would play live otherwise. But I was also worried about having enough energy for the pit, because there are sooo many furious fighting songs on that album. In the end, I didn't go in the pit for every song, or stay in for the whole song when I did. There wasn't much of a folk pit in the beginning, but I managed to get people dancing, and we did have a few good jig circles, as well as pits full of jigging pairs. It was a fun time.
There was a wall of death (for "Meet the Enemy"?), which Chrigel invited with the words "I want it to look like fucking Braveheart!" I was behind some people in the wall of death, and during the crazy pit immediately after, a guy took me by the shoulders and literally pushed me out of the pit. The audience actually set up a second wall of death during the same song. A tall girl in gray sweater actually took charge of it! I wanted to say hi to her but she disappeared as soon as the encore was over.
Oh yeah, so after playing all the songs from Helvetios, the band left the stage, but they came back and played four more songs, including "Everything Remains...," "Inis Mona" and "Tegernako," energetic songs with lots of moshing and dancing, and a little sing-along for "Inis Mona." Not only was there a mosh pit for "Inis Mona," there were pits for slower sadder songs like "Rose for Epona" and "Alesia" which just made me shake my head. (But the same big guys who were moshing during the verses were singing along to the choruses XD) Chrigel apparently thought we were an awesome audience, and at the end of the show, he gave his necklace to a girl in the front row, so that she would remember him :P
The show was totally worth the trip up to Pittsburgh, not just to see Wintersun, but also to see Eluveitie with such a great crowd. I had almost no complaints (besides that the pit should have been more folky); it was an almost perfect show.
Next show: Enslaved, at the end of this month
The show started at 7:30, but due to traffic and walking from a distant parking spot, we got there around 7:45, and then still had to wait in line to get in. Mr. Small's gave a new meaning to the term "Metal Church" - it literally was a big old brick church that had been turned into a concert venue (and recording studio and "funhouse"?). Inside, it was just one big cavernous room (former church after all) with a stage at one end and a bar at the other. On one side was the merch, and on the other a stand selling french bread pizza (every now and then during Wintersun's set, a garlicky smell would waft over the audience).
Because of our tardiness, we only caught the last song by Varg. They sounded much better live than on their recordings - more intense and more folk melody/vibe. It was too bad we missed most of their set.
Wintersun was great as expected. They played mostly songs from their newest album, but also a few old ones. They didn't play any of the "new" ones that they've played before like "The Way of the Fire." There were pits for most of their songs, with an especially wild pit for "Battle Against Time." I noticed that that song in particular sounds a lot like Ensiferum - not a huge surprise since Jari used to be the singer for Ensiferum.
Eluveitie was also great. They played the entirety of their latest album, Helvetios. I was pretty stoked about that since it meant I'd get to hear some of favorite songs from that albums, "Helvetios" and "Luxtos," which were songs that I didn't think they would play live otherwise. But I was also worried about having enough energy for the pit, because there are sooo many furious fighting songs on that album. In the end, I didn't go in the pit for every song, or stay in for the whole song when I did. There wasn't much of a folk pit in the beginning, but I managed to get people dancing, and we did have a few good jig circles, as well as pits full of jigging pairs. It was a fun time.
There was a wall of death (for "Meet the Enemy"?), which Chrigel invited with the words "I want it to look like fucking Braveheart!" I was behind some people in the wall of death, and during the crazy pit immediately after, a guy took me by the shoulders and literally pushed me out of the pit. The audience actually set up a second wall of death during the same song. A tall girl in gray sweater actually took charge of it! I wanted to say hi to her but she disappeared as soon as the encore was over.
Oh yeah, so after playing all the songs from Helvetios, the band left the stage, but they came back and played four more songs, including "Everything Remains...," "Inis Mona" and "Tegernako," energetic songs with lots of moshing and dancing, and a little sing-along for "Inis Mona." Not only was there a mosh pit for "Inis Mona," there were pits for slower sadder songs like "Rose for Epona" and "Alesia" which just made me shake my head. (But the same big guys who were moshing during the verses were singing along to the choruses XD) Chrigel apparently thought we were an awesome audience, and at the end of the show, he gave his necklace to a girl in the front row, so that she would remember him :P
The show was totally worth the trip up to Pittsburgh, not just to see Wintersun, but also to see Eluveitie with such a great crowd. I had almost no complaints (besides that the pit should have been more folky); it was an almost perfect show.
Next show: Enslaved, at the end of this month
Saturday, March 10, 2012
Children of Bodom, Eluveitie, Revocation, Threat Signal - 3/4/12 at Ram's Head Live, Baltimore, MD
We completely missed Threat Signal. I had worked for 38 of the 48 hours before the concert, so I did not feel like rushing back to Baltimore.
Revocation was in the middle of their set when we got there. I thought they sounded better - heavier, more interesting - than on their Youtube videos (my primary way of researching bands I don't know), but S. thought the opposite. They were loud and heavy with some cool riffs, but fell short of awesome. The singer said something silly about Skyrim which I had already read on Youtube. We wondered if he said the song was about Vikings just to play to the folk metal crowd.
I may be biased, but Eluveitie was awesome. They were much heavier than I expected for a folk metal band that actually uses a lot of folk instruments. I started to wonder whether they made their sound heavier and/or picked their heavier songs for the set just because they were touring with three death metal bands.
S. said that Eluveitie's drums were too loud, but I did not really notice during the show. In the first song ("Everything Remains..") the drums sounded like an army marching and banging their swords, which I thought was pretty cool. From the front, I could hear the acoustic instruments like the tinwhistle, but I guess they were a little overpowered by guitars and drums.
At first people did not seem to know it was ok to mosh for folk metal (most of crowd seemed to be death metal fans although there were a few definite folk metal fans). I tried to start pit during the second song ("Nil") but did not quite dare run into the really big guys. But when the singer called for a circle pit for the 3rd song ("Kingdom come undone") they sure got into it. (I was standing right near "Primordial shirt guy" when the singer picked him but I think you can only see the top of my head in the video. The circle pit was pretty big though you can't really see it since it's dark.) There was not much of a folk pit at any point, though there were a few moments of jigging (I owned the pit with a jig at one point). There was also a girl pit at one point; sadly I can't find any youtube videos of it. If anyone has one, please post and tell me!
I don't really do the setlist thing - that's usually S's forte - but Eluveitie did play one new song which they said they hadn't played before on the tour: "The Siege." Otherwise they seemed to play the same setlist as their other shows on this tour.
Other fun videos:
Intro and first 2 songs
"Inis Mona" (last song they played)
None of the videos are mine. Much gratitude to the metal people who take vids and post on youtube, so that those of us who are too busy moshing and headbanging can enjoy later XD
Children of Bodom were amazing, of course. I couldn't hear as much of their awesome melodies as I would have liked (too loud and heavy, the melodies were drowned out), but the heaviness made up for it. Now I can really see them as a death metal band (and understand why there were so many death metal fans there. Nothing against death metal or its fans, but I was hoping for a good folk crowd for Eluveitie). I wondered what the death metal fans thought of the more (very much more) melodic segments in COB's music, like the parts that sound somewhat like Nightwish.
You all know my highest compliment to a band is that they sound like thunder (ex Medeia and A Sound of Thunder) but COB did one better. Not just thunder, they sounded like a thundering war machine, like some alien battleship pounding the earth, it was so intense. The pits were massive and crazy. We were all the way in the back (I was wiped out after Eluveitie and didn't think I could handle the giant pits anyway) and we still got jostled around.
I would have gone to see either Eluveitie or COB on their own, so it was great to see them together kind of like a "package deal." Next time though, I hope Eluveitie tours with folk metal bands for more folk metal fun in the pit!
Next concert: Iced Earth, Warbringer - 3/13/12. I kind of forgot about this one, augh!
The photos are by Steve Wass. More photos
Revocation was in the middle of their set when we got there. I thought they sounded better - heavier, more interesting - than on their Youtube videos (my primary way of researching bands I don't know), but S. thought the opposite. They were loud and heavy with some cool riffs, but fell short of awesome. The singer said something silly about Skyrim which I had already read on Youtube. We wondered if he said the song was about Vikings just to play to the folk metal crowd.
I may be biased, but Eluveitie was awesome. They were much heavier than I expected for a folk metal band that actually uses a lot of folk instruments. I started to wonder whether they made their sound heavier and/or picked their heavier songs for the set just because they were touring with three death metal bands.
ELUVEITIE!
S. said that Eluveitie's drums were too loud, but I did not really notice during the show. In the first song ("Everything Remains..") the drums sounded like an army marching and banging their swords, which I thought was pretty cool. From the front, I could hear the acoustic instruments like the tinwhistle, but I guess they were a little overpowered by guitars and drums.
At first people did not seem to know it was ok to mosh for folk metal (most of crowd seemed to be death metal fans although there were a few definite folk metal fans). I tried to start pit during the second song ("Nil") but did not quite dare run into the really big guys. But when the singer called for a circle pit for the 3rd song ("Kingdom come undone") they sure got into it. (I was standing right near "Primordial shirt guy" when the singer picked him but I think you can only see the top of my head in the video. The circle pit was pretty big though you can't really see it since it's dark.) There was not much of a folk pit at any point, though there were a few moments of jigging (I owned the pit with a jig at one point). There was also a girl pit at one point; sadly I can't find any youtube videos of it. If anyone has one, please post and tell me!
I don't really do the setlist thing - that's usually S's forte - but Eluveitie did play one new song which they said they hadn't played before on the tour: "The Siege." Otherwise they seemed to play the same setlist as their other shows on this tour.
Other fun videos:
Intro and first 2 songs
"Inis Mona" (last song they played)
None of the videos are mine. Much gratitude to the metal people who take vids and post on youtube, so that those of us who are too busy moshing and headbanging can enjoy later XD
Children of Bodom were amazing, of course. I couldn't hear as much of their awesome melodies as I would have liked (too loud and heavy, the melodies were drowned out), but the heaviness made up for it. Now I can really see them as a death metal band (and understand why there were so many death metal fans there. Nothing against death metal or its fans, but I was hoping for a good folk crowd for Eluveitie). I wondered what the death metal fans thought of the more (very much more) melodic segments in COB's music, like the parts that sound somewhat like Nightwish.
Children of Bodom, RAR
You all know my highest compliment to a band is that they sound like thunder (ex Medeia and A Sound of Thunder) but COB did one better. Not just thunder, they sounded like a thundering war machine, like some alien battleship pounding the earth, it was so intense. The pits were massive and crazy. We were all the way in the back (I was wiped out after Eluveitie and didn't think I could handle the giant pits anyway) and we still got jostled around.
I would have gone to see either Eluveitie or COB on their own, so it was great to see them together kind of like a "package deal." Next time though, I hope Eluveitie tours with folk metal bands for more folk metal fun in the pit!
Next concert: Iced Earth, Warbringer - 3/13/12. I kind of forgot about this one, augh!
The photos are by Steve Wass. More photos
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