Sooo...I haven't reviewed anything on here for a while.
It's been largely a question of motivation, more than time or anything else, because I've managed to find time to write constantly for my another blog o' mine, sometimes even two posts a week. I have some attention issues which make me leap to do the things I find fun, interesting or obsessing (and make it hard to anything else till those things are done) while also making me adverse to doing anything that seems hard or boring. And unfortunately, for quite a while now this blog has felt like a chore. And so, as my writing projects (metal and otherwise) have piled up, this one has kind of fallen by the wayside.
But I'm not ready to give up on this blog yet. I've made a lot of friends and connections in the local scene because of this blog. And people are still visiting the site, even though I haven't updated in months. Most of all, I feel like reviewing local bands is still an important contribution I can make to the local scene. And so, I'm going to try to keep it going. Sometimes, we have to do things that are hard, cause they may be worthwhile even if they don't feel like fun at the time.
I'm also going to try to get back into doing book reviews, particularly of local and/or self-publishing authors.
Anyway, to get back into the swing of things, here's a review I drafted back in May the night after the show, but never got around to finalizing and posting. It actually doesn't include any locals, but after this I think I have the notes for an entirely local show, Isenmor's CD release party show in June. I actually typed a loooong thing about MDF, as well, but I'm not going to post it because it ended up being way more about personal stuff than about the music. I might still write a summary of the music, just to have an entry in my "concert diary" that, oh yeah, I went to MDF this year.
Anyway. Enough of that - here's my review of Ensiferum and Korpiklaani at Soundstage in May:
Seeing as this show was three days after Maryland Deathfest, I wasn't all that sure I'd have the babysitting cred, or social energy, to go. But then there was a two-for-one ticket deal, and I felt obliged to ask my brother if he'd like to go, and to my surprise he said yes, and so I bought the tickets and had to go. Turned out to be a good decision despite the potential guilting from my daughter's grandparents, cause I had an awesome time.
There was some sort of delay on the way up, and so we got there right as Korpiklaani starting. I had been aiming to get there sometime during or toward the end of TrollfesT's set, cause I don't much care for them, but we overshot it and missed some of Korpi instead :/
Korpiklaani played a lot of songs I didn't recognize - but then I don't listen to them, or folk metal in general, much anymore. (It's fun live, but at home I prefer the doomy end of the melodeath spectrum.) I hadn't listened to Korpi's new album, Noita, before the show, but I'm pretty sure they started with "Viinamäen Mies" from the new album. The first song I recognized was "Sumussa Hämärän Aamun" (one of my favorite Korpi songs) and that was maybe the 6th song in. After listening to Noita, I'm pretty sure they also played "Pilli on Pajusta Tehty," "Lempo" and I know they played "Ammanhauta" because Jonne introduced that song. There was an enormous pit on their first song, and I wondered if I would be able to go in the pit at all. But a couple songs later there was dancing, so I went in. The moshing to dancing ratio was still higher than I'd have liked, but it was still fun. I also had to spend time with my brother (who just wanted to stand in the back - concerts aren't actually really his thing), so I couldn't be in the pit all the time anyway. There were very few songs I recognized overall - besides "Sumussa Hämärän Aamun," there was "Vodka" (of course), "Wooden Pints" (of course), "Juodaan Viinaa," "Rauta," and maybe something else. But just about all the songs were in Finnish, so that was cool - there seemed to be less of the generic silly songs about alcohol, and more really folky stuff. And it was a fun time in the pit - I was literally soaked in sweat head to toe by the end of their set.
A little while later, Ensiferum came out to the intro and a song from their new album One Man Army, I believe. They played a second new one - and then the singer announced we were going to "ride INTO BATTLE." "Hold this," I said, pushing my ice water into my brother's hands, and made my way to the pit as that epic intro wafted over the crowd. As I expected, the pit was crazy, but I'd been waiting years to mosh to this song, so I toughed through it and kept moving the whole time. I even got to dance a little. After that song ended, I rested my head on my buddy L's shoulder and said, "I'm done." He wasn't gonna let me leave the pit so I had to tell him I had to retrieve my "drink" from my brother. The rest of the set consisted of a lot more songs from One Man Army, as well as a few other classics ("Ahti," "Victory Song"), and "Unsung Heroes" and "Burning Leaves" from their previous album. The songs from One Man Army were good - they were fast and interesting, though not quite like old Ensiferum. The singer encouraged the moshers, especially for "One Man Army," which was quite thrashy. (There were sound problems during that song though - I couldn't hear the lead guitar at first, just thundering drums and bass.) The songs from Unsung Heroes, meanwhile, sounded like "Ensiferum plays generic folk metal" - though they did have some redeeming parts. [I didn't write down what they were at the time, and by now I've forgotten :/ ] Their keyboard player was "left behind," but instead they had Netta Skog (formerly of Turisas) on accordion, which seemed to adequately complete their sound.
At the start of their encore, everyone switched instruments, and with Netta singing (and wearing a shiny police cap), they performed a silly cover of "Breaking the Law." Then they played "From Afar" and "Token of Time" with a sing-along, and closed with "Iron." I actually enjoyed their set a lot. The new songs were good, and they worked in a decent number of old songs, though I did wonder that they didn't play "Lai Lai Hei" or "Deathbringer From the Sky." I guess with a new album to promote, they had to leave something out.
Dare I say it - I think I actually had more fun at this show than at MDF. The pit was a little more brutal than I usually like, but still fun. It was totally worth winding up soaked in sweat and getting cracked in the jaw. Never mind all the hassle with getting to the show - that was all forgotten by the end of the night, subsumed by all the fun memories.
Next show - Well, tonight I'm going to see Iris Divine, MindMaze and Dogs & Day Drinkers, should be good!
Showing posts with label Viking metal. Show all posts
Showing posts with label Viking metal. Show all posts
Saturday, August 1, 2015
Monday, February 4, 2013
Enslaved, Pallbearer, Royal Thunder, Ancient VVisdom - 1/31/2013 at Ottobar, Baltimore, MD
I'm very glad I went to this show. I had some doubts, but I wound up enjoying it, most especially Enslaved's set.
This was my first visit to Ottobar, and so far it's the most underground (or at least underground-seeming) music venue I've been to in this area. I liked the posters and stickers plastered all over the walls, even if the only band I had heard of was Fallen Martyr. The bathroom was very tiny, though, and there was no quiet place to hang out and talk during an "off" set (not much seating at all in the bar area).
We got there during the local opener's set; honestly, I didn't pay much attention to them, other than noting that it was so loud, I couldn't talk to Enslaved's merch person until they finished playing. I was very tired, so I was kind of out it for much of this show :P
The first of the touring bands to come on was Ancient VVisdom (note that's spelled with two V's; Ancient Wisdom is a different band). Their sound is difficult to define. I've seen it called "occult rock" and "dark rock"; it's pretty heavy and kind of doomy, but not quite powerful enough to be metal. They were pretty intense, though - the drummer pounded on the drums and cymbals with mallets and the two electric guitars provided some background heaviness. At the same time, they had an acoustic (acoustic electric?) guitar, whose clean sound drifted over the pounding drums and churning guitars. The vocals were unremarkable, but being clean and little bit high, provided more contrast with the drums and heavy guitars. During one song, the singer brought out an actual chain and banged it on what looked like a wrought iron table; I found this DIY sound effect pretty entertaining. Overall, their sound was interesting and moving, although not really heavy or fast enough for headbanging. I liked them; it's always good to be exposed to something new and little different.
Royal Thunder was a little too different, though. To me, they seemed to be a bit all over the place; their guitars sounded messy and without direction, and the vocals had an irritating edge to them. I was also getting even more tired and having trouble paying attention.
Unfortunately, my sleepiness worsened during Pallbearer's set. I had listened to them a bit beforehand and was not terribly interested - their brand of doom metal is extremely slow without a lot of melody or development. But seeing them live was actually enjoyable (maybe partly because one of the guitarists was rather handsome!). They were slow, but extremely heavy. The guitars almost drowned out the vocals, which receded to just some vague harsh noises. I especially enjoyed them when I closed my eyes and let the slow, heavy riffs wash over me - which is usually the best way to listen to doom metal anyway XD Surprisingly (since I don't usually think of doom metal being something that appeals to a wide sector of metalheads) the crowd seemed really into them too - we were standing on a raised step or bench thing to the side and could see the whole crowd, and the floor was pretty full and most people were slowly bobbing their heads in time to the guitars.
I took a nap on S's shoulder after Pallbearer finished, which turned out to be a great idea, as it left me feeling much revived when Enslaved came on. All the guys in this band of Norwegian Vikings are very tall, which made them seem to tower over the audience, especially when we went down to the floor near the end of the set. I was excited to see Enslaved, because they put on a great show when I saw them two years ago at Tuska Fest, but I wasn't initially thrilled with their latest album Riitiir, although it began to grow on me the more I listened to it. It turned out that what I observed about Enslaved two years ago after Tuska is still true now - their recordings don't come close to capturing the power they put out performing live.
Their riffs straddle the continuum between black metal melancholy and melodeath epicness, and filled the venue with energy whether the song was fast or slower, accompanied by death growls or clean vocals (clean vocals provided by the keyboardist, I learned). I was surprised not to see the crowd moving much in the first half of the set, but during "Ethica Odini" a pit finally broke out. I was happy to stand on the side and headbang. Although "Ethica Odini" and "Allfadr Odinn" have some of the greatest riffs ever, my favorite song of the night was "The Watcher," because it was so unexpectedly, intensely fast. They played a good mix of songs old and new, with only about one quarter of the setlist being from the latest album.
There were some technical difficulties partway through the set - something with the second guitar's amps, I think - and the lead vocalist and second guitarist tried to play it off by telling some truly terrible jokes (ok, well the one about festivals was decent).
After this show, Enslaved has now firmly established themselves in my mind as The Best Viking Metal Band - right up there with Amon Amarth, which isn't really a Viking metal band. Although the openers may not appeal to everyone, it's worth going just to see Enslaved, who should satisfy anyone that likes the most vital component of metal - heavy, powerful guitars!
Photos by Steve Wass (though the super blurry photo of Enslaved is courtesy of my phone!)
Next show: Turisas and Firewind - TOMORROW!
This was my first visit to Ottobar, and so far it's the most underground (or at least underground-seeming) music venue I've been to in this area. I liked the posters and stickers plastered all over the walls, even if the only band I had heard of was Fallen Martyr. The bathroom was very tiny, though, and there was no quiet place to hang out and talk during an "off" set (not much seating at all in the bar area).
We got there during the local opener's set; honestly, I didn't pay much attention to them, other than noting that it was so loud, I couldn't talk to Enslaved's merch person until they finished playing. I was very tired, so I was kind of out it for much of this show :P
The first of the touring bands to come on was Ancient VVisdom (note that's spelled with two V's; Ancient Wisdom is a different band). Their sound is difficult to define. I've seen it called "occult rock" and "dark rock"; it's pretty heavy and kind of doomy, but not quite powerful enough to be metal. They were pretty intense, though - the drummer pounded on the drums and cymbals with mallets and the two electric guitars provided some background heaviness. At the same time, they had an acoustic (acoustic electric?) guitar, whose clean sound drifted over the pounding drums and churning guitars. The vocals were unremarkable, but being clean and little bit high, provided more contrast with the drums and heavy guitars. During one song, the singer brought out an actual chain and banged it on what looked like a wrought iron table; I found this DIY sound effect pretty entertaining. Overall, their sound was interesting and moving, although not really heavy or fast enough for headbanging. I liked them; it's always good to be exposed to something new and little different.
 |
| Ancient VVisdom |
Royal Thunder was a little too different, though. To me, they seemed to be a bit all over the place; their guitars sounded messy and without direction, and the vocals had an irritating edge to them. I was also getting even more tired and having trouble paying attention.
Unfortunately, my sleepiness worsened during Pallbearer's set. I had listened to them a bit beforehand and was not terribly interested - their brand of doom metal is extremely slow without a lot of melody or development. But seeing them live was actually enjoyable (maybe partly because one of the guitarists was rather handsome!). They were slow, but extremely heavy. The guitars almost drowned out the vocals, which receded to just some vague harsh noises. I especially enjoyed them when I closed my eyes and let the slow, heavy riffs wash over me - which is usually the best way to listen to doom metal anyway XD Surprisingly (since I don't usually think of doom metal being something that appeals to a wide sector of metalheads) the crowd seemed really into them too - we were standing on a raised step or bench thing to the side and could see the whole crowd, and the floor was pretty full and most people were slowly bobbing their heads in time to the guitars.
 |
| Pallbearer |
I took a nap on S's shoulder after Pallbearer finished, which turned out to be a great idea, as it left me feeling much revived when Enslaved came on. All the guys in this band of Norwegian Vikings are very tall, which made them seem to tower over the audience, especially when we went down to the floor near the end of the set. I was excited to see Enslaved, because they put on a great show when I saw them two years ago at Tuska Fest, but I wasn't initially thrilled with their latest album Riitiir, although it began to grow on me the more I listened to it. It turned out that what I observed about Enslaved two years ago after Tuska is still true now - their recordings don't come close to capturing the power they put out performing live.
 |
| Blurry photo of Enslaved where you totally can't see the shirtless lead guitarist's cool leather pants |
Their riffs straddle the continuum between black metal melancholy and melodeath epicness, and filled the venue with energy whether the song was fast or slower, accompanied by death growls or clean vocals (clean vocals provided by the keyboardist, I learned). I was surprised not to see the crowd moving much in the first half of the set, but during "Ethica Odini" a pit finally broke out. I was happy to stand on the side and headbang. Although "Ethica Odini" and "Allfadr Odinn" have some of the greatest riffs ever, my favorite song of the night was "The Watcher," because it was so unexpectedly, intensely fast. They played a good mix of songs old and new, with only about one quarter of the setlist being from the latest album.
There were some technical difficulties partway through the set - something with the second guitar's amps, I think - and the lead vocalist and second guitarist tried to play it off by telling some truly terrible jokes (ok, well the one about festivals was decent).
After this show, Enslaved has now firmly established themselves in my mind as The Best Viking Metal Band - right up there with Amon Amarth, which isn't really a Viking metal band. Although the openers may not appeal to everyone, it's worth going just to see Enslaved, who should satisfy anyone that likes the most vital component of metal - heavy, powerful guitars!
Photos by Steve Wass (though the super blurry photo of Enslaved is courtesy of my phone!)
Next show: Turisas and Firewind - TOMORROW!
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