Concert Review - Shell Fest 2015 - Vitality, Aether Realm, Condemn the Infected, Frostclad - 5/9/15 at Nyumburu Cultural Center, University of MD, College Park, MD

So, this is my first review in months! I have actually been to a few shows in the meantime, but didn't review them for various reasons. Alestorm, Swashbuckle and Sekengard on January 29, but that was the night before my family's dog was to be put down, so I was in no mood to enjoy the show, much less review it. Sekengard and Isenmor the following Monday, February 2, which I started to review but never finished writing; I was still kind of out of it. And then later in February, I saw my girlfriend's band, but I can't review them if I wish to be taken seriously. I'm still trying to live down the review I wrote before she and I started dating, heh.

And then somehow a few months went by without me going to any concerts at all. Oh, I was supposed to see Kamelot and DragonForce on April 27, and wanted to see Apocalyptica on April 29, but I couldn't get away for either one. And then the Baltimore Uprising happened and that Kamelot show was canceled/ rescheduled anyway. I'm going to see them when they come around again in the fall. And I was going to go to Empire's Last Show Ever featuring A Sound of Thunder, Yesterday's Saints and Iris Divine (and some headlining band I'd never heard of) but again, couldn't get away.

So it'd been about two months since I'd even been to a concert. May was originally shaping up to be crazy with concerts, but Empire's closing wiped out several of those, and prioritizing my life removed a few others, so now the only things remaining on my calendar are NIGHTWISH, MARYLAND DEATHFEST and a folk metal show. Yes, those things are supposed to be shouted. No, I don't give a fuck if you hate me for liking COB Nightwish - they're the band that got me started on metal.

So anyway - to ease myself back into the metal life and the metal writing, a fun and free show at the University of Maryland - the UMD Metal Club's annual Shell Fest, this year featuring Vitality, Aether Realm, Condemn the Infected and Frostclad. Aether Realm is one my of favorite "local" bands - as a band from a few states away who hasn't quite hit it big yet. They're folky melodeath, or melodeath style folk/Viking metal, or something, in the vein of Ensiferum, with tones of Amon Amarth and Children of Bodom at times too. They were supposed to play at the Finntroll show at Empire in November 2013 but couldn't make it; before that, the last time (and also the first time, I think?) that I saw them was opening for Turisas that spring. So it'd been a while and more than anything else about this show, I was looking forward to seeing them again. I also recalled liking Vitality, so I figured at least half the show should be good.

Unfortunately, everything took way too long on Saturday, including finding the visitor parking on the UMD campus, and so my friend B. and I got there well after the first band, the UM Metal Club's black metal band Frostclad, finished playing. In fact, the second band, Condemn the Infected, was already playing when we got there. As soon as we stumbled upon the well-hidden Nyumburu Cultural Center, our discovery was confirmed by the sound blasting out the open doors. I immediately bumped into my buddy M and spent the rest of Condemn the Infected's set standing around in the lobby chatting with him. I had meant to watch at least a little of their set, but catching up with a friend I hadn't seen in a long time was more fun. (Sorry, folks, it seems I'm getting old and lazy..)

Speaking of people I hadn't seen in a while, Vincent of Aether Realm actually recognized me and said hi. When they were getting ready to play is when M. and B. and I finally abandoned our barricade of the water fountain and went into the room where the bands were playing. It was like a large, high-ceilinged classroom, with a hard tiled floor and a low stage at the far end. There were about forty people on the floor for the two bands I watched, loosely filling the front half of the room, a nice turnout for a hard-to-find venue on a night when two other local shows were happening. The sound was actually pretty good, too; no complaints there.

After numerous false starts/ sound checks, and jokes about being done and leaving the stage, Aether Realm finally got started. The first two songs  ("The Magician" and "One Chosen By The Gods") sounded all right, but I thought they really hit their stride with their third song, "Swamp Witch," and the fourth song, their new single "The Chariot," sounded exceedingly good and tight. Epic riffs warred with tremolo black metal guitars, and the vocals reminded at times of Alestorm and at times of Alexi Laiho. They like to joke around and act silly saying things like, "This is..um.. a song," but once they actually start playing you can tell they take the music seriously, at least. Surprisingly they only played five songs, when it had seemed like Condemn the Infected played for an hour. It was fun though - there was a strong pit, ten to fifteen people, for almost every song, as well as some headbanging lines that stretched almost across the whole floor.

Last band of the night was Vitality from Frederick, MD. I had seen them a year and a half ago at Cafe 611 opening for Arkona. Perhaps the sound there was poor, for this time they were much more brutal and less melodic than I remembered. There were more battering drums and hammering guitars than I recalled, and the vocals were that sort of low roar that sounds almost wordless, it's so incomprehensible. They did have some groovy parts, which were fun. Also, I kept getting distracted by how closely their guitarist Chris resembles by friend S. Chris is taller with longer hair and able to play guitar, but his face, facial hair and hair type are so much like S, and the expressions he makes while playing guitar are spot on like S's expressions (when not playing guitar), that I couldn't help giggling whenever I saw his face (which wasn't often as there was usually a curtain of hair in front of it). I talked to him after their set (and up close, sporting a man bun and with a distinct voice, he's not so reminiscent of S) and it turns out he actually knows S! Go figure, haha.

Being that it was a college campus, the show was over around 10:30, but we hung out till about 11, chatting and pestering Aether Realm about merch. Between meeting up with friends, seeing the long-lost Aether Realm, and hanging out in a chill metal atmosphere, it was a really fun night.

Concert Review: Dark Tranquillity, Insomnium, Aurelian, Oberris, Within Our Gates, Tortile - 1/5/15 at Empire, Springfield, VA

First review of the year! Although this wasn't the first show of the year - I went to Monthly Metal at Guido's in Frederick on Saturday, so that was the first show of the year, but I felt like crap at that show and could barely pay attention to the one band we saw (Day of the Beast) never mind trying to review them. I was kind of worried that the same thing would happen at this show - ok, maybe a lot worried, since Insomnium is one of my favorite bands and I would hate to zone out at their show due to my issues. But for various reasons, I felt much more comfortable at this show, and barely thought about my issues at all.

I got there pretty early, around 6:50. A band was playing, and after excluding the bands I saw later and finding out March to Victory dropped off the show, I conclude it was probably Tortile. They had screamy harsh vocals, and melodic and atmospheric tremolo-y guitar. They seemed like they might be good, but they stopped playing right as I got into the main room.

I spotted my buddy M.C. in the crowd and went to chat with him. We watched the next local opener, Within Our Gates, setting up, and got worried because most of them had short hair, and at least one had gauges in his ears... I wish it weren't so, but you can generally judge the style of music of a band by the length of their hair, and these haircuts screamed metalcore or screamo. But then they started out with a choral intro highly reminiscent of Caladan Brood. And then they launched into energetic, melodic guitaring that sounded kinda like Blackguard on an off day. The reason for the short hair became apparent with the chorus, though - clean, angsty emo vocals. But either that emo sound is growing on me or the angst wasn't at an unbearable level, because I didn't find it annoying - though the singer did occasionally seem a little off key. They did have a lot of good stuff going on in their music, like In Flames-esque melodic riffs. I headbanged a bit and I wasn't the only one showing my appreciation with my hair. They got a lot of applause, too, and even got the crowd to clap along at one point (that's how I know the Euro metal influence is strong with this one XD ). Unfortunately, the sound wasn't great; when the drums and bass got going, they drowned everything else out. There was a short solo in second song, but I could only judge its virtuosity based on the guitarist's hands; it was practically inaudible through the bass and drums. But they were loud and shook the floor, which I guess is a good sign. I kept expecting a pit to break out for the fast, heavy parts (I might have started one if I had a moshing buddy with me) but nothing happened. I figured that presaged a quiet night - maybe people who listen to DT don't mosh? - but I turned out to be wrong about that :) Overall I probably enjoyed Within Our Gates most (emo vocals and all) out of the local openers I saw due to their energy and their fast, melodic guitaring. They have potential to really go somewhere, especially with how popular emo-y metalcore is now; and I hope they do, cause they'd be one of those metalcore bands that are actually good.

Next up was Oberris. I didn't really dig them at first - their sound consisted of noisy jackhammer guitars with weird vocals (I'm not quite sure how to describe them, perhaps a sort of wet shriek with a little of the reptilian flavor of Inquisition, sometimes descending into a rumbling growl that was surprising for the vocalist's small frame). But then they covered a Gojira song and the pounding guitars got my attention. After that they played a thundering song with a bit of groove to it, which I enjoyed all right. The floor was full for them and people seemed to be enjoying it - I saw a couple people in the middle headbanging to the rumbling death metal parts.

Last local band of the night and direct support to the touring bands was my friend Mike's band Aurelian. They only played three songs, but I guess that's what you get when you're a doom band with ten minute songs. The middle song was mostly slow with, I felt, overly strident female vocals. The third song was more a mix of slow and fast, light and heavy. There were a couple awkward transitions, but mostly they did a nice job building up the atmosphere and then crushing us with heaviness. They really killed it at the end when there was a sudden explosion of heaviness and a blast of growl from Mike, then they launched into heavy riffs. Mike once said their main influences are Katatonia and Swallow The Sun, but I don't really hear the melancholy of those bands in Aurelian's music (at least judging from those three songs).

Then the band I came to see - Insomnium, masters of the melancholy and doomy end of the melodeath spectrum. There was something a little off in the first song or two, like things weren't quite in sync, but from there on out they were amazing. They were much louder and heavier than I remember them being at Howard Theatre with Epica. (Then again, I was also much closer to the front this time - in the third or fourth row or thereabouts. That was D.'s doing. I would have hung back - because no way was I going to listen to Insomnium through earplugs - but it actually wasn't painful to go up front without earplugs, just very, very loud.) And anyone who thinks Insomnium is a slow band hasn't heard them play "Where the Last Wave Broke" live. They really amped up the energy on that one, and I think that was when a pit started - right by where we were standing by the right speaker. I did my best to stay out of it cause I had a CD in my pants pocket (great idea, right?) and I didn't feel like moshing for Insomnium; I just wanted to windmill my hair. And I did, in spite of the dense crowd. Far too soon the set was over. To my great disappointment, they didn't play "Weather the Storm" - and they had Mikael Stanne with them, dammit! It's the song that got me into the band, and it's just amazing - the soaring riffs, the uplifting chorus, the way the guys all headbang together in the video.. :D Later, D. diplomatically asked the vocalist and bassist, Niilo Sevänen, about that song, and he said they need Mikael on stage with them or it wouldn't be right, so they can't do it every night. I'm not sure what that means. Maybe Mikael is fiercely protective of his before-stage time, or wants to conserve his voice? Anyway, I'm still bummed since it seems I'll never get to see this phenomenal song performed live.

With Niilo Sevänen of Insomnium

After Insomnium, I joked that I was done and D. gave me a look... XD Somehow, over the couple of years I've been into melodeath, I've only gotten moderately into Dark Tranquillity. I think it's because I really dig melancholy music, and they don't have as much of that flavor. Sure, they have some, but they also have a of just plain upbeat, melodic riffing a la other Gothenburg bands. Which is something that I enjoy a lot, but it doesn't dig into my soul the way that moody, mournful music does. That probably explains why the DT songs that actually stick in my head are songs like "Therein" ("I starve myself for energy..") and "Wonders at Your Feet," which have a strong melancholy component. And man, I thought my heart was going to break during "What Only You Know." They played a video of a dying bumblebee on the screen behind them, and combined with the thoughts going through my head, that just tore me up inside. Who'd have thought a dying insect could be so heartbreaking.. Most of the set was cheerful and upbeat, though, thanks to Mikael Stanne's unquenchable smile and enthusiasm and his dancing about the stage. While I wouldn't have gone up to the third row without D. dragging me there, I was certainly not sorry to be just five feet away from Mikael :3

For the first international tour I saw this year, this show certainly started things off right. Seeing one of my favorite bands, rocking out to our favorite music with people who are dear to me, phenomenal performances from DT and Insomnium and a solid lineup of locals - I couldn't have asked for more.

Next show: Flight of the Valkyries on Jan. 10!

Concert Review - Maryland Deathfest XII, Edison Lot, Friday, May 23, 2014 - Baltimore, MD

I've waffled about going to Maryland Deathfest for a couple years now - I mean, it's right here in my home state, yet somehow I've never been interested enough in enough of the bands to justify the ticket price. But this year, the stars aligned and almost all the MDF bands I would have wanted to see ended up playing the same venue on the same day. How could I not go??

One of the bands I most wanted to see, Mgła, was fairly early in the running order (3:45) so I headed up right after lunch, aiming to get there with an hour to wait in line, if necessary. I probably got there in about that timeframe. For someone reasonably familiar with Baltimore, finding the Edison Lot was not difficult - but finding the gate to the parking lot was a pain >.< At the entrance to the venue, the street to the lot was closed, and knowing Baltimore, trying to go around meant making a bunch of weird turns, but finally I found the parking lot by sheer luck. Only to discover they had increased the price from $10 to $15 (perhaps because there were ball games in town that day, too, but still that was irritating, since I thought I was going to have to come back the next day and drop another $15 into parking >.<)

The line was actually not that bad. It had only just started to wrap around the venue when I got in it, and it also started moving (slowly, but steadily) almost as soon as I got in line. Besides, there was an entertaining European guy nearby complaining about various things, like not being able to drink beer on the street ("It's the land of the free! Liberate the beer!") And New York math metal or black metal band Castevet started up as well ("This is good for the soul," someone near me commented), and they sounded pretty good. Their live sound had more of an intense black metal sound than I expected from their kind of light, atmospheric/prog rock type songs I'd heard ahead of time.

I'd say it was about 3:30 when I actually got into the venue. I really needed to find the portapotties, but not seeing them, I decided to go pick up my pre-ordered MDF shirt first, since I did see the tent for that. There was barely a line and it took just a couple minutes for me to obtain my shirt (maybe a photo tomorrow, cause I'm gonna wear it to tomorrow's show :) ) Then since there were a bunch of merch tents, I wandered on looking at the stuff - lots of CDs, shirts, patches and some books. Didn't find anything I wanted on first glance, but then again I was going kind of quickly since I knew Mgła would be on soon.

The merch tents formed a sort of aisle immediately to the left when one came into the venue, dead-ending inside a tent, which was where the books were. Past that corridor of merch was a big open blacktop with a stage facing the entrance (Stage A) and another stage at the far left by the highway overpass (Stage B). The lot extended under the overpass and there were a few tables in the shade there; I guess that was the shady area for any overheated metalheads to recover. Although I hadn't been following any debate that may have happened, I did notice that MDF announced there was supposed to be a "shaded" stage where the black metal bands that had to perform in daytime (oh, the horror) would play, but neither of the stages was actually in the shade. However, there was a difference, as the photos will show. (I brought my crappy digital camera which is literally ten years old and snapped some pictures, just because I could..)

At this point I was a little flummoxed as to where the portapotties could be, so I headed back toward the entrance, and there I finally found them, tucked away in a nook to the right of the entrance (when coming in) where it had been pretty much impossible to see them on the way in. I suppose it was an ok spot for them, but they could have had a sign or something making the location more obvious.

That quest completed, it was time for the fun to begin, starting with the second band of the day, Mgła.

Polish black band Mgła was the band that convinced me to attend MDF - when I reviewed them for DC Heavy Metal, I knew I had to hear this band if I had a chance. That was what led me to look at the MDF running order at all, and to realize that Friday in the Edison Lot was absolutely perfect. As soon as I'd gotten the day off work, I bought my ticket. It was a great decision. Unfortunately Mgła's performance wasn't the shining highlight I'd hoped. They're heavy on atmospheric guitar work that tends toward groovy or even climbs to soaring, but at MDF, the guitars were somewhat drowned by reverberating bass and hollow-sounding drums. (Mind, I was standing kind of toward the back of the crowd, since I feared my earplug-less ears couldn't handle the sound closer - but perhaps I should have tried.) Fortunately, the vocals were nice and clear at least, and the groovy melodic guitars were so headbangable, if a bit hard to hear when the drums and bass were going. My favorites were "With Hearts Towards None III" ("And you shall know perdition / And it will set you free... With hearts towards none"), with its long waves of atmospheric and mostly audible guitar riffs, and "With Hearts Towards None VII" ("Always downwards - and towards / the farthest sides of the north"), with its furious, relentless tremolo riffs.

Mgła. This is pretty much all they did during their whole set. They must have been roasting - in hoodies and leather jackets. Also, I never noticed before that they also perform with their faces covered. Every now and then a fog machine would waft a cloud of fog across the stage but unfortunately I could never get my camera out quick enough to capture it..

They were followed up by another atmospheric black metal band, Germany's The Ruins of Beverast. I'm not terribly familiar with this band - they're a little weird for my tastes - but I find them intriguing all the same. When they're not freaking me out (or even when they are), they can be very good at building an eerie atmosphere, with churning, slightly discordant guitars, usually laced with some creepy whispers or anguished cries along with the snarls and demonic rumblings of the vocalist. Unfortunately, they started out with same problems as Mgła, the drums and bass drowning out the guitars. At several points, the guitarists must have been doing something awesome cause they were headbanging wildly, but I couldn't hear the guitar part at all (so it was even worse than Mgła). As their set went on, the sound got a little better and I started being able to hear the guitars, although I still felt that perhaps both this band and Mgła might have sounded better indoors. A dark, enclosed space would have been more atmospheric, too. But then, that wouldn't have been much different from a regular concert; being outside in a festival environment was somehow more exciting.

The Ruins of Beverast. It is noticeably lighter on Stage A.

Germany's Necros Christos was up next, and they sounded pretty good, but I wanted to look at the merch again, so I went and pored over patches and CDs while they thundered on the other side of the tents. I mostly got stupid stuff that I didn't really need, so I'm not going to talk about it (oops), and a present for someone.

After that was another of the bands that I really wanted to see, Sólstafir from Iceland. Considering how Mgła and Ruins of Beverast sounded, I was bit worried how Sólstafir's subtle and dreamy guitar work was going to come across in the festival setting. But to my great joy, their sound was perfect - you could hear every note of their delicately layered sound. They only played 4 songs (not counting the intro), but I guess that's what happens when your songs are all 10+ minutes long. After the intro ("Náttfari"), they started off with the opening track of Svartir Sandar, "Ljós í Stormi." Hearing the haunting guitar passages live quite literally gave me chills. They followed that up with the title track "Svartir Sandar," which has the same dreamy atmosphere but a little more momentum in the guitars, and a pretty melodious segment toward the end, and then the song I was dying to hear, "Fjara." I was afraid I might weep during this song, but honestly it wasn't quite as intense live as it is listening to it on the album - although it was still intense. They finished with "Goddess of the Ages," a song I was not familiar with, but it fit with the feel of the songs from Svartir Sandar in terms of atmosphere and emotion. Their set was over far too soon, although I was satisfied to have heard "Ljós í Stormi" and "Fjara." Seeing as their headline show in this area was cancelled, I can only hope they'll make it over here on another headline tour sometime soon!

Sólstafir. I got pretty close for these guys and somehow it didn't hurt my ears.

Showin off his boots?

As soon as they finished, everyone headed over to Stage B for Norwegian black metal band Taake; I hung back for a bit but eventually joined the crowd in front of the stage, since someone told me this band was good. They sounded like Mgła should have sounded, their first song anyway - the atmospheric guitars nice and clear, the drums crisp but not overwhelming. The next song was thundering, and the one after that had quite a rock vibe. They seemed to play for a long time, much longer than Sólstafir. Overall they were very groovy and headbangable, and I enjoyed them more than I expected.

Taake. Wish I'd gotten better pictures, but you can kind of see the band's corpsepaint and the singer's cloak.

After that it was time for a dinner break during Cancer's set. I honestly didn't pay much attention to Cancer at all; I was busy chowing down on delicious barbeque and texting people about a big interview, Drudkh albums, and the fact that someone gave me passes to a strip club XD And then I went and grabbed a Drudkh CD just before Agalloch came on.

Oregon's atmospheric, blackish post-metal act Agalloch was every bit as amazing as I hoped, but I had trouble getting into them at first, because I was standing at the back waiting for someone and people around me were talking, which made it hard to get into the atmosphere of the music. Gradually I moved up closer and managed to sink into the lovely and melancholy cascades of guitar a bit more. It was also starting to get cold, which was a little distracting.

Agalloch. This was the least blurry photo I had. My camera just sucks for night photos. I didn't even try for At The Gates. Agalloch's lighting was very nice though - a lot of this bluish green stuff, very fitting for their chill music.

After Agalloch finished there was a bit of a break before the headliner, Sweden's melodic death metal legends At The Gates, took the stage. They started off just decent - heavy, agressive, but not very melodic. I was standing next to expert metalhead Metal Chris (of DC Heavy Metal) and he commented the lead guitar was just about inaudible. "There's supposed to be a solo here, but you can't hear it." The band noticed, too, because they paused after the first song to correct the technical difficulties - Metal Chris was of the opinion that the lead and rhythm guitar were switched somewhere. It probably took them a good ten minutes to fix that, but it paid off as the rest of the set sounded great. The largest proportion of songs seemed to be from their last album, Slaughter of the Soul, and these, along with songs from the previous album Terminal Spirit Disease, were full of raging melodies that made me want to push people around (but I was hardly going to go in the pit at MDF; I'd get squished like a bug!). Older songs like "Windows" and "All Life Ends" were face-smashingly brutal, but I preferred the more melodic ones. For being pretty new to actually listening to At The Gates (they're one of those bands that I just always assumed had to be good, since they're so legendary) I enjoyed the set a lot more than I thought I would. I'm sure there was a pit somewhere, but from my place near the back I couldn't really see people moving that much - but me, I was throwing my hair around like crazy to their furious melodic riffs. I didn't come to a metal festival to not headbang!

After they finished, I hung back away from the gates (I know, I am the worst) letting most of the mass exodus get out of the way. Getting lost leaving the parking lot, lane closures on 95 and needing to stop for coffee meant it was nearly 1am when I got home, even though ATG finished playing before 11 (this in spite of the time spent on technical problems, but they didn't play an encore, so maybe part of their set got cut off due to curfew or something..) I didn't mind too much though. For my first Maryland Deathfest, and my second ever metal festival experience, I thought it was just awesome. Being surrounded by metal people and metal music and metal things was just amazing, the atmosphere was so charged and full of energy. Although going with people would have been nice, in a way I'm also glad I got to go alone, because I experience things so much more profoundly that way, and this was an experience worth soaking up without missing a second. I can only hope next year's MDF features a similarly awesome line-up so I can go again!

Next show: A Sound of Thunder, Iris Divine, MindMaze and Metanium at The Pinch - tomorrow! (Or is it today by now? :P The show is Friday, June 6.)

Dark Tranquillity, Omnium Gatherum, Exmortus - 2/2/14 at Soundstage, Baltimore, MD

Ok, another late one. Maybe I've been overloading myself with writing commitments lately, or maybe I need to get better about making time for my writing...

Anyway, so this was actually one of my most anticipated concerts this spring. Dark Tranquillity is pretty great, though they're one of those bands, like Iron Maiden and some others, that I just sort of like by default, without actually listening to them very much. But Omnium Gatherum is one of my favorite melodic death metal bands, simply because they are so, so overwhelmingly melodic. They had been on my short list of "bands I really hope will tour the US soon" ever since I found out about them, so I was pretty stoked to find out that they were coming over, and supporting Dark Tranquillity to boot.

We originally planned to get to the show early to see local death metal band March to Victory with their new singer, but due to a gap in babysitting we couldn't head out early enough - and then it turned out March to Victory didn't play anyway. Even though the two European bands had a bus breakdown and were running late. I talked to Bronson of (local blackened death metal band) Demiz and he said March to Victory was there, but didn't play; he didn't know why.

By the time we got there, Exmortus had just finished. I don't know much about them, and since S described them as thrashy, haven't really bothered to check them out. I'm digging melancholy, atmospheric stuff lately and don't have much use for pushing people around in the pit music most days.

Omnium Gatherum and Dark Tranquillity were delayed by a bus breakdown (the bands described it as being stuck in the middle of nowhere in Virginia for hours, drinking beer to pass the time and not knowing if they would make it to the show). There had been some doubt over whether they'd make it, but I think they finally arrived right around the time we did.

Fun people were there to chat with, so it didn't seem like too long before Omnium Gatherum took the stage. They came out to the intro from their latest album, Beyond, and they were actually playing, not just having the intro piped in. As they launched into "The New Dynamic," though I was a little disappointed to find the drums were too loud. Some parts sounded like just vocals and drums, the amazing melodies barely audible. The next song, "New World Shadows," sounded better, and I thought I might actually enjoy this thundering version of Omnium Gatherum, but then in "The Sonic Sign," again it seemed the melodies were being drowned out. That was unfortunate since that song has some pretty awesome melodies. By the end, though, they seemed to have fixed things, because the last song, "The Unknowing," my favorite from Beyond, sounded amazing. Although it has its harsh vocals and the some of the typical melancholy vibe of Finnish metal, Omnium Gatherum's music usually feels more like a ray of sunlight piercing clouds than a somber veil of darkness, and the impression was supported by the singer's appearance - he was so happy, with a huge grin on his face for the whole set. I shook hands with him after show and he was still smiling.

After that, Dark Tranquillity was just icing on the cake. They sounded great, with a perfect mix of melodic guitars and death metal heaviness, and Mikael Stanne's vocals charging through it all. He also seemed to be quite happy to be there, saying how glad he was they made it, thanking the crowd for supporting Gothenburg metal and shaking hands with pretty much everyone in the front rows. There was a decent turnout - about half of the parqueted "floor" area full - in spite of the fact that this was the night of the Superb Owl. (It had seemed like slightly more people during OG's set, but maybe they were just more spread out.) One of the most amusing parts of the night was Mikael Stanne's moonwalking, which he did constantly from one side of the stage to the other. In general, he moved very quickly about the stage. They played a sort of short set, about an hour, and no encore, even though it was still early (about 11 when they finished). Perhaps they were just tired from their traveling ordeal.

It was a pretty solid show. OG's sound and DT's short set perhaps made it less awesome than it could have been, but really, it was great to see two of my favorite bands from my favorite genre, especially considering they almost didn't make it.

Next show: Deafheaven (with Between the Buried And Me) on Feb 20.

Amon Amarth, Enslaved, Skeletonwitch - 1/31/14 at Fillmore, Silver Spring, MD

First show of the year, and I don't even get to it until a week later. That's just my life.

Well, so we went to see Amon Amarth. They were one of the first metal bands I got into, so I think they'll always be one of my top bands :) Besides, Johan Hegg is one of my idols as far as vocals go. I wish I could growl like him. (But since I'm a girl, I don't think my voice will ever be able to go that low.) I was actually looking forward to Enslaved more, though, because they were amazing last time we saw them. I didn't care much about Skeletonwitch; they're better than decent, but I wondered why they couldn't find another Viking-themed band for this tour.

When we got to the venue, they were screening the video for "Father of the Wolf." We were with S's brother and niece, and I tried to convince them to go in and watch the video, but they were hesitant for a while, so the video was almost over by the time we actually went into the stage area.

Not soon after, Ohio's blackened thrash outfit Skeletonwitch took the stage. The Fillmore's stellar sound system did them justice - they sounded better and clearer than I've ever heard them. I got a sort of death metal vibe from them this time, although that may have just been the thundering sound. They definitely did have an Amon Amarthy vibe to some of the leads though, with an epic or rolling sound. I noticed some thrashy and black metal moments, too, but my overall impression was much more groovy and melodic than I remembered them being. So it was a pretty entertaining set.

The experience of seeing Norway's progressive black band Enslaved was also different from the last time we saw them. Then, we saw them at the rather small Ottobar in Baltimore. We were probably less than twenty feet away from them, and they clearly towered over everyone in the venue (they're all incredibly tall, either that or they wear tall shoes). This time they were just distant figures, dwarfed by a large stage. They got off to a slow start with newer songs from Riitiir, but things intensified with "Ethica Odini." And two songs after that, I was very glad to find that they're still playing one of their oldest songs, "Allfáðr Oðinn," which is one of their best - it's my favorite, anyway. "Riitiir" also sounded surprisingly good. With the bigger venue and shorter set, their performance was not as intense as when we saw them at Ottobar, but I still enjoyed it.

We wondered what props Amon Amarth, Sweden's death metal Vikings, would have, considering that last time we saw them, they brought along a whole Viking ship. They turned out not to have much, just some banners of Viking warriors in front of their huge banner of the cover of Deceiver of the Gods. They also started out a little weak with two new songs. But as they thundered into the third song, "Death by Fire," I felt like the show really got started, and the intensity didn't let up till the end. Johan Hegg complained of a cold, but it didn't seem to affect his vocals, just making his speaking voice rough like his vocals. I felt like "Destroyer of the Universe" and a couple songs right after it were a little off, as though they were trying to play faster and not everyone could keep up. They finished up with "War of the Gods," which sounded much more epic than when they played it at Jaxx a couple years ago. But they weren't done - soon, thunder rumbled through the hall, introducing "Twilight of the Thunder God." The crowd was invited to sing along for the chorus. Then the band launched into "Pursuit of Vikings" and everyone went crazy - the whole floor seemed to be jumping, and I hear the middle of the floor was wild (we were at the very back).

Before leaving the stage, Johan Hegg invited everyone to stay and watch the video for "Father of the Wolf" (perhaps not knowing it had already been shown) but it didn't actually play and pretty soon the staff began encouraging us to leave.

Considering I was rather, um, unamped for this show, I had a great time. We got solid performances from all three bands, but Amon Amarth obviously ruled the night.

Concert Review - Finntroll, Blackguard, Metsatöll, March to Victory, Demiz, Burning Shadows - 12/9/13 at Cafe 611, Frederick, MD

Finally getting around to posting this. December has been rather weird - I managed to make myself feel overworked even though I didn't really have much on my plate, and as a result got almost nothing done. Going to have to plan better for January! Anyway, here's my review of the Finntroll show near the beginning of the month. Luckily I made some notes a few days after the show, otherwise I would have no idea what to say by this point.

So we already caught Finntroll and the other touring bands (as well as more awesome locals) on the first tour stop, but when we found out they were going to be hitting Cafe 611 in Frederick, we had to be there as well, cause Finntroll was sure to tear that place apart! And I'm sure glad we went, cause I had a much better time at this show than at the first one.

We tried to be there early, because like at the first show, a great line-up of local bands was opening. We got there about 7:30, and I went inside just in time to catch the last half, or third, or something of Burning Shadows's last song. I was just getting my layers off (it had snowed the day before) and was just getting into their thundering power metal riffs when they finished and bade the crowd good night :(

As soon as I got inside, I saw that band wasn't set up on the usual tiny stage, but on the left side of floor, spreading into the room back where the second (rarely open) bar is. We had wondered how Finntroll was going to fit on that tiny stage. Now it turned out that apparently they were going to share the floor with us instead :D

The next local band to come on was Demiz, a death metal band from Baltimore. I saw them open for The Agonist over the summer and had been trying to catch them again since then. They got me headbanging with their fast blackened death metal sound. The vocals were indecipherable, and I didn't catch any song titles. My favorite song of the set was "Last Stand" with its melodic, Amon Amarthy lead. That was the only song with much melody to it, but  I picked up their cd afterward (way afterward, just as they were trying to leave), and they sound much more melodic on the cd, with pretty killer solos as well.

Next was another death metal band, March to Victory  from Pennsylvania. They played the same songs as all the other times we've seen them: "Deadly Venom," "Funeral Blizzard Beast" (I think I finally got the title right!), "Consumption," "Soulless" and a cover of Death's "The Philosopher." They were not as fast and furious as Demiz but had more of a rumbling groove. My favorite song of the set was "Consumption" with its very headbangable grooves. Unfortunately they didn't have any merch, otherwise I would have gotten a cd.

Like last time, I was most looking forward to Estonian folk metal band Metsatöll - but I missed their first song (I think it was "Küü") because there was drama and I was talking to my brother in the bathroom. (And yeah, that works.) When we came out, they were playing "Kivine Maa." We started out very close to speakers on the left side. It didn't seem that loud, but later my left ear hurt - oops, now I may have destroyed both ears (the other one was already destroyed by listening to an earbud all day at work). Then they played a song about enslaving women or something, which was insidiously catchy. I started jostling H, and a guy in a kilt said, "We can make it that kind of show!" He became the pit boss for the night and kept things nice and folky. After that I think they played "Vaid Vaprust," which is a great song but too slow for moshing, but after that I got in pit. From the middle of the floor, I got to glimpse Lauri "Varulven" Õunapuu playing the kannel, which is a type of zither. (I shook hands with him later and babbled in a pit-drunk way, and got told for calling it "kantele" - "It's kannel. It's Estonian, not Finnish."). Again they ended the set with "Metsaviha Part 2" and it was even more intense this time - maybe because it was a more intimate setting, and I was in the middle of crowd, clapping along and getting mesmerized by the rhythm. Most of Blackguard came onstage to do backing vocals with them, then they went off, then Paul came back on and stayed for the rest of the song. Then they went off. It seemed like a shorter set than at Empire - we couldn't figure out the setlist afterward to compare (even though someone picked up the actual setlist, I don't think they played those songs in that order). For that reason I was a little disappointed, since I had been looking forward to another long set from Metsatöll.

Canadian symphonic/melodic death metal band (and erstwhile folk metal band) Blackguard was on next, and they sounded way better than at Empire. I think they played the same songs as at the first show, but in a slightly different order - I know there was "Wastelands," "Scarlet to Snow," "Northern Storm," "This Round's on Me," "Firefight," and they ended with another new one, "Dying Season." S hurt his nose headbanging in the pit during "Wastelands" - I think he bashed his head right into someone. It was pretty fun to hear a few of their old folk metal songs and get a bit of a folk pit going.

Finally Finntroll came out, in elf ears as at Empire, and with much more ridiculous face paint - the singer had huge swathes of black paint like Abbath of Immortal. I had so much fun during their set, dancing in the pit and pushing people around, but mainly dancing. Empire used to be the place for folk pits, but I think Cafe 611 may be taking over that title; pits at Empire are getting too brutal. People were pretty rowdy at this show, too, but there were a lot more jig circles than crazy melees. The singer of Finntroll commented that we weren't very good at moshing, but we were dancing our butts off :P He called for a wall of death for one song, that was probably the biggest and most brutal pit, but pretty short lived. I still don't recognize many Finntroll songs, but they sounded good. They had less the look of trolls partying in the forest, and more of trolls partying in a small club, probably due to the fact that they were not really on a stage at all, just sort of in a corner of the room. And we found out that the guy who looked kind of un-Finnish was Brandon Ellis of Arsis, filling in on guitar.

So, it was definitely worth it to go see this tour a second time. Besides the fact that we were celebrating my brother's birthday, it was way more fun than the first show. Definitely hope more folk metal acts will hit up Cafe 611 if this is the kind of crowd we can expect.

Concert Review - Finntroll, Blackguard, Metsatöll, Yesterday's Saints, Sekengard - 11/4/13 at Empire, Springfield, VA

Finally getting around to this :/ Work has been pretty much eating me alive this month, never mind trying to write a novel for National Novel Writing Month. Mix in a devastating cold, and you get me, too busy to even check email and so singleminded about work that I forgot to make my daughter do her homework all last week. Oops.

Anyway, so this being the second show of this epic fall of folk metal (kicked off the week before with Arkona) and featuring a pretty kick-ass line-up, I was looking forward to this evening greatly. While there were a few disappointing moments, the show actually exceeded my expectations in many key ways, and I'm still super excited about seeing the whole touring line-up again in December at Cafe 611!

First of all (and irrelevant to most of my readers, sorry) there were tons of people I knew, and not just that but so many close friends or people I want to be close friends with, that it was hard to decide who to talk to between sets! I find being a social butterfly pretty damn exhausting so please pardon me if I did not give you, dear reader, the attention you felt you deserved. Even if you only got a hug, I was super stoked to see you :)

We were planning to get there early to catch the first local opener, Maryland's own folk metal band Sekengard for their first ever show. The need to acquire healthful nourishment from a certain store across the way, rather than eating Empire's heavy pub fare, infringed slightly on that - fellow Dove crewmember L and I got into Empire during Sekengard's first song. They sounded very on top of things for their first show, with pretty good sound quality and no obvious goofs to the untrained ear. They also got a great reaction from crowd. Granted, everyone on the floor at that point probably knew at least one person in the band, but still, you don't get that excited about your friend's band unless they actually do sound really good. The violin was pretty dominant in their sound, and I couldn't hear the mandolin except for a brief "solo." Guitars don't seem to be their strong point - there was not much of interest going on there. Sarah (also the fiddler) provided strong vocals - not the prettiest, but powerful. My favorite of theirs was undoubtedly the polka - it showed off Sarah's virtuosic fiddling, especially as they kept increasing and increasing the pace.

Next up were Yesterday's Saints, who I had just seen for the first time opening for Arkona. They sounded much better than at Cafe 611. My impression was that they're kind of like Arsis, melodic but brutal, and rather groovy. Among the guttural growls, the vocalist threw in some clean vocals, which sounded a little strained. Their last song, "Cain something" (I kept thinking Cain's Offering but no, that's a band) brought the epic - like Amon Amarth meets Arsis. I definitely should have gotten into these guys a lot sooner.

I had been looking forward to seeing North Carolina Viking metal outfit Aether Realm bring their epic melodic riffs to Empire for the first time in ages, but apparently they cancelled at the last minute. (I think Sekengard even did a shoutout for them, unaware they weren't coming, and I wasn't sure until after a chat with Paul of Blackguard.)

Estonian folk metal band Metsatöll quickly erased any disappointment about the missing band. I first became acquainted with them when they opened for Korpiklaani last year, and admired the solemn vocals, which are distinctly similar to what I know of actual Baltic folk singing. With this show, my appreciation of them deepened. I've been telling everyone recently that I'm really digging metal with prominent, authentic folk elements, and Metsatöll has that - they even had an actual kantele (a zither used in the Baltic region, called kandled in Estonian) which is the first time I've seen one of those on a metal stage. They were much more impressive overall this time - they played a more inspiring set, and had a much stronger and heavier sound and stage presence. They played a surprisingly long set for a third slot band, but I wasn't complaining! They started out with faster songs, and I started a pit which got unexpectedly big and crazy - after getting pushed three people deep into the crowd I decided to stand aside. After a few fast songs, there was the obligatory sing-along segment, and then they launched into "Merehunt," which unfortunately sounded a mess in the beginning (it got better though). A bit after that, they began bringing in slower songs like "Kui meid sõtta sõrmitie" (I'm not great at naming their songs, but I recognize that one because one of the words sounds like "kalarätti," which would mean "fish-rag" in Finnish XD). I feel like they played a lot from Hiiekoda, but that may just be because that's the album I have. Further on in the set, they played a song with a lot of starts and stops, sudden changes in rhythm and sudden furious moments, which I think was "Alle-aa." I saw someone about to start a pit and then get confused by the rhythmic changes. Of course they played "Vaid Vaprust" and "Muhu Õud" (with uber-deep vocals done by the folk-instrument-player), and probably some other songs I should have recognized. They ended with "Metsaviha" (part 2, I believe) which had a really cool segment where three band members used their voices to create an effect like throat singing, with a low undulating undertone over which the lead singer sang the lyrics (or who knows, one of them may have been actually throat singing). Overall, I found the set extremely satisfying in both the folk and metal elements - the folk parts weren't just decoration, but permeated the band's whole sound and essence, and yet there were also thundering headbang- and moshable parts. They were definitely my favorite band of the night.

They were followed by Blackguard, usually one of my favorite bands since they taught me to mosh and were pretty awesome the last couple times we saw them. It seemed like they played a shorter set than Metsatöll, only seven or eight songs (also, Metsatöll's set seemed extremely long, almost like a headlining set). The mix for Blackguard was totally off in the beginning - I couldn't hear the lead guitar or symphonics, and vocals were pretty low too. It was so bad that S and I couldn't even recognize the first song. It took them a couple more songs to fix the sound, and by then they had already played "Wastelands" (one of our favorite songs) and were halfway through "Scarlet to Snow." The poor sound and their song choices from Profugus Mortis (besides "Scarlet," they played "In Time" and "This Round's on Me") dampened my excitement. They played two new songs which sounded pretty good, though not as great as the one we heard before. They ended with "Firefight," which finally got me excited enough to push some people around. They had two substitute musicians - bass and lead guitar (because the bassist left and Louis Jacques, their "new" lead guitarist, was sick). The lead guitar sounded a little different, maybe a little uncoordinated - but then again it was that fill-in guitarist's first show with the band (I can't remember whether he's the one who's Paul's brother). L pointed out they've played here a ton, so they may have been trying to give fans something they hadn't heard live before (or in a while). Still, I think I would have preferred to hear "Allegiance" or "The Sword," again.  

And then finally to round out the night, Finntroll. They sounded great.  I realized that their sound is more jazzy or a  dark carnival sound than the polka one expects based on "Trollhammaren" (my first and deepest impression of the band). Still, the energetic, heavy, mischievous sound combined with their pointy ears and pale, black-streaked make-up made them look and sound just like a bunch of trolls having a party in the woods. They seemed to play a lot from Blodsvept, at least at the beginning. I was surprised how few Finntroll songs I can recognize - "Solsagan," "Under Bergets Rot" and "Trollhammaren" were the only ones I could pick out for sure. They also played my favorite song, "Jakten's Tid," but there were no joik vocals, which are my favorite part (or they were on backing track which was lost in the rest of the sound). L planned on instigating a wall of death for "Trollhammaren," but the singer called for one for "Skövlarens Död," I think, and also goaded the moshers. There was a little bit of jigging but mostly a rather brutal pit, for folk metal, and people linking arms in long rows and swinging around the pit - it was much too dangerous for me. I was rather disappointed about that, since the folk pit is usually one of the best parts of a folk metal show. I had so much more fun at Arkona.

In fact, that was the feeling I left with - it was a good night, with good music and fun people, but I definitely enjoyed Arkona more. The best part was probably getting to see a long, awesome set from Metsatöll, and the worst, being disappointed with Blackguard. Hopefully the show at Cafe 611 will only improve on this one!

Next show: Fucking Slayer, with Gojira, at that place in Silver Spring.

Wintersun, Fleshgod Apocalypse, Arsis, Starkill, Fallen Martyr, March to Victory - 8/6/2013 at Soundstage, Baltimore, MD

This was probably my most anticipated show of the summer. As a fan of all sorts of melodic metal, Wintersun is of course one of my top bands - Jari Mäenpää is the king of epic, sweeping guitar riffs. Their tour in support of Eluveitie last winter - their first North American tour - skipped the DC area. We did go see them in Pittsburgh, but it was still exciting to see them come back and headline. And what a line-up they brought! Fleshgod Apocalypse, with their classical piano woven into fast and brutal death metal, is one of my favorite melodic/symphonic acts, and Arsis, another speedy and melodic band, are also highly enjoyable. And I was super stoked to see Starkill on the bill. When I first heard them, I could not believe something so epic and melodic was made in the USA (although, I guess we do have Dethklok). I figured they would tour sooner or later. My hopes were raised and then dashed when they toured with Krisiun - but not in my area. And then I heard that they were going to tour with no less than Wintersun. It was like a dream come true.

We got to Soundstage early - on time, rather - to catch the first opener, but it turned out the show was running about 15 minutes late - unfortunate for such a long line-up, but not the worst delay we've experienced. So we had time to check out the merch. There were plenty of Wintersun shirts and other items such as shorts, underwear, cap, koozie, patch, button...Fleshgod Apocalypse had shirts and their new album Labyrinth which doesn't come out till August 20 in the US (!!), Starkill was selling shirts and CD's, and Arsis had...donuts. Their merch was delayed, again.

Lancaster, PA death metal band March to Victory started the night with a solid set. Most of their songs were full of nice headbangable grooves, also the second song, "Soulless," had some pounding jackhammer moments, and the unusually named song "Funeral of the Lizard Beast" (did I hear that right?) was rather complex. Like last time we saw them, they covered Death's "Crystal Mountain," quite well - Danielle does high-pitched Chuck Schuldiner well. She mostly sings in a high rasp, but can produce some nice low growls, too. They were going to play a cover of "The Philosopher" as well, but got cut off. Danielle did not talk to crowd much besides to tell us what each song was - she's new to the band, so perhaps she's still finding her feet onstage. I wish she had called for a mosh pit, though, cause I would have loved to push people around to the thundering fast parts, but was too shy to start a pit in such a large venue.
Setlist: Deadly Venom. Soulless. Funeral of the Lizard Beast. Crystal Mountain (Death cover). Consumption. The Philosopher (Death cover, cut off before they played it).

The next local opener was Fallen Martyr, a sort of melodic fusion of different things. We've seen them a couple times before, but this was the first time I saw them with a good sound system. (Cafe 611 does have a decent system, but it's usually tuned to rumble, which means some of the higher tones get drowned out.) So this was the first time I really got to appreciate their guitar work in a live setting. The guitars are really good - some groovy death metal moments, some blasting black metal moments, some nice solos. The vocals..well, during the first song, I thought I might finally be getting used to them. There were moments when the singer's vocals meshed nicely with the music, and altogether they painted an image of desperate yearning - I imagined a drowning person struggling for air. But as the set went on, the whininess started to get to me again. They're not overly whiny - they're kind of like Muse's vocals, just whiny enough to be a little irritating. And his screams took it right out of the ballpark for me. Some people may like screamo, but it's not for me. Frankly, the singer ranting, "You will all bow" at the end of the set was kind of ridiculous. I've seen him do that before, and it always sounds and looks like a petulant teenager. So, I've given them several tries and still can't get into the vocals. But hey, I did really enjoy listening to their guitars.

An then it was time for Starkill. They take melodic death metal to a new level epic power metal solos and film score-based symphonics, besides throwing in some black metal or other influences at times. I was really looking forward to these guys, so I was disappointed that they started out weak. At first, they were too quiet - then the vocals were too loud and lead guitar so low that I could hardly hear it - not all whenever Parker was singing. It was frustrating to the point that I thought of shouting, "Turn up the lead guitar!" but I didn't, for fear it might throw the band off. Fortunately, the sound was corrected during the solo of their second song, "Immortal Hunt." After that, they sounded much better, although still a bit quiet compared retrospectively to the acts that followed. Their sound has a strong resemblance to Dethklok at times, especially the song "Below the Darkest Depths." There was a decent pit for most songs - if there wasn't, I might have felt compelled to help out, but as it was I decided to just headbang to their epic grooves. They played a good selection of songs from their new album, Fires of Life, although I didn't think "Wash Away the Blood with Rain" was a good choice to end on, not being one of their stronger songs. I would have preferred to hear "Sword, Spear, Blood, Fire" or "This is Our Battle, This is Our Day." But oh well - that leaves something to look forward to when they come around again.
Setlist: New Infernal Rebirth. Immortal Hunt. Fires of Life. Below the Darkest Depths. Wash Away the Blood with Rain.

Starkill used be known as Massakren and released a self-titled EP under that name, so after the show I screwed my courage to the sticking plate and asked one of the band members about their name change. He said they changed the name, as well as cleaned off their corpse paint, in order to better represent their sound. Apparently Massakren kept getting labeled as a black metal band, even though there is so much to their sound than that, so they wanted to get away from that - to have a fresh start, I suppose.

Their image is a bit mixed, though. Their clean-cut looks fits with the epic, melodic metal vibe, but the skinny jeans they wear make me think of the throwback thrash scene - and thrash is one thing that doesn't appear in their sound at all. (I dunno, maybe that's just the way people dress these days, though.) Their album cover with its warrior on a mountaintop and lightning or lasers flying everywhere, makes me think of Manowar, while their T-shirt designs are rather dark and ghoulish, in the vein of death metal or deathcore bands. But hey, it's their band. They can do pretty much anything, as long as they keep making that sweet epic melodic metal goodness.

After Starkill were Virginia natives Arsis. While not one of my top bands, I can get behind their very fast and melodic style of technical death metal. Their songs all sound rather similar to me; I can't really tell them apart (aside from a few singles like "Forced to Rock" or "We Are The Nightmare"), but there's enough variation within the songs that I don't get bored. We were very near the front for their set, perhaps in the fifth row, but off to the left of the stage. Yet the sound level was bearable without earplugs, so perhaps they weren't very loud either. They sounded great even way off to the side, a barrage of furious riffs punctuated by the James Malone's raspy vocals. I was trying to headbang with a drink in my hand and wondering whether or not I'd be too drunk to go in the pit for Fleshgod Apocalypse. They played a short set, but a fun one.
Setlist: Handbook for the Recently Deceased. A Diamond For Disease (first few minutes). Seven Whispers Fell Silent. Unwelcome. Carve My Cross. Face of My Innocence. (Thanks to XcKyle93 on M-A for filling in my gaps :) )

Fleshgod Apocalypse had the second slot, of which I was glad, since after Wintersun and Starkill, I most wanted to see more of them and go crazy to their fast, brutal sound with its tidbits of classical piano. Actually, it seems the piano plays a larger role than I thought, because they had an actual piano on stage during this show, with a guy playing constantly - I don't remember if they had that last time. I still couldn't hear it much of the time, though, and I feel like their symphonic backing track was pretty low, too. Their sound was much bigger this time; I don't know whether that has to do with the difference between Soundstage and Empire's sound equipment, or their own gear/sound guy. They played a couple songs from their new album: "Minotaur (The Wrath of Poseidon)" and "The Elegy," both of which had a good death metal groove going on and utilized more operatic backing vocals, compared to the sporadic line or two of agonized cries on most songs on the previous album, Agony. They had a female singer in a feathered mask standing at the back right, doing the operatic vocals. Besides the new songs, they only played songs from Agony. That was all right with me since that's the album of theirs I know best, and I got to hear some of my favorite songs. I wanted to go in the pit for "The Violation," the pit was too fast and brutal; I thought I'd better stay out. They were good - solid, headbangable guitars and crushing vocals - but when am I going to get to hear the symphonics and piano live, hm?
Setlist: The Temptation (intro). The Hypocrisy. Minotaur (The Wrath of Poseidon). The Deceit. The Violation. The Egoism. Elegy. The Forsaking. (Thanks to Dave_o_rama on M-A for id'ing the first song.)

And then, it didn't seem long at all before the ethereal strains of "Time Fades Away" wafted over the audience, and we grabbed a spot and waited for Wintersun to come out. They emerged at the climax of the intro, Jari second after the drummer, and launched right into "Sons of Winter and Stars." There is nothing quite like belting out that chorus along with a hundred odd other metalheads while the epic strains of Jari and co surround you. It was an awesome experience all the way through. The sound seemed fuller than when we saw them supporting Eluveitie, but that's probably because this was a bigger venue than the "metal church" where we saw them before. Fantastically epic riffs contrasted with heartwrenching sorrowful moments - I actually teared up at end of "Land of Snow and Sorrow" and "Time" (although maybe just because I associate them with the sad moments of a certain novel). I was stoked to hear "Beautiful Death," a charging fast song that made up for the lack of a certain other fast song. There was an enormous pit for "Beyond the Dark Sun" - I've only seen pits that large at thrash shows. Their "new" song, "The Way of the Fire," was another fast one, though with slower choruses. At some point there was a solo from Teemu, showing that he's a great guitarist in his own right (I mean, he was in Imperanon after all). They finished the set with the epic "Starchild."

There was all sorts of talk beforehand about what they were and weren't going to play - well, they played all of Time I (though in separate chunks), the new song, and all but three songs from Wintersun. I know several people were upset that they dropped "Battle Against Time," but I was pretty happy with their set. They played a solid set - an hour and a half - and didn't take up much time talking (come to think of it, none of the bands did).
Setlist: When Time Fades Away. Sons of Winter and Stars. Land of Snow and Sorrow. Beautiful Death. Darkness and Frost (Time intro). Time. Death and the Healing. Winter Madness. Beyond the Dark Sun. The Way of the Fire. Starchild.

All in all, it was an epic night, well worth being up till nearly 2 in the morning.

Next show: Midnight Eye's release party - tonight! Check out my review of their new EP, and stream all 3 songs from it, here. :)

Concert Review - Arsis, Inhumation, Enigma Code, Monarchs - 4/30/13 at Cafe 611, Frederick, MD

Like usual, I'm trying to get this review up quickly before going to another concert... A few days ago, Arsis put on a one-off headline show as the release party for their new CD at Cafe 611 in Frederick, MD. I got into them when I saw them opening for Sonata Arctica. They were fast and melodic, and very headbangable; I enjoyed their set and looked forward to seeing them again, especially to the chance to see them headline. This week was really busy, though, so probably wouldn't have gone to seem them if the show hadn't been in Frederick. But seeing as they were right there, there was no excuse not to see them/support them at their headline show.

The best word for this show would be thunderous. Both the one opener we saw and Arsis were a massive barrage of thundering sound, which I think had more do with the venue's sound system and mixing than the bands, cause I don't remember Arsis sounding like that last time we saw them. In spite of being tired and down in the dumps about my life, I had a good time and thought it was a great show, which is a testament to the energy this band puts out.

We missed Monarchs and Enigma Code entirely, cause it took forever to get my daughter to bed (damnable naps at daycare). We heard the last three songs or so of Inhumation, which sounded pretty good to me. Their sound was dominated by rumbling, rolling bass and drums. The vocals were totally indecipherable, just a rhythmic low growl. The singer was out of breath between songs, which I thought was odd. He called for a pit on the last couple songs, but no one obliged him.

Arsis's sound was also thundering, which was when I realized it must be the sound system - they do a lot of death metal shows at Cafe 611, so I guess that's the kind of sound they prefer. The lead guitar was pretty low in the mix, sort of in the background, unfortunately, but I could pick out the melodies if I listened hard enough. I was feeling pretty crappy before their set started, but the energy of their songs wiped that right out of me and got me moving. They were dynamic, energetic, and seemed to be having a great time (this was their party after all), and they were pretty good natured about the fact that only about thirty people showed up to their party (it was a Tuesday night in Frederick). There was no pit, even though the music was fast and heavy enough in some parts. I shoved S a little, but didn't feel like starting pit. At end, S picked up the band's set list and eventually got it signed. And our friend Sc who has awesome hair got a shoutout during the show for having already purchased the new CD XD

I thought they sounded good, even if the sound system skewed their sound toward the heavier elements and obscured some of the melodic parts. It might have been a better show with more people so there could have been an actual pit, but at the same time, sometimes it's nice to see a band with just fifteen or twenty "friends". Now Arsis is on tour with Krisiun, so if they're hitting your area, I suggest checking them out - especially because the first half of the dates feature the amazing Chicago based melodeath band Starkill! (So bummed that they're not coming to my area >.<)

Next concert: M3 Fest - today!

March Concerts

I was kind of depressed and busy for most of March, but I'm starting to feel better and less stressed now, so I've finally written up a summary of most of the shows I went to in March. The last two, which were both yesterday, actually have their own reviews.

Wimme - 3/9/13 at Millennium Stage, Kennedy Center, Washington, DC

Wimme Saari is a singer from Finland, who was performing as part of Kennedy Center's Nordic Cool festival. Wimme performs joik, a kind of traditional singing or chanting among the Sami, the indigenous people of northern Scandinavia and Finland. I first heard of him about ten years ago when someone gave us a "Nordic Roots" sampler of Fenno-Scandinavian folk music and folk rock. I hadn't really followed or gotten exceptionally interested in Wimme over the years, but I remembered his songs being pretty good - energetic in a flowing sort of way - and was interested to see him live. Besides, since he was performing on the Millennium Stage, it was free!

I got to the Kennedy Center a little early, perhaps fiften minutes before the performance was to begin, but the seats in front of the stage were already full. Luckily, I was at the front of the standing section, although I had t move back later when two friends arrived. And then people filtered out as the performance went on and other Kennedy Center performances began, and we eventually made our way back to the front of the standing section and might even have been able to get seats if we tried.

The performance started out very low key, and I thought it would have been better in a dark, closed space - the light and noises around were distracting and made it difficult to get absorbed in the music. Overall, the songs were slow with rather jazzy instrumentals, not as energetic or primal I remembered. It seemed Wimme had changed his style a bit since the Nordic Roots days. Accompanying him, he had a percussionist, a wind/brass guy (clarinet, saxophone) and a strings guy (guitar, mini guitar/mandolin, banjo). In the middle of the set, he did some solo joiks, which were a little more lively and depicted animals. After that he did a sort of remix of a song that sounded familiar, perhaps "Bierdna" (The Bear), which is actually a collaboration with Swedish/Finnish folk rock band Hedningarna, or "Bieggajorri" (Weathervane) (which I can't find online), and then finished with a long song that, although also pretty slow, built up to pretty high intensity.

Even though I was disappointed to find that Wimme's style had changed so much and incorporated so much jazz, I was still glad I went, simply to have the experience of seeing someone with such a distinctive singing style.

Soilwork, Blackguard, Bonded by Blood, Hatchet - 3/12/13 at Empire, Springfield, VA

I had to take my daughter to dance class before going to the show, so I missed Hatchet.

I got to the venue just before Bonded by Blood came on. They were fast, with a hammering sound. In spite of their awesome thrash sound, there was almost no one on the floor. I pushed S around the floor, and fell and twisted my ankle while shoving another friend.

Of this line-up, I was most looking forward to seeing Blackguard. They're one of my favorite bands to listen, see live and mosh to (so it really sucked about the twisted ankle, but it was feeling ok by the time I started, and I braved the pit, and lived to walk out of the venue at the end of the show). They used to play fast, black-ish folk metal with violin, harsh and fast vocals. Their last release changed to Children of Bodom style melodeath with an epic twist. They plan to release another album this fall, and the new songs I've heard are in the same epic melodeath vein, but with more clearly melodic guitar bits. They just toured Europe with Kamelot, and seem to be on the verge of getting big, so I'm pretty excited for this band's future.

However, when they started their set with "Firefight," it sounded like a mess. They got better as the night went on, although I don't think they sounded as dynamic and together as they did the last two times we saw them. They played two new songs, one being "In Dreams" which they performed for the first time ever at Empire last time we saw them there. The news songs sounded good - epic guitars, the usual intense vocals - though the melodic bits were a little lost in the mix. Unfortunately, there was not much of a pit - two heavy guys sort of wandered back and forth in the middle of the floor, and I bounced off them from time to time. There was a bigger and more energetic pit the couple of time that Paul actually called for one, but otherwise most people seemed content just to crowd around the stage.

I don't know Soilwork very well but thought they might be worth checking out, based on a few songs that S gave me, which were pretty heavy and a little melodic. They were enjoyable enough that I stayed for their whole set even though I was really tired and had planned to leave early. The venue was pretty full, but almost no one came to floor for Bonded by Blood or Blackguard - and even for Soilwork, a large part of the crowd hung back. There were a decent number of people on the floor, though, and a huge pit that was quite entertaining to watch, as well as a number of energetic individuals whose antics were also entertaining. Soilwork sounded good.

KMFDM, Legion Within, Chant - 3/18/13 at State Theatre, Falls Church, VA

I was a bit stressed out about life when I went to this show and that impeded my enjoyment, as well as making me irritable to my friends :(  But it was worth it - KMFDM put me in a much better frame of mind, and was a fun time besides.

The first opener was Chant, a two person industrial band from Texas. They were interesting to see live, but I don't think I would listen to their recordings. Their sound involved quite a lot of percussion, with one guy on the drums (including some unusual drums) and shouting vocals, and another on what seemed to be a synthesizer (and who also banged what looked like a big barrel when really booming drumming was needed). Besides the music, their get-up and stage show held my attention - the drummer/vocalist's buckle-covered leather outfit, with brown and black paint smeared on his face and arms, the variety of drums and intensity of his drumming, and the flashing lights behind him all made the experience much more intense. I don't think a recording would capture much of it, not even the intensity of the sound.

The next band, Legion Within, started out good, with an energetic pop-like vibe that reminded me of bands like Deathstars, but then they declined from there. I was not a fan of the cabaret-like half-speaking, half-singing vocals that the singer used for most songs, and the instrumental portion of the music was not fast, heavy or intense enough to hold my interest either.

KMFDM, of course, were great like always. I am pretty sure they played most if not all the songs from their new record, some of which were great, and some just ok - although ok for KMFDM is still far beyond most other bands. The crowd went wild for "Kunst," with almost everyone jumping or taking part in the pit. There was a pit for almost every song, and I regretted wearing my huge baggy bondage pants which would have tripped me up in instants if I tried to join in. I hadn't thought there would be pit for KMFDM! So I had to content myself with dancing and headbanging, which was still pretty fun.

Eluveitie, Wintersun, Varg - 12/19/12 at Mr. Small's Theatre, Millvale (Pittsburgh), PA

Wintersun's first ever US tour! I think we would even have driven to New York to see them, or even further if we had to, but as it was, the closest stop to us was in Pittsburgh, PA. The show was very well attended - several of the other tour stops were sold out, but I'm not sure if this one was. The venue seemed to have about the same capacity as Jaxxpire (a couple hundred people) but with a different layout. More on that later. The drive up to Pittsburgh, although long, was not bad because of the interesting terrain/roads/things on the side of the road, the mountain views and the proliferation of Sheetz along the way (I think we stopped at Sheetz four times on the round trip).I would definitely do it again for a group as phenomenal as Wintersun.

The show started at 7:30, but due to traffic and walking from a distant parking spot, we got there around 7:45, and then still had to wait in line to get in. Mr. Small's gave a new meaning to the term "Metal Church" - it literally was a big old brick church that had been turned into a concert venue (and recording studio and "funhouse"?). Inside, it was just one big cavernous room (former church after all) with a stage at one end and a bar at the other. On one side was the merch, and on the other a stand selling french bread pizza (every now and then during Wintersun's set, a garlicky smell would waft over the audience).

Because of our tardiness, we only caught the last song by Varg. They sounded much better live than on their recordings - more intense and more folk melody/vibe. It was too bad we missed most of their set.

Wintersun was great as expected. They played mostly songs from their newest album, but also a few old ones. They didn't play any of the "new" ones that they've played before like "The Way of the Fire." There were pits for most of their songs, with an especially wild pit for "Battle Against Time." I noticed that that song in particular sounds a lot like Ensiferum - not a huge surprise since Jari used to be the singer for Ensiferum.

Eluveitie was also great. They played the entirety of their latest album, Helvetios. I was pretty stoked about that since it meant I'd get to hear some of favorite songs from that albums, "Helvetios" and "Luxtos," which were songs that I didn't think they would play live otherwise. But I was also worried about having enough energy for the pit, because there are sooo many furious fighting songs on that album. In the end, I didn't go in the pit for every song, or stay in for the whole song when I did. There wasn't much of a folk pit in the beginning, but I managed to get people dancing, and we did have a few good jig circles, as well as pits full of jigging pairs. It was a fun time.

There was a wall of death (for "Meet the Enemy"?), which Chrigel invited with the words "I want it to look like fucking Braveheart!" I was behind some people in the wall of death, and during the crazy pit immediately after, a guy took me by the shoulders and literally pushed me out of the pit. The audience actually set up a second wall of death during the same song. A tall girl in gray sweater actually took charge of it! I wanted to say hi to her but she disappeared as soon as the encore was over.

Oh yeah, so after playing all the songs from Helvetios, the band left the stage, but they came back and played four more songs, including "Everything Remains...," "Inis Mona" and "Tegernako," energetic songs with lots of moshing and dancing, and a little sing-along for "Inis Mona." Not only was there a mosh pit for "Inis Mona," there were pits for slower sadder songs like "Rose for Epona" and "Alesia" which just made me shake my head. (But the same big guys who were moshing during the verses were singing along to the choruses XD) Chrigel apparently thought we were an awesome audience, and at the end of the show, he gave his necklace to a girl in the front row, so that she would remember him :P

The show was totally worth the trip up to Pittsburgh, not just to see Wintersun, but also to see Eluveitie with such a great crowd. I had almost no complaints (besides that the pit should have been more folky); it was an almost perfect show.

Next show: Enslaved, at the end of this month

Sonata Arctica, Arsis, Yesterday's Saints, Fallen Martyr, Trihexyn, Radamanthys - 12/9/12 at Empire, Springfield, VA

We missed all the local bands at this show, which was too bad, because some of them were decent, one had a cool name and one used to be my friend's brother's band (I'll leave it up to you all to figure out which one's which :P) We actually got there right around the time Yesterday's Saints was supposed to go on, but one of their guitars got stolen and they didn't play.

Eventually, Arsis came out instead. They were much faster and heavier-hitting than I expected. The only song of theirs that I had any previous impression of was "Forced to Rock," and the impression I got from that was an old school medium paced heavy metal band, not this whirlwind of pummeling guitars and undecipherable lyrics. Some pits formed, especially later in the set, but I was kinda tipsy and not wearing very secure shoes, so I didn't go in :( I just stood there and headbanged instead. I enjoyed their set; the music was energetic and the rolling sound of the guitars was great for headbanging. (S. said they were better the last time he saw them, so they must have been fantastic.) I talked to one of the guitarists later (the one with amazing long curly hair :D ) and he said that they play everything faster live. A great plan, in my opinion.

I didn't enjoy Sonata Arctica's set as much. They used to be one of my favorite bands, but I don't particularly like their new stuff. It's not horrible, it's just not the melodic epicness that they used to put out. (I know, I just trolled In Flames fans in my last review for similar attitudes, but I guess I'm more open-minded about In Flames since I only recently started listening to them.) Sonata still sounded good, and the few old songs they played (ex. "Black Sheep," "Full Moon," "Don't Say a Word") were awesome, every bit as fast and melodic as ten years ago.  I spent most of the set in suspense to see which (if any) song from Winterheart's Guild they would play; I won't spoil it, but I will say that sadly, I was disappointed with their choice from that album (so many other epic songs!). There was a clump of people in the middle who pretty much only moved when they played the old songs, and a bunch of people on the right who were jumping and waving the horns for every song - somehow the old and new fans self-segregated :P I guess Sonata did play a decent mix of old and new, and the new songs sounded all right, with some catchy choruses - with the exception of "Cinderblox," which sounded messy and terrible. I liked that they ended with one of their best old songs, "Don't Say a Word." There was an honest to god pit for this song, with 6 or 8 people in it. I hoped the band wouldn't ruin the vibe with an encore of newer songs, and they didn't.

Whee. Hope he's singing something good. (Photo by Steve Wass)

I had a pretty good time at the show, but mainly because Arsis was good, and I got to hang out with some friends and family. Old Sonata fans will have to weigh whether you can stand through half a set of new songs for a few of the oldies. If you really need to hear "Don't Say a Word" live one last time, then go - the rest of the set won't be (too) terrible. If you would rather stay home and listen to all the epic songs on Winterheart's Guild that they won't play, I can't really argue with you.

Next show: Heading up to Pittsburgh to see WINTERSUN with Eluveitie and Varg (not in that order) on 12/19!!!

Lamb of God, In Flames, Hatebreed, Sylosis - 11/17/12 at Fillmore, Silver Spring, MD

I was really looking forward to this show. Three great bands, what could go wrong?

We got to the venue just as Sylosis was finishing up. I heard their last song; S went to get a drink. They were pretty listenable, with some energetic and melodic segments, but didn't especially catch my interest.

Hatebreed came out to "America, F**k Yeah" from Team America and immediately got everyone pumped. Pretty much the whole floor was jumping and singing along with Jamey Jasta. I'm surprised I wasn't hoarse after their set cause I sang along to most of the choruses in a low growl, which I didn't even know I could sustain that long. They had a very simple stage show - just the guys playing and Jamey moving around the stage - but they really brought the hardcore energy and got everyone moving with their anthemic and sing/shout-alongable songs (singing along was encouraged by Jamey on just about every song).

They were followed by Swedish melodeath band In Flames, who started with a mellow song and sort of sounded like an 80's rock band compared to Hatebreed. I know In Flames gets a bad rap for not being metal anymore or something, and for not playing some song that everybody really likes, but I thought they sounded all right. They were heavier than I expected, and as they went "back in time" playing older songs, they started to sound more energetic and thunderous. They still had some slow mellow segments in each song, though, and ended with a slow song. There some surprisingly large pits during their set, though, so perhaps they still have some metal cred.

Lamb of God was excellent, and to date the only band I've seen that could share a stage with Hatebreed and outshine them (granted, I've only seen Hatebreed once before). They were loud, fast and heavy, filling the hall with a thunderous barrage of sound, and had lights, spouts of smoke and videos augmenting their performance (no fire for In Flames at the Fillmore - just some banks of lights that blinded the audience). The bass was very loud and the vocals pretty low, so much so that I could hardly hear Randy at first, but I noticed it less as the show went on. The fast but rhythmic music was great for headbanging, and luckily not all of the floor turned into the pit, but we did get shoved a bit.

The show turned out just as good as I hoped. I would recommend it to any metalhead - these are bands you should definitely see if you're into heavy music at all, and you won't be disappointed (unless you expect In Flames to be something that they're not anymore *shrug*)

Next show: I think it's Sonata Arctica and Arsis on 12/9, unless I'm forgetting about something. And after that, Eluveitie and WINTERSUN on 12/19.