Finally getting around to posting this. December has been rather weird - I managed to make myself feel overworked even though I didn't really have much on my plate, and as a result got almost nothing done. Going to have to plan better for January! Anyway, here's my review of the Finntroll show near the beginning of the month. Luckily I made some notes a few days after the show, otherwise I would have no idea what to say by this point.
So we already caught Finntroll and the other touring bands (as well as more awesome locals) on the first tour stop, but when we found out they were going to be hitting Cafe 611 in Frederick, we had to be there as well, cause Finntroll was sure to tear that place apart! And I'm sure glad we went, cause I had a much better time at this show than at the first one.
We tried to be there early, because like at the first show, a great line-up of local bands was opening. We got there about 7:30, and I went inside just in time to catch the last half, or third, or something of Burning Shadows's last song. I was just getting my layers off (it had snowed the day before) and was just getting into their thundering power metal riffs when they finished and bade the crowd good night :(
As soon as I got inside, I saw that band wasn't set up on the usual tiny stage, but on the left side of floor, spreading into the room back where the second (rarely open) bar is. We had wondered how Finntroll was going to fit on that tiny stage. Now it turned out that apparently they were going to share the floor with us instead :D
The next local band to come on was Demiz, a death metal band from Baltimore. I saw them open for The Agonist over the summer and had been trying to catch them again since then. They got me headbanging with their fast blackened death metal sound. The vocals were indecipherable, and I didn't catch any song titles. My favorite song of the set was "Last Stand" with its melodic, Amon Amarthy lead. That was the only song with much melody to it, but I picked up their cd afterward (way afterward, just as they were trying to leave), and they sound much more melodic on the cd, with pretty killer solos as well.
Next was another death metal band, March to Victory from Pennsylvania. They played the same songs as all the other times we've seen them: "Deadly Venom," "Funeral Blizzard Beast" (I think I finally got the title right!), "Consumption," "Soulless" and a cover of Death's "The Philosopher." They were not as fast and furious as Demiz but had more of a rumbling groove. My favorite song of the set was "Consumption" with its very headbangable grooves. Unfortunately they didn't have any merch, otherwise I would have gotten a cd.
Like last time, I was most looking forward to Estonian folk metal band Metsatöll - but I missed their first song (I think it was "Küü") because there was drama and I was talking to my brother in the bathroom. (And yeah, that works.) When we came out, they were playing "Kivine Maa." We started out very close to speakers on the left side. It didn't seem that loud, but later my left ear hurt - oops, now I may have destroyed both ears (the other one was already destroyed by listening to an earbud all day at work). Then they played a song about enslaving women or something, which was insidiously catchy. I started jostling H, and a guy in a kilt said, "We can make it that kind of show!" He became the pit boss for the night and kept things nice and folky. After that I think they played "Vaid Vaprust," which is a great song but too slow for moshing, but after that I got in pit. From the middle of the floor, I got to glimpse Lauri "Varulven" Õunapuu playing the kannel, which is a type of zither. (I shook hands with him later and babbled in a pit-drunk way, and got told for calling it "kantele" - "It's kannel. It's Estonian, not Finnish."). Again they ended the set with "Metsaviha Part 2" and it was even more intense this time - maybe because it was a more intimate setting, and I was in the middle of crowd, clapping along and getting mesmerized by the rhythm. Most of Blackguard came onstage to do backing vocals with them, then they went off, then Paul came back on and stayed for the rest of the song. Then they went off. It seemed like a shorter set than at Empire - we couldn't figure out the setlist afterward to compare (even though someone picked up the actual setlist, I don't think they played those songs in that order). For that reason I was a little disappointed, since I had been looking forward to another long set from Metsatöll.
Canadian symphonic/melodic death metal band (and erstwhile folk metal band) Blackguard was on next, and they sounded way better than at Empire. I think they played the same songs as at the first show, but in a slightly different order - I know there was "Wastelands," "Scarlet to Snow," "Northern Storm," "This Round's on Me," "Firefight," and they ended with another new one, "Dying Season." S hurt his nose headbanging in the pit during "Wastelands" - I think he bashed his head right into someone. It was pretty fun to hear a few of their old folk metal songs and get a bit of a folk pit going.
Finally Finntroll came out, in elf ears as at Empire, and with much more ridiculous face paint - the singer had huge swathes of black paint like Abbath of Immortal. I had so much fun during their set, dancing in the pit and pushing people around, but mainly dancing. Empire used to be the place for folk pits, but I think Cafe 611 may be taking over that title; pits at Empire are getting too brutal. People were pretty rowdy at this show, too, but there were a lot more jig circles than crazy melees. The singer of Finntroll commented that we weren't very good at moshing, but we were dancing our butts off :P He called for a wall of death for one song, that was probably the biggest and most brutal pit, but pretty short lived. I still don't recognize many Finntroll songs, but they sounded good. They had less the look of trolls partying in the forest, and more of trolls partying in a small club, probably due to the fact that they were not really on a stage at all, just sort of in a corner of the room. And we found out that the guy who looked kind of un-Finnish was Brandon Ellis of Arsis, filling in on guitar.
So, it was definitely worth it to go see this tour a second time. Besides the fact that we were celebrating my brother's birthday, it was way more fun than the first show. Definitely hope more folk metal acts will hit up Cafe 611 if this is the kind of crowd we can expect.
Showing posts with label Cafe 611. Show all posts
Showing posts with label Cafe 611. Show all posts
Sunday, December 29, 2013
Wednesday, October 30, 2013
Concert Review - Arkona, Fallen Martyr, Yesterday's Saints, Burning Shadows, Vitality, Divine Conspiracy - 10/28/13 at Cafe 611, Frederick, MD
This was the first stop of Russian folk metal band Arkona's headline world tour. I was super excited to see them play a whole set. We've seen them open for bigger folk metal acts, but their set has always been short and rushed. Not only that, but since they were playing at Cafe 611, a tiny venue with a stage barely raised off the floor and barely big enough to hold a band, I knew we would be up close and personal with the band - especially Masha, the singer, who is one of my metal idols.
There was a pretty strong line-up of local bands warming up the crowd - the downside to that being that the show ran about an hour late, and so an already late start time for Arkona was pushed back to about midnight. We planned to get there sometime during Vitality's set in order to make sure to see Burning Shadows, but when we arrived sometime after 8, the first band was just going on >.<
The set-up was also interesting, because Arkona's drum kit had already been set up and was taking up about half the stage, which meant that for most of the opening bands, their drum kit took up the other half of the stage, the guitarists stood on the sides, and the singer was on the floor with the crowd - sometimes in the crowd. In fact, the first band had all their equipment set up right on the floor.
The first band was Divine Conspiracy, a three piece outfit. I heard people saying that it was their first show, and I believe the singer backed up when I talked to him later. Just as we came in, they launched into something very punk rock sounding. Then they did a System of a Down cover, which I didn't really listen to. I believe their third song was an original, and it sounded pretty energetic, although I couldn't hear much other than the bass. When I could hear it, the lead guitar (played by the singer) sounded pretty great. They ended with a Slayer-paced cover of Pantera's "Fucking Hostile"; the singer/guitarist's speedy playing was a little more audible in this song. He definitely has skills, but they need to work on their sound mixing.
Next was Vitality, whom I had somehow mentally confused with Vital Remains. Once they took the stage, though, it was immediately clear that they look and sound completely different from that band. As soon as they launched into fast melodic riffs and aggressive vocals alternating between a high rasp and guttural growl, I wondered how come I never heard of them before. I was also amazed at the low growls emerging from the rather diminutive and normal-looking singer - although I really should know better than to judge by appearances! S kept comparing them to Black Dahlia Murder, and I can see the comparison in terms of style, but their pace was more moderate than BDM's frenzy. They only played three songs. Hopefully we'll be seeing more of them.
Then came Burning Shadows, a power metal band that I've been trying to see for years. We always seemed to arrive too late to shows they were playing, but this time we finally made it. They started off with something from their latest album, Gather Darkness - I think it may have been "A New Dark Age." They played three songs total, and they all seemed rather long. When listening to the album Gather Darkness, I found the vocals a bit overly pompous, but this effect was diminished in the live setting, and they had some headbang-inspiring thundering power metal bridges. There was a headbanging section on the left side of the floor that was pretty into their music; I might have been up there too if I hadn't been hanging out with people. They exceeded my expectations, so I hope it's not years before I see them again.
After that was Yesterday's Saints, another band we've been trying to see for a while. During their set, we moved to the floor and I tried out wearing earplugs, since S insisted I would need them if I wanted to go up close for Arkona. The earplugs were a terrible experience - as I expected, everything sounded muffled, the singer's voice sounded distant, the bass was just a blur of low noise and I couldn't hear the guitar at all. By the end of the set I decided I wasn't going to waste my time not hearing the music and took them out. Even without earplugs, though, the bass and guitar sounded like a confused roar, and the singer's vocals were so low, he might as well have been singing without a mic. I heard him complaining about the sound afterward and I don't blame him. Fortunately he had a powerful voice, both for growls and clean vocals, so I was able to hear him, but the vocals didn't quite have the bad-ass or soaring effect, respectively, that they would have if the volume matched the instruments. They played three songs total, including a new song that the singer warned might not be quite polished, but at the least it didn't sound any worse than the rest of the set. The singer got into the crowd a couple times, and even tried to start a pit at one point, but people didn't seem to be having it. It was kind of a disappointing experience with the earplugs and the sound issues, since it seemed like some cool heavy stuff was going on. I guess we have to continue our quest and try to see Yesterday's Saints again, without sound problems.
The last local band was Fallen Martyr, which, ironically in contrast to the previous two elusive bands, is a band that I have seen several times and have never been able to get into. This time, though, I was actually able to enjoy their set a little. I'm not sure if it was that I got drunk during their set, that I'm finally getting used to the agonized vocals or that said vocals were being halfway drowned out by the guitars (which, by the way, are excellent and are Fallen Martyr's saving grace). I think they played four songs; the first was "Soul Left Bare" (whose chorus is among the more bearable of their songs and always makes me think of Paradise Lost's "Faith Divides Us...Death Unites Us" just because of the lyrics) and the last was "Body of Light" (whose repetition of the words "I rise" led me to troll S with talk of the Batman).
During Fallen Martyr's set, a guy came up to me and asked me, in all seriousness, if I was Masha and said I looked just like her. Best compliment I've ever gotten :D \m/
And then at last Arkona. As soon as the sweeping intro started, I totally forgot the lateness of the hour. I had worried that the folk instruments or melodies might be drowned out on Cafe 611's sound system, which is usually tuned to rumble as though made for bass-heavy death metal bands, but in fact they sounded perfectly clear, at least from the center of the floor, front to back. I spent some time getting as close to the stage (and Masha) as possible, but much more starting mosh pits and jigs. There was a core of three or four guys and three other girls who could be relied on to get moving when the music got fast or polka-y. Most of the crowd pressed up to the front of the floor, leaving the pit in the back; I never did get all the way up to front like I hoped.
They started off fast and heavy with "Arkaim" and I couldn't resist pushing a friend around and starting a pit. That song has some great headbanging grooves, too, and Masha got everyone clapping for the more melodic parts. While the crowd wasn't the loudest, they were very willing to clap, fistpump and shout "Hey!" (and the band had us doing a lot of all three, so much my arms are still sore) and the crowd even sang along and jumped along with the band for some parts. The floor was about half full, but people were packed pretty tightly up at the front. The sound was perhaps not quite as rich as their recent live album Decade of Glory with its backing choir and orchestra, but this was a tiny venue in Frederick after all. The guitars were heavy, thundering in the fast parts; the bagpipes and recorder melodies floated over them nice and clear; and Masha's vocals were commanding or naturally beautiful, depending on the circumstance. It is pretty amazing how the band can go from flowing folk singing and wind melodies to black-metal-like furious guitars and drums and dark, harsh vocals; I think the variety, along with the earthy feel of the folk parts and the intensity of the harsh parts, is one of the reasons I like Arkona so much. They played most of the "classics" people would expect like "Goi, Rode Goi," "Slavsia, Rus," "Arkona," "Yarilo," and "Stenka na Stenku" as well as "Maslenitsa," "Po Syroi Zemle," and "Slovo," with "Rus" and "Kupala i Kostroma" as the encore, and also some other songs I can't name off the top of my head. (Someone has posted a setlist.) About two thirds through the set, the rest of band took a break for a bagpipe solo. As at Paganfest last year, Masha called for a wall of death for "Stenka na Stenku"; unlike at Paganfest, this time she had time to make herself understood and so it actually happened. Even though I said beforehand that I didn't think I could orchestrate a wall of death, I did have to goad people to line up for it, and then finally took part in my first honest to god wall of death. A lot of people got into and fell down in the crazy pit right after that. I hope we did Masha proud :P
Masha was getting pretty pink by the end of the set, and on the last song ("Kupala i Kostroma") she sounded a bit weak - that was probably the only weak point in the whole set. It's got to be difficult performing under those lights in furs. I was a tiny bit disappointed that they didn't play "Pokrovy Nebesnogo Startsa" (a great moshing song) or "Vyidu ya na Volushku" (which has a lovely folksy melody) but I had such a great time with the songs they did play, I could hardly complain about missing songs. Actually, it seems like all the songs they played are on their Decade of Glory live album, which would make sense, if they consider those songs their "hits."
I realized it was a long time since the last folk metal show - even this year's Paganfest doesn't really count, since most of the bands were more epic-riff Viking metal rather than folk metal chock full of folk instruments and melodies - so it was a while since I'd experienced a good folk pit. Arkona was an awesome cure to that! The band put on a great show, and the crowd made it really fun too. Like the last show at Cafe 611, the local line-up was also solid, keeping me well entertained till the headliner finally came on. Now, I just wish I wasn't operating on 3 hours of sleep, still..
Next show: Next Monday - Finntroll, Blackguard, Metsatöll and more awesome locals! Another chance at Yesterday's Saints, as well as North Carolina vikings Aether Realm and a new folk metal band from Maryland, Sekengard.
There was a pretty strong line-up of local bands warming up the crowd - the downside to that being that the show ran about an hour late, and so an already late start time for Arkona was pushed back to about midnight. We planned to get there sometime during Vitality's set in order to make sure to see Burning Shadows, but when we arrived sometime after 8, the first band was just going on >.<
The set-up was also interesting, because Arkona's drum kit had already been set up and was taking up about half the stage, which meant that for most of the opening bands, their drum kit took up the other half of the stage, the guitarists stood on the sides, and the singer was on the floor with the crowd - sometimes in the crowd. In fact, the first band had all their equipment set up right on the floor.
The first band was Divine Conspiracy, a three piece outfit. I heard people saying that it was their first show, and I believe the singer backed up when I talked to him later. Just as we came in, they launched into something very punk rock sounding. Then they did a System of a Down cover, which I didn't really listen to. I believe their third song was an original, and it sounded pretty energetic, although I couldn't hear much other than the bass. When I could hear it, the lead guitar (played by the singer) sounded pretty great. They ended with a Slayer-paced cover of Pantera's "Fucking Hostile"; the singer/guitarist's speedy playing was a little more audible in this song. He definitely has skills, but they need to work on their sound mixing.
Next was Vitality, whom I had somehow mentally confused with Vital Remains. Once they took the stage, though, it was immediately clear that they look and sound completely different from that band. As soon as they launched into fast melodic riffs and aggressive vocals alternating between a high rasp and guttural growl, I wondered how come I never heard of them before. I was also amazed at the low growls emerging from the rather diminutive and normal-looking singer - although I really should know better than to judge by appearances! S kept comparing them to Black Dahlia Murder, and I can see the comparison in terms of style, but their pace was more moderate than BDM's frenzy. They only played three songs. Hopefully we'll be seeing more of them.
Then came Burning Shadows, a power metal band that I've been trying to see for years. We always seemed to arrive too late to shows they were playing, but this time we finally made it. They started off with something from their latest album, Gather Darkness - I think it may have been "A New Dark Age." They played three songs total, and they all seemed rather long. When listening to the album Gather Darkness, I found the vocals a bit overly pompous, but this effect was diminished in the live setting, and they had some headbang-inspiring thundering power metal bridges. There was a headbanging section on the left side of the floor that was pretty into their music; I might have been up there too if I hadn't been hanging out with people. They exceeded my expectations, so I hope it's not years before I see them again.
After that was Yesterday's Saints, another band we've been trying to see for a while. During their set, we moved to the floor and I tried out wearing earplugs, since S insisted I would need them if I wanted to go up close for Arkona. The earplugs were a terrible experience - as I expected, everything sounded muffled, the singer's voice sounded distant, the bass was just a blur of low noise and I couldn't hear the guitar at all. By the end of the set I decided I wasn't going to waste my time not hearing the music and took them out. Even without earplugs, though, the bass and guitar sounded like a confused roar, and the singer's vocals were so low, he might as well have been singing without a mic. I heard him complaining about the sound afterward and I don't blame him. Fortunately he had a powerful voice, both for growls and clean vocals, so I was able to hear him, but the vocals didn't quite have the bad-ass or soaring effect, respectively, that they would have if the volume matched the instruments. They played three songs total, including a new song that the singer warned might not be quite polished, but at the least it didn't sound any worse than the rest of the set. The singer got into the crowd a couple times, and even tried to start a pit at one point, but people didn't seem to be having it. It was kind of a disappointing experience with the earplugs and the sound issues, since it seemed like some cool heavy stuff was going on. I guess we have to continue our quest and try to see Yesterday's Saints again, without sound problems.
The last local band was Fallen Martyr, which, ironically in contrast to the previous two elusive bands, is a band that I have seen several times and have never been able to get into. This time, though, I was actually able to enjoy their set a little. I'm not sure if it was that I got drunk during their set, that I'm finally getting used to the agonized vocals or that said vocals were being halfway drowned out by the guitars (which, by the way, are excellent and are Fallen Martyr's saving grace). I think they played four songs; the first was "Soul Left Bare" (whose chorus is among the more bearable of their songs and always makes me think of Paradise Lost's "Faith Divides Us...Death Unites Us" just because of the lyrics) and the last was "Body of Light" (whose repetition of the words "I rise" led me to troll S with talk of the Batman).
During Fallen Martyr's set, a guy came up to me and asked me, in all seriousness, if I was Masha and said I looked just like her. Best compliment I've ever gotten :D \m/
And then at last Arkona. As soon as the sweeping intro started, I totally forgot the lateness of the hour. I had worried that the folk instruments or melodies might be drowned out on Cafe 611's sound system, which is usually tuned to rumble as though made for bass-heavy death metal bands, but in fact they sounded perfectly clear, at least from the center of the floor, front to back. I spent some time getting as close to the stage (and Masha) as possible, but much more starting mosh pits and jigs. There was a core of three or four guys and three other girls who could be relied on to get moving when the music got fast or polka-y. Most of the crowd pressed up to the front of the floor, leaving the pit in the back; I never did get all the way up to front like I hoped.
They started off fast and heavy with "Arkaim" and I couldn't resist pushing a friend around and starting a pit. That song has some great headbanging grooves, too, and Masha got everyone clapping for the more melodic parts. While the crowd wasn't the loudest, they were very willing to clap, fistpump and shout "Hey!" (and the band had us doing a lot of all three, so much my arms are still sore) and the crowd even sang along and jumped along with the band for some parts. The floor was about half full, but people were packed pretty tightly up at the front. The sound was perhaps not quite as rich as their recent live album Decade of Glory with its backing choir and orchestra, but this was a tiny venue in Frederick after all. The guitars were heavy, thundering in the fast parts; the bagpipes and recorder melodies floated over them nice and clear; and Masha's vocals were commanding or naturally beautiful, depending on the circumstance. It is pretty amazing how the band can go from flowing folk singing and wind melodies to black-metal-like furious guitars and drums and dark, harsh vocals; I think the variety, along with the earthy feel of the folk parts and the intensity of the harsh parts, is one of the reasons I like Arkona so much. They played most of the "classics" people would expect like "Goi, Rode Goi," "Slavsia, Rus," "Arkona," "Yarilo," and "Stenka na Stenku" as well as "Maslenitsa," "Po Syroi Zemle," and "Slovo," with "Rus" and "Kupala i Kostroma" as the encore, and also some other songs I can't name off the top of my head. (Someone has posted a setlist.) About two thirds through the set, the rest of band took a break for a bagpipe solo. As at Paganfest last year, Masha called for a wall of death for "Stenka na Stenku"; unlike at Paganfest, this time she had time to make herself understood and so it actually happened. Even though I said beforehand that I didn't think I could orchestrate a wall of death, I did have to goad people to line up for it, and then finally took part in my first honest to god wall of death. A lot of people got into and fell down in the crazy pit right after that. I hope we did Masha proud :P
Masha was getting pretty pink by the end of the set, and on the last song ("Kupala i Kostroma") she sounded a bit weak - that was probably the only weak point in the whole set. It's got to be difficult performing under those lights in furs. I was a tiny bit disappointed that they didn't play "Pokrovy Nebesnogo Startsa" (a great moshing song) or "Vyidu ya na Volushku" (which has a lovely folksy melody) but I had such a great time with the songs they did play, I could hardly complain about missing songs. Actually, it seems like all the songs they played are on their Decade of Glory live album, which would make sense, if they consider those songs their "hits."
I realized it was a long time since the last folk metal show - even this year's Paganfest doesn't really count, since most of the bands were more epic-riff Viking metal rather than folk metal chock full of folk instruments and melodies - so it was a while since I'd experienced a good folk pit. Arkona was an awesome cure to that! The band put on a great show, and the crowd made it really fun too. Like the last show at Cafe 611, the local line-up was also solid, keeping me well entertained till the headliner finally came on. Now, I just wish I wasn't operating on 3 hours of sleep, still..
Next show: Next Monday - Finntroll, Blackguard, Metsatöll and more awesome locals! Another chance at Yesterday's Saints, as well as North Carolina vikings Aether Realm and a new folk metal band from Maryland, Sekengard.
Sunday, October 27, 2013
Concert Review - Obituary, Strong Intention, Survive the Demise, Krass Judgment, March to Victory etc - 10/19/13 at Cafe 611, Frederick, MD
Finally getting around to posting this. Luckily I made notes the day after the show, but I have so much work now that I didn't get to type this up properly till now.
Not being otherwise occupied on a Saturday night, we decided to pop up to Frederick to see Obituary. We left rather late, after the kid's bedtime, so I didn't have much hope of catching any of the local bands opening for them. But as it turned out, we caught four of them...because there were no less than twelve bands performing. Yes, that's right, a solid 6+ hours of music before the headliner even came on. Needless to say, I didn't include everyone in the title, only the bands we actually saw, and I wasn't even able to tag everyone since blogger limits the tag field pretty severely >.<
I was glad we got there in time for Lancaster, PA death metal band March to Victory. We've seen them several times now and I enjoy their music. They sounded good - loud and groovy. They played the same songs as before, including the cover of Death's "Crystal Mountain." Having heard them play several times now, I was able to devote some attention to individual songs. I especially enjoyed "Funeral of Lizard Beast" (or is it "Funeral Blizzard Beast"? Not sure..) and "Consumption" for their groovy guitars. The vocals on "Consumption" were different from the others. On the other songs, Danielle, the vocalist, used a semi-intelligible growl, but for this song she alternated deeper guttural vocals and higher raspy vocals. "Soulless," meanwhile, was the song I enjoyed least; it was a bit slower and had some weird rhythms. I wonder if next time we'll get to hear some new material from these guys.
Based on the event's facebook page, we thought that Strong Intention would be on next, and then Obituary, but it turned out to be Krass Judgment who took the stage. They started out thrashy, then went into more of a rumbling death metal vibe with growled vocals. I thought they were pretty good - energetic and aggressive enough that I wondered no one started a pit - but S said they sounded better last time he saw them. I thought "Demon Bitch" was their best song. It had a frenetic hardcore pace, but with groove.
The next surprise was Survive the Demise from Western Maryland. I really enjoyed them. They seemed to play death metal with some clean vocals, and some melodic leads. There was one song I particularly liked, but totally can't remember the title, it was something Rotten, or something of that sort. After their set, I got really tired, which unfortunately wiped my memory of a lot of details about them.
Then finally Strong Intention came on. By then I was fed up with how the show kept going on and on, and also was totally not in the mood for hardcore. It was loud and fast and heavy, but didn't hold my interest at all. (I can see how people might mistake hardcore for metal now - they're both heavy and aggressive. But the guitars and vocals are so repetitive, I just can't get interested in the genre.) Strong Intention did have a few riffy, headbang-worthy moments, but mostly I zoned out, as much from tiredness and irritation as from not being to get into the music.
Obituary finally started sound checking a little before midnight (my phone had gone off, so I don't know the exact time). They were better than I expected. I had expected hardcore vocals with bland guitars (based on some album that S lent me a while ago..) but actually the vocals were more of a wet low growl. The guitars weren't amazing, but they changed pace frequently, from rumbling groove, to blast-beat-led frenzy, to oozing slow heaviness, so they held my interest pretty well. I was having a good time in spite of my tiredness, so we could have stayed later, but for the sake of making the next day's plans something like on time, we decided to leave around 12:40.
Despite the lateness and the mixed up line-up, I enjoyed most of the night. I got to hear March to Victory as well as some other local bands I hadn't heard before. Survive the Demise in particular I'll be following closely; hopefully they come back to play sometime soon. I'm really liking that Frederick is getting more strong shows like this, cause it means I can go out for a night of metal on the drop of a hat. In fact, my next show is also at Cafe 611: Arkona (Rus) there tomorrow! I can't wait to see Masha up close <3
Not being otherwise occupied on a Saturday night, we decided to pop up to Frederick to see Obituary. We left rather late, after the kid's bedtime, so I didn't have much hope of catching any of the local bands opening for them. But as it turned out, we caught four of them...because there were no less than twelve bands performing. Yes, that's right, a solid 6+ hours of music before the headliner even came on. Needless to say, I didn't include everyone in the title, only the bands we actually saw, and I wasn't even able to tag everyone since blogger limits the tag field pretty severely >.<
I was glad we got there in time for Lancaster, PA death metal band March to Victory. We've seen them several times now and I enjoy their music. They sounded good - loud and groovy. They played the same songs as before, including the cover of Death's "Crystal Mountain." Having heard them play several times now, I was able to devote some attention to individual songs. I especially enjoyed "Funeral of Lizard Beast" (or is it "Funeral Blizzard Beast"? Not sure..) and "Consumption" for their groovy guitars. The vocals on "Consumption" were different from the others. On the other songs, Danielle, the vocalist, used a semi-intelligible growl, but for this song she alternated deeper guttural vocals and higher raspy vocals. "Soulless," meanwhile, was the song I enjoyed least; it was a bit slower and had some weird rhythms. I wonder if next time we'll get to hear some new material from these guys.
Based on the event's facebook page, we thought that Strong Intention would be on next, and then Obituary, but it turned out to be Krass Judgment who took the stage. They started out thrashy, then went into more of a rumbling death metal vibe with growled vocals. I thought they were pretty good - energetic and aggressive enough that I wondered no one started a pit - but S said they sounded better last time he saw them. I thought "Demon Bitch" was their best song. It had a frenetic hardcore pace, but with groove.
The next surprise was Survive the Demise from Western Maryland. I really enjoyed them. They seemed to play death metal with some clean vocals, and some melodic leads. There was one song I particularly liked, but totally can't remember the title, it was something Rotten, or something of that sort. After their set, I got really tired, which unfortunately wiped my memory of a lot of details about them.
Then finally Strong Intention came on. By then I was fed up with how the show kept going on and on, and also was totally not in the mood for hardcore. It was loud and fast and heavy, but didn't hold my interest at all. (I can see how people might mistake hardcore for metal now - they're both heavy and aggressive. But the guitars and vocals are so repetitive, I just can't get interested in the genre.) Strong Intention did have a few riffy, headbang-worthy moments, but mostly I zoned out, as much from tiredness and irritation as from not being to get into the music.
Obituary finally started sound checking a little before midnight (my phone had gone off, so I don't know the exact time). They were better than I expected. I had expected hardcore vocals with bland guitars (based on some album that S lent me a while ago..) but actually the vocals were more of a wet low growl. The guitars weren't amazing, but they changed pace frequently, from rumbling groove, to blast-beat-led frenzy, to oozing slow heaviness, so they held my interest pretty well. I was having a good time in spite of my tiredness, so we could have stayed later, but for the sake of making the next day's plans something like on time, we decided to leave around 12:40.
Despite the lateness and the mixed up line-up, I enjoyed most of the night. I got to hear March to Victory as well as some other local bands I hadn't heard before. Survive the Demise in particular I'll be following closely; hopefully they come back to play sometime soon. I'm really liking that Frederick is getting more strong shows like this, cause it means I can go out for a night of metal on the drop of a hat. In fact, my next show is also at Cafe 611: Arkona (Rus) there tomorrow! I can't wait to see Masha up close <3
Tuesday, October 15, 2013
Stitched Up Heart, Serpent Witch, Flag of the White Rose, Decimate the Tyrant, Transitshop, Valdesa - 10/12/13 at Cafe 611, Frederick, MD
I love shows in Frederick. I can roll out after my kid goes to bed and still get there in time for most of the bands, no guilt, no hassle, no long drive in traffic (not to mention Sheetz snacks after the show!). Case in point, on Saturday I caught a show at Cafe 611 that I probably wouldn't have been able to get to anywhere else.
One of my friends had been talking up local band Flag of the White Rose for some time, but I hadn't managed to see them. (Last time I tried, when I took my kid to a show called Face-Melting Friday at Sidebar, she got tired and we had to go home before they came on.) This time, S and I got to Cafe 611 in time for their last 4-5 songs - we came in to see a tall woman with a four or five inch mohawk stomping about the stage, belting out vocals while the guitars and drums galloped and thundered. I thought I had seen them described as melodic, but they actually had more of a heavy metal sound, with several galloping Iron Maiden moments. Kerri's vocals were powerful, with an old school vibe, and they were very refreshing compared to the simpering singing style (usually with insipid lyrics) that's popular now (I've been spending too much time lately in coffeeshops where bland pop is blasted so loud I'd have to destroy my ears to drown it out with good music on my headphones). Anyway, Flag of the White Rose covered a Judas Priest song, "Heading Out to the Highway," and it was quite obvious that Kerri follows in Halford's footsteps, with her brash, high-pitched vocals. (Someone knowledgeable about the band later confirmed that Halford is Kerri's biggest influence.) I enjoyed the Halford-style clean vocals, but their set did also have some moments of punkish shrieking that made my ears cringe. Kerri's look was also quite punk with the mohawk, a tight leather outfit, multiple metal-covered belts, and high boots draped in more metal. (Overall, I saw more mohawks in one place that night than at any other metal show.) The bassist was also dressed up with a police cap and studded belt, with the rest of the band appropriately, though less flamboyantly, dressed in black and bands shirts. I liked their look, and their overall stage presence was very energetic and cohesive. I was surprised to hear they've only been playing for a few months; they look and sound very together.
Later on, we met and talked with Kerri, and she was actually very jovial and friendly.
After Flag of the White Rose was another local band, Serpent Witch. I saw them, for a few songs, at Face Melting Friday, where I was not too impressed with them - slow and with a stonerish vibe, which is one of the few metal genres I can't seem to get into. Indeed, they started out their set with a slow doomy vibe. They sounded much better and clearer than at Sidebar, but S and I both thought they should have a thicker, heavier sound to enhance the doom atmosphere. The (small, female) singer's vocals were also very strong and clear, rather strident for a doom band, and she was moving about vigorously. As the set went on, though, they picked up the pace and the doom vibe lessened until they were playing something more like heavy metal. S compared them to Pentagram - read his review for his full analysis of which old school bands each band sounded like. By the end of the set, I was actually enjoying their music since the whole band seemed to have picked up on the energy of the singer. Also, they had an old guy drummer whose delicate movements in the slower segments were amusing to watch.
The headliner was a band I had never heard of, Stitched Up Heart. As were all the bands in the venue that night, they were hanging out with the crowd in the back bar room, which was open this time (the front bar was closed). Unlike the other bands, they were attempting to smear everyone with the black face paint that they had daubed all over themselves. From their look - streaks of black paint, mohawks both stiffened and floppy, (old school) Hot Topic-esque outfits - I guessed they were going to play some sort of angsty music for teens. The drummer telling us about his adventures with Butcher Babies (and the fact he was wearing a Butcher Babies t-shirt) made me further uncertain about how much I would enjoy their set.
But they were actually a lot of fun. Perhaps not the way a band that courts darkness wants to be described, but that was my overwhelming impression: fun. They were catchy and dynamic, with perfect delivery and stage presence - lots of jumping and dramatic guitar swinging. At the start of the set, the bassist (and perhaps also the guitarist?) somehow flung baby powder into the air, maybe from his hair, which created a cool effect, like he was emanating smoke, though the smell lingered for a bit. The band's sound was heavy with an insistent beat - suitable for dancing or headbanging - but not very audible guitar, save for a few solos and bridges. S critiqued the guitar; personally, I thought it was passable, especially since it was obviously not a prominent part of their sound. They turned out to basically be screamo but with bearable vocals - clear soulful pop vocals with occasional harsh screams, and not an overload of whininess. When she addressed the audience, the singer used a sing-song, mechanical, doll-like voice as did the singer of One-Eyed Doll when we saw them. They played a somewhat short set, and at the end, the singer sprinted to bathroom while the rest of band hid behind their merch table as the crowd chanted "encore!" There was no encore, however; that was the end of the show.
I was very glad I went. I finally got to hear (and be impressed with) Flag of the White Rose, I improved my opinion of Serpent Witch, and had a great time during Stitched Up Heart's highly energetic set. I can't say I've become a converted fan of any except the first band, but at least it was fun.
Next show: Tomorrow! Primitivity. Playing Megadeth on four cellos.
One of my friends had been talking up local band Flag of the White Rose for some time, but I hadn't managed to see them. (Last time I tried, when I took my kid to a show called Face-Melting Friday at Sidebar, she got tired and we had to go home before they came on.) This time, S and I got to Cafe 611 in time for their last 4-5 songs - we came in to see a tall woman with a four or five inch mohawk stomping about the stage, belting out vocals while the guitars and drums galloped and thundered. I thought I had seen them described as melodic, but they actually had more of a heavy metal sound, with several galloping Iron Maiden moments. Kerri's vocals were powerful, with an old school vibe, and they were very refreshing compared to the simpering singing style (usually with insipid lyrics) that's popular now (I've been spending too much time lately in coffeeshops where bland pop is blasted so loud I'd have to destroy my ears to drown it out with good music on my headphones). Anyway, Flag of the White Rose covered a Judas Priest song, "Heading Out to the Highway," and it was quite obvious that Kerri follows in Halford's footsteps, with her brash, high-pitched vocals. (Someone knowledgeable about the band later confirmed that Halford is Kerri's biggest influence.) I enjoyed the Halford-style clean vocals, but their set did also have some moments of punkish shrieking that made my ears cringe. Kerri's look was also quite punk with the mohawk, a tight leather outfit, multiple metal-covered belts, and high boots draped in more metal. (Overall, I saw more mohawks in one place that night than at any other metal show.) The bassist was also dressed up with a police cap and studded belt, with the rest of the band appropriately, though less flamboyantly, dressed in black and bands shirts. I liked their look, and their overall stage presence was very energetic and cohesive. I was surprised to hear they've only been playing for a few months; they look and sound very together.
Later on, we met and talked with Kerri, and she was actually very jovial and friendly.
After Flag of the White Rose was another local band, Serpent Witch. I saw them, for a few songs, at Face Melting Friday, where I was not too impressed with them - slow and with a stonerish vibe, which is one of the few metal genres I can't seem to get into. Indeed, they started out their set with a slow doomy vibe. They sounded much better and clearer than at Sidebar, but S and I both thought they should have a thicker, heavier sound to enhance the doom atmosphere. The (small, female) singer's vocals were also very strong and clear, rather strident for a doom band, and she was moving about vigorously. As the set went on, though, they picked up the pace and the doom vibe lessened until they were playing something more like heavy metal. S compared them to Pentagram - read his review for his full analysis of which old school bands each band sounded like. By the end of the set, I was actually enjoying their music since the whole band seemed to have picked up on the energy of the singer. Also, they had an old guy drummer whose delicate movements in the slower segments were amusing to watch.
The headliner was a band I had never heard of, Stitched Up Heart. As were all the bands in the venue that night, they were hanging out with the crowd in the back bar room, which was open this time (the front bar was closed). Unlike the other bands, they were attempting to smear everyone with the black face paint that they had daubed all over themselves. From their look - streaks of black paint, mohawks both stiffened and floppy, (old school) Hot Topic-esque outfits - I guessed they were going to play some sort of angsty music for teens. The drummer telling us about his adventures with Butcher Babies (and the fact he was wearing a Butcher Babies t-shirt) made me further uncertain about how much I would enjoy their set.
But they were actually a lot of fun. Perhaps not the way a band that courts darkness wants to be described, but that was my overwhelming impression: fun. They were catchy and dynamic, with perfect delivery and stage presence - lots of jumping and dramatic guitar swinging. At the start of the set, the bassist (and perhaps also the guitarist?) somehow flung baby powder into the air, maybe from his hair, which created a cool effect, like he was emanating smoke, though the smell lingered for a bit. The band's sound was heavy with an insistent beat - suitable for dancing or headbanging - but not very audible guitar, save for a few solos and bridges. S critiqued the guitar; personally, I thought it was passable, especially since it was obviously not a prominent part of their sound. They turned out to basically be screamo but with bearable vocals - clear soulful pop vocals with occasional harsh screams, and not an overload of whininess. When she addressed the audience, the singer used a sing-song, mechanical, doll-like voice as did the singer of One-Eyed Doll when we saw them. They played a somewhat short set, and at the end, the singer sprinted to bathroom while the rest of band hid behind their merch table as the crowd chanted "encore!" There was no encore, however; that was the end of the show.
I was very glad I went. I finally got to hear (and be impressed with) Flag of the White Rose, I improved my opinion of Serpent Witch, and had a great time during Stitched Up Heart's highly energetic set. I can't say I've become a converted fan of any except the first band, but at least it was fun.
Next show: Tomorrow! Primitivity. Playing Megadeth on four cellos.
Saturday, July 20, 2013
Concert Review - The Agonist, Fallen Martyr, Demiz, March to Victory, Area 52, Iris Divine - 7/19/13 at Cafe 611, Frederick, MD
This show was the day after we trekked up to PA to see Amaranthe, but we decided to go anyway since it was so close by. I also felt like I was getting a cold, but thought I could power through the evening. I'm not a huge fan of The Agonist - I feel like their music lacks intensity somehow - but I was interested in seeing the long line-up of local bands opening for them.
We wanted to see Iris Divine, but left too late and missed them. We got there just before Area 52 started. They sounded like they might have some promise, but it was hard to tell. The mix was off, so they sounded like a lot of bass noise punctuated by way too loud (and slow and repetitive) drums. The guitar player did (mostly) clean vocals, and the bass player harsh vocals, but I could hardly hear them (from my seat at the bar). They had some promising moments, like when the bass and drums were obviously doing something thrashy, but I couldn't hear the guitar. They called for a mosh pit and the crowd actually obliged, which doesn't always happen with the local acts at Cafe 611.
Gettysburg, PA death metal band March to Victory was on next, and they sounded really good. They had a different vocalist than the last time we saw them - they had a male vocalist previously, but this time the vocalist was a woman (with fake(?) blood smeared on her face and neck). I liked her vocals more than the previous guy - I still couldn't make out what she was saying, but it sounded more like words than the former vocalist's unintelligible growls. Overall their sound was much clearer and groovier than last time. I headbanged a lot and would have pushed people around if I wasn't sick and wanting to save my seat for later.
Next was Demiz (pronounced like "demise"), who also sounded good. They played mainly fast, fierce black metal in the vein of Marduk, very loud and energetic. They had a song about Vikings, which sounded rather Viking-y. I think they need to work on their image though - the guy in a red Subway shirt and the singer's plug earlobe piercings really threw things off. They would look much more like a professional black metal band if they had a more unified image. The guitarist (who looked rather more black metal with his dark hair and clothing and crosses painted on his face) jumped on the speakers a couple times. I did enjoy their sound.
After that was Fallen Martyr, who also sounded better than last time we saw a whole set of theirs (opening for Blackguard). They collected a good crowd and had a very professional demeanor and sound. The guitars and drums were nice and heavy, and pretty well mixed, although I couldn't hear much of the guitar melodies. Still, they are not quite to my taste, mainly because of the vocals. The singer sang with a lot of gusto this time (lack of which was one of my gripes before) but I was not digging the anguished sound of most of his vocals. There were some moments where he sang with more aggressive punch to his voice, kind of like Halford's vocals, which I thought were good, but overall things tended a little too much toward emo for me.
By the time The Agonist came on, I was feeling rather weak. They sounded pretty good, loud and riffy (this is another venue whose sound system seems generally tuned to rumble), and I headbanged a bit when I was able to pay attention. There seemed to be something lacking, though; they didn't inspire me as much as March to Victory and Demiz. It may also have been that I was sick and tired, because I literally passed out on S's shoulder by the end of the set.
Next show - Mayhem Fest on Wednesday!
We wanted to see Iris Divine, but left too late and missed them. We got there just before Area 52 started. They sounded like they might have some promise, but it was hard to tell. The mix was off, so they sounded like a lot of bass noise punctuated by way too loud (and slow and repetitive) drums. The guitar player did (mostly) clean vocals, and the bass player harsh vocals, but I could hardly hear them (from my seat at the bar). They had some promising moments, like when the bass and drums were obviously doing something thrashy, but I couldn't hear the guitar. They called for a mosh pit and the crowd actually obliged, which doesn't always happen with the local acts at Cafe 611.
Gettysburg, PA death metal band March to Victory was on next, and they sounded really good. They had a different vocalist than the last time we saw them - they had a male vocalist previously, but this time the vocalist was a woman (with fake(?) blood smeared on her face and neck). I liked her vocals more than the previous guy - I still couldn't make out what she was saying, but it sounded more like words than the former vocalist's unintelligible growls. Overall their sound was much clearer and groovier than last time. I headbanged a lot and would have pushed people around if I wasn't sick and wanting to save my seat for later.
Next was Demiz (pronounced like "demise"), who also sounded good. They played mainly fast, fierce black metal in the vein of Marduk, very loud and energetic. They had a song about Vikings, which sounded rather Viking-y. I think they need to work on their image though - the guy in a red Subway shirt and the singer's plug earlobe piercings really threw things off. They would look much more like a professional black metal band if they had a more unified image. The guitarist (who looked rather more black metal with his dark hair and clothing and crosses painted on his face) jumped on the speakers a couple times. I did enjoy their sound.
After that was Fallen Martyr, who also sounded better than last time we saw a whole set of theirs (opening for Blackguard). They collected a good crowd and had a very professional demeanor and sound. The guitars and drums were nice and heavy, and pretty well mixed, although I couldn't hear much of the guitar melodies. Still, they are not quite to my taste, mainly because of the vocals. The singer sang with a lot of gusto this time (lack of which was one of my gripes before) but I was not digging the anguished sound of most of his vocals. There were some moments where he sang with more aggressive punch to his voice, kind of like Halford's vocals, which I thought were good, but overall things tended a little too much toward emo for me.
By the time The Agonist came on, I was feeling rather weak. They sounded pretty good, loud and riffy (this is another venue whose sound system seems generally tuned to rumble), and I headbanged a bit when I was able to pay attention. There seemed to be something lacking, though; they didn't inspire me as much as March to Victory and Demiz. It may also have been that I was sick and tired, because I literally passed out on S's shoulder by the end of the set.
Next show - Mayhem Fest on Wednesday!
Saturday, May 4, 2013
Concert Review - Arsis, Inhumation, Enigma Code, Monarchs - 4/30/13 at Cafe 611, Frederick, MD
Like usual, I'm trying to get this review up quickly before going to another concert... A few days ago, Arsis put on a one-off headline show as the release party for their new CD at Cafe 611 in Frederick, MD. I got into them when I saw them opening for Sonata Arctica. They were fast and melodic, and very headbangable; I enjoyed their set and looked forward to seeing them again, especially to the chance to see them headline. This week was really busy, though, so probably wouldn't have gone to seem them if the show hadn't been in Frederick. But seeing as they were right there, there was no excuse not to see them/support them at their headline show.
The best word for this show would be thunderous. Both the one opener we saw and Arsis were a massive barrage of thundering sound, which I think had more do with the venue's sound system and mixing than the bands, cause I don't remember Arsis sounding like that last time we saw them. In spite of being tired and down in the dumps about my life, I had a good time and thought it was a great show, which is a testament to the energy this band puts out.
We missed Monarchs and Enigma Code entirely, cause it took forever to get my daughter to bed (damnable naps at daycare). We heard the last three songs or so of Inhumation, which sounded pretty good to me. Their sound was dominated by rumbling, rolling bass and drums. The vocals were totally indecipherable, just a rhythmic low growl. The singer was out of breath between songs, which I thought was odd. He called for a pit on the last couple songs, but no one obliged him.
Arsis's sound was also thundering, which was when I realized it must be the sound system - they do a lot of death metal shows at Cafe 611, so I guess that's the kind of sound they prefer. The lead guitar was pretty low in the mix, sort of in the background, unfortunately, but I could pick out the melodies if I listened hard enough. I was feeling pretty crappy before their set started, but the energy of their songs wiped that right out of me and got me moving. They were dynamic, energetic, and seemed to be having a great time (this was their party after all), and they were pretty good natured about the fact that only about thirty people showed up to their party (it was a Tuesday night in Frederick). There was no pit, even though the music was fast and heavy enough in some parts. I shoved S a little, but didn't feel like starting pit. At end, S picked up the band's set list and eventually got it signed. And our friend Sc who has awesome hair got a shoutout during the show for having already purchased the new CD XD
I thought they sounded good, even if the sound system skewed their sound toward the heavier elements and obscured some of the melodic parts. It might have been a better show with more people so there could have been an actual pit, but at the same time, sometimes it's nice to see a band with just fifteen or twenty "friends". Now Arsis is on tour with Krisiun, so if they're hitting your area, I suggest checking them out - especially because the first half of the dates feature the amazing Chicago based melodeath band Starkill! (So bummed that they're not coming to my area >.<)
Next concert: M3 Fest - today!
The best word for this show would be thunderous. Both the one opener we saw and Arsis were a massive barrage of thundering sound, which I think had more do with the venue's sound system and mixing than the bands, cause I don't remember Arsis sounding like that last time we saw them. In spite of being tired and down in the dumps about my life, I had a good time and thought it was a great show, which is a testament to the energy this band puts out.
We missed Monarchs and Enigma Code entirely, cause it took forever to get my daughter to bed (damnable naps at daycare). We heard the last three songs or so of Inhumation, which sounded pretty good to me. Their sound was dominated by rumbling, rolling bass and drums. The vocals were totally indecipherable, just a rhythmic low growl. The singer was out of breath between songs, which I thought was odd. He called for a pit on the last couple songs, but no one obliged him.
Arsis's sound was also thundering, which was when I realized it must be the sound system - they do a lot of death metal shows at Cafe 611, so I guess that's the kind of sound they prefer. The lead guitar was pretty low in the mix, sort of in the background, unfortunately, but I could pick out the melodies if I listened hard enough. I was feeling pretty crappy before their set started, but the energy of their songs wiped that right out of me and got me moving. They were dynamic, energetic, and seemed to be having a great time (this was their party after all), and they were pretty good natured about the fact that only about thirty people showed up to their party (it was a Tuesday night in Frederick). There was no pit, even though the music was fast and heavy enough in some parts. I shoved S a little, but didn't feel like starting pit. At end, S picked up the band's set list and eventually got it signed. And our friend Sc who has awesome hair got a shoutout during the show for having already purchased the new CD XD
I thought they sounded good, even if the sound system skewed their sound toward the heavier elements and obscured some of the melodic parts. It might have been a better show with more people so there could have been an actual pit, but at the same time, sometimes it's nice to see a band with just fifteen or twenty "friends". Now Arsis is on tour with Krisiun, so if they're hitting your area, I suggest checking them out - especially because the first half of the dates feature the amazing Chicago based melodeath band Starkill! (So bummed that they're not coming to my area >.<)
Next concert: M3 Fest - today!
Wednesday, April 24, 2013
Concert Review - Ripper Owens, Ghost of War, March to Victory - 4/6/13 at Cafe 611, Frederick, MD
Finally, a concert review. I've been pretty busy this month - busy relaxing and taking care of myself, mostly, and spending time with people who are important to me. Life is complicated. But I did go to a couple shows already in April, so it's time to get some reviews up.. First off, Ripper Owens, practically in my hometown.
I'm not a super fan of Ripper Owens, although I do admire his talent (having seen him with Dio Disciples), but S. is a bit of a super fan and the show was right in my backyard (well, almost..I live 20 min from Frederick, as opposed to nearly an hour from most other places that have shows). So we headed on up for a night out after I put my kid to bed.
We got there during the last song of March to Victory, which had a heavy death metal sound. I think I would have enjoyed them, so I hope we'll see them open for someone else.
A bartender made me an amazing drink (it was some sort of Finlandia grapefruit vodka Sprite lemon and lime mix..so delicious and so strong. Finlandia is second only to Jaegermeister, mmmm) and I'm very much a lightweight, so I was pretty drunk when Ghost of War, a metal band from Gettysburg, PA, came on. They seem to be classic heavy metal band in the style of Judas Priest, and they sounded good. The singer was a bit..heavy, but he could really wail.
Ripper Owens was good, of course - although I don't know his material well, so I'm not really a good judge of his performance. The song I knew best was "Painkiller," and that sounded great. The Beyond Fear songs were very heavy, and besides the Priest hits, I think I enjoyed those the best. I started to get tired toward the end, and then Ripper passed the mic to other people in the band and started playing guitar while they sang covers of songs I didn't know, and I started to get reaaaally impatient and wanted to go home. Overall it was a good night, though, and it's always fun to see one of metal's superstars up close and personal.
I'm not a super fan of Ripper Owens, although I do admire his talent (having seen him with Dio Disciples), but S. is a bit of a super fan and the show was right in my backyard (well, almost..I live 20 min from Frederick, as opposed to nearly an hour from most other places that have shows). So we headed on up for a night out after I put my kid to bed.
We got there during the last song of March to Victory, which had a heavy death metal sound. I think I would have enjoyed them, so I hope we'll see them open for someone else.
A bartender made me an amazing drink (it was some sort of Finlandia grapefruit vodka Sprite lemon and lime mix..so delicious and so strong. Finlandia is second only to Jaegermeister, mmmm) and I'm very much a lightweight, so I was pretty drunk when Ghost of War, a metal band from Gettysburg, PA, came on. They seem to be classic heavy metal band in the style of Judas Priest, and they sounded good. The singer was a bit..heavy, but he could really wail.
Ripper Owens was good, of course - although I don't know his material well, so I'm not really a good judge of his performance. The song I knew best was "Painkiller," and that sounded great. The Beyond Fear songs were very heavy, and besides the Priest hits, I think I enjoyed those the best. I started to get tired toward the end, and then Ripper passed the mic to other people in the band and started playing guitar while they sang covers of songs I didn't know, and I started to get reaaaally impatient and wanted to go home. Overall it was a good night, though, and it's always fun to see one of metal's superstars up close and personal.
Friday, November 9, 2012
Six Feet Under, Cattle Decapitation, Wretched and others - 11/3/12 at Cafe 611, Frederick, MD
I went to this show partly because the one Six Feet Under song I'd heard before sounded great for headbanging, and partly because I wanted to see what Cattle Decapitation was like after all the hype about their recent gory video. And the show was only twenty minutes away, so why not.
I'd never been to Cafe 611, although I'd heard of one or two shows there. It's located on Market Street in downtown Frederick, which seemed like an odd place for a metal show. There was a good sized crowd there, though, and a noticeably different crowd than at Baltimore or DC area shows. The floor was about the same size as at Empire (formerly Jaxx), but without the side areas. There was a small and crowded bar area behind, and a sit-down area that we didn't really explore. On the right of the floor was the office-desk-sized sound booth and on the left was another bar area that was being used to hold the bands' gear. Merch was in another back room, one of the few times I've seen merch somewhere well-lit where you don't have to shout to be heard. The stage itself was tiny, just barely big enough to hold a band and their stuff, and hardly raised or separated from the floor - just like at Krug's Place, it's a wonder no one crashed into the band when things got wild.
Wretched was on when we got there. There were three or four opening acts, but I couldn't escape the house till my daughter had gone to bed, so we missed them. Wretched sounded very muddy and raw - but I suppose that's how underground death metal is supposed to sound. They also had a bit of a black metal sound. I managed to pick out a few headbangable guitar parts and some basslines that moved along with a nice rolling rhythm, but overall found them not that impressive. The singer's pants kept slipping down, and at one point he stepped down from the tiny stage onto the floor, but spent most of that time turned around facing the stage, which I thought was a little odd.
The next act was Cattle Decapitation, who, as I said before, I was curious to see after hearing about their gory new video. I'd heard the band name before, maybe even heard a song or two, but this was the first time I really paid attention to them, because I realized they weren't just using shocking imagery just for shock value, but because they were using their extreme music and visuals to promote (somewhat) extreme progressive views. I hoped I would like them, but that was not to be. There were snippets of strong riffs or bass rhythms in their music and some cool grind and black-metal-like segments, but mostly it just sounded like noise, too much stuff going on at once that wasn't connected. The singer had a very active stage presence, though, so they were decently interesting to see live, but I probably wouldn't want to listen to a recording. There was a lot of drama from the singer about his mic volume - up, down, up.. and a mic that apparently smelled bad.
Luckily, the night wasn't a complete waste of time because Six Feet Under was amazing. Most of my previous knowledge of them consisted of one song, which with its very rhythmic riffs sounded great for headbanging. I hoped this song wasn't an anomaly, and I wasn't disappointed - all their songs (except one suspected to be a Cannibal Corpse cover) had that same slowish and very rhythmic sound. Most songs had some variety in them, though - slower instrumental bridges between intense verses or choruses, some screamed vocals thrown in - with just a few less interesting songs that seemed to have the same riffs and rhythms all the way through. The best song was early in the set, one that sounded like a cover of an old school metal band, maybe Motorhead. I think they also played at least one Cannibal Corpse cover (honestly, not very familiar with the discography of either band), which sounded a lot more chaotic than their usual sound.
It was totally worth it just to get to headbang to Six Feet Under for an hour, and also to see that the people in Cattle Decapitation really are just ordinary dudes (the singer looks like someone's dad).
Next show: Lamb of God, In Flames, Hatebreed, Sylosis, Nov. 17
I'd never been to Cafe 611, although I'd heard of one or two shows there. It's located on Market Street in downtown Frederick, which seemed like an odd place for a metal show. There was a good sized crowd there, though, and a noticeably different crowd than at Baltimore or DC area shows. The floor was about the same size as at Empire (formerly Jaxx), but without the side areas. There was a small and crowded bar area behind, and a sit-down area that we didn't really explore. On the right of the floor was the office-desk-sized sound booth and on the left was another bar area that was being used to hold the bands' gear. Merch was in another back room, one of the few times I've seen merch somewhere well-lit where you don't have to shout to be heard. The stage itself was tiny, just barely big enough to hold a band and their stuff, and hardly raised or separated from the floor - just like at Krug's Place, it's a wonder no one crashed into the band when things got wild.
Wretched was on when we got there. There were three or four opening acts, but I couldn't escape the house till my daughter had gone to bed, so we missed them. Wretched sounded very muddy and raw - but I suppose that's how underground death metal is supposed to sound. They also had a bit of a black metal sound. I managed to pick out a few headbangable guitar parts and some basslines that moved along with a nice rolling rhythm, but overall found them not that impressive. The singer's pants kept slipping down, and at one point he stepped down from the tiny stage onto the floor, but spent most of that time turned around facing the stage, which I thought was a little odd.
The next act was Cattle Decapitation, who, as I said before, I was curious to see after hearing about their gory new video. I'd heard the band name before, maybe even heard a song or two, but this was the first time I really paid attention to them, because I realized they weren't just using shocking imagery just for shock value, but because they were using their extreme music and visuals to promote (somewhat) extreme progressive views. I hoped I would like them, but that was not to be. There were snippets of strong riffs or bass rhythms in their music and some cool grind and black-metal-like segments, but mostly it just sounded like noise, too much stuff going on at once that wasn't connected. The singer had a very active stage presence, though, so they were decently interesting to see live, but I probably wouldn't want to listen to a recording. There was a lot of drama from the singer about his mic volume - up, down, up.. and a mic that apparently smelled bad.
Luckily, the night wasn't a complete waste of time because Six Feet Under was amazing. Most of my previous knowledge of them consisted of one song, which with its very rhythmic riffs sounded great for headbanging. I hoped this song wasn't an anomaly, and I wasn't disappointed - all their songs (except one suspected to be a Cannibal Corpse cover) had that same slowish and very rhythmic sound. Most songs had some variety in them, though - slower instrumental bridges between intense verses or choruses, some screamed vocals thrown in - with just a few less interesting songs that seemed to have the same riffs and rhythms all the way through. The best song was early in the set, one that sounded like a cover of an old school metal band, maybe Motorhead. I think they also played at least one Cannibal Corpse cover (honestly, not very familiar with the discography of either band), which sounded a lot more chaotic than their usual sound.
It was totally worth it just to get to headbang to Six Feet Under for an hour, and also to see that the people in Cattle Decapitation really are just ordinary dudes (the singer looks like someone's dad).
Next show: Lamb of God, In Flames, Hatebreed, Sylosis, Nov. 17
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