Wintersun, Fleshgod Apocalypse, Arsis, Starkill, Fallen Martyr, March to Victory - 8/6/2013 at Soundstage, Baltimore, MD

This was probably my most anticipated show of the summer. As a fan of all sorts of melodic metal, Wintersun is of course one of my top bands - Jari Mäenpää is the king of epic, sweeping guitar riffs. Their tour in support of Eluveitie last winter - their first North American tour - skipped the DC area. We did go see them in Pittsburgh, but it was still exciting to see them come back and headline. And what a line-up they brought! Fleshgod Apocalypse, with their classical piano woven into fast and brutal death metal, is one of my favorite melodic/symphonic acts, and Arsis, another speedy and melodic band, are also highly enjoyable. And I was super stoked to see Starkill on the bill. When I first heard them, I could not believe something so epic and melodic was made in the USA (although, I guess we do have Dethklok). I figured they would tour sooner or later. My hopes were raised and then dashed when they toured with Krisiun - but not in my area. And then I heard that they were going to tour with no less than Wintersun. It was like a dream come true.

We got to Soundstage early - on time, rather - to catch the first opener, but it turned out the show was running about 15 minutes late - unfortunate for such a long line-up, but not the worst delay we've experienced. So we had time to check out the merch. There were plenty of Wintersun shirts and other items such as shorts, underwear, cap, koozie, patch, button...Fleshgod Apocalypse had shirts and their new album Labyrinth which doesn't come out till August 20 in the US (!!), Starkill was selling shirts and CD's, and Arsis had...donuts. Their merch was delayed, again.

Lancaster, PA death metal band March to Victory started the night with a solid set. Most of their songs were full of nice headbangable grooves, also the second song, "Soulless," had some pounding jackhammer moments, and the unusually named song "Funeral of the Lizard Beast" (did I hear that right?) was rather complex. Like last time we saw them, they covered Death's "Crystal Mountain," quite well - Danielle does high-pitched Chuck Schuldiner well. She mostly sings in a high rasp, but can produce some nice low growls, too. They were going to play a cover of "The Philosopher" as well, but got cut off. Danielle did not talk to crowd much besides to tell us what each song was - she's new to the band, so perhaps she's still finding her feet onstage. I wish she had called for a mosh pit, though, cause I would have loved to push people around to the thundering fast parts, but was too shy to start a pit in such a large venue.
Setlist: Deadly Venom. Soulless. Funeral of the Lizard Beast. Crystal Mountain (Death cover). Consumption. The Philosopher (Death cover, cut off before they played it).

The next local opener was Fallen Martyr, a sort of melodic fusion of different things. We've seen them a couple times before, but this was the first time I saw them with a good sound system. (Cafe 611 does have a decent system, but it's usually tuned to rumble, which means some of the higher tones get drowned out.) So this was the first time I really got to appreciate their guitar work in a live setting. The guitars are really good - some groovy death metal moments, some blasting black metal moments, some nice solos. The vocals..well, during the first song, I thought I might finally be getting used to them. There were moments when the singer's vocals meshed nicely with the music, and altogether they painted an image of desperate yearning - I imagined a drowning person struggling for air. But as the set went on, the whininess started to get to me again. They're not overly whiny - they're kind of like Muse's vocals, just whiny enough to be a little irritating. And his screams took it right out of the ballpark for me. Some people may like screamo, but it's not for me. Frankly, the singer ranting, "You will all bow" at the end of the set was kind of ridiculous. I've seen him do that before, and it always sounds and looks like a petulant teenager. So, I've given them several tries and still can't get into the vocals. But hey, I did really enjoy listening to their guitars.

An then it was time for Starkill. They take melodic death metal to a new level epic power metal solos and film score-based symphonics, besides throwing in some black metal or other influences at times. I was really looking forward to these guys, so I was disappointed that they started out weak. At first, they were too quiet - then the vocals were too loud and lead guitar so low that I could hardly hear it - not all whenever Parker was singing. It was frustrating to the point that I thought of shouting, "Turn up the lead guitar!" but I didn't, for fear it might throw the band off. Fortunately, the sound was corrected during the solo of their second song, "Immortal Hunt." After that, they sounded much better, although still a bit quiet compared retrospectively to the acts that followed. Their sound has a strong resemblance to Dethklok at times, especially the song "Below the Darkest Depths." There was a decent pit for most songs - if there wasn't, I might have felt compelled to help out, but as it was I decided to just headbang to their epic grooves. They played a good selection of songs from their new album, Fires of Life, although I didn't think "Wash Away the Blood with Rain" was a good choice to end on, not being one of their stronger songs. I would have preferred to hear "Sword, Spear, Blood, Fire" or "This is Our Battle, This is Our Day." But oh well - that leaves something to look forward to when they come around again.
Setlist: New Infernal Rebirth. Immortal Hunt. Fires of Life. Below the Darkest Depths. Wash Away the Blood with Rain.

Starkill used be known as Massakren and released a self-titled EP under that name, so after the show I screwed my courage to the sticking plate and asked one of the band members about their name change. He said they changed the name, as well as cleaned off their corpse paint, in order to better represent their sound. Apparently Massakren kept getting labeled as a black metal band, even though there is so much to their sound than that, so they wanted to get away from that - to have a fresh start, I suppose.

Their image is a bit mixed, though. Their clean-cut looks fits with the epic, melodic metal vibe, but the skinny jeans they wear make me think of the throwback thrash scene - and thrash is one thing that doesn't appear in their sound at all. (I dunno, maybe that's just the way people dress these days, though.) Their album cover with its warrior on a mountaintop and lightning or lasers flying everywhere, makes me think of Manowar, while their T-shirt designs are rather dark and ghoulish, in the vein of death metal or deathcore bands. But hey, it's their band. They can do pretty much anything, as long as they keep making that sweet epic melodic metal goodness.

After Starkill were Virginia natives Arsis. While not one of my top bands, I can get behind their very fast and melodic style of technical death metal. Their songs all sound rather similar to me; I can't really tell them apart (aside from a few singles like "Forced to Rock" or "We Are The Nightmare"), but there's enough variation within the songs that I don't get bored. We were very near the front for their set, perhaps in the fifth row, but off to the left of the stage. Yet the sound level was bearable without earplugs, so perhaps they weren't very loud either. They sounded great even way off to the side, a barrage of furious riffs punctuated by the James Malone's raspy vocals. I was trying to headbang with a drink in my hand and wondering whether or not I'd be too drunk to go in the pit for Fleshgod Apocalypse. They played a short set, but a fun one.
Setlist: Handbook for the Recently Deceased. A Diamond For Disease (first few minutes). Seven Whispers Fell Silent. Unwelcome. Carve My Cross. Face of My Innocence. (Thanks to XcKyle93 on M-A for filling in my gaps :) )

Fleshgod Apocalypse had the second slot, of which I was glad, since after Wintersun and Starkill, I most wanted to see more of them and go crazy to their fast, brutal sound with its tidbits of classical piano. Actually, it seems the piano plays a larger role than I thought, because they had an actual piano on stage during this show, with a guy playing constantly - I don't remember if they had that last time. I still couldn't hear it much of the time, though, and I feel like their symphonic backing track was pretty low, too. Their sound was much bigger this time; I don't know whether that has to do with the difference between Soundstage and Empire's sound equipment, or their own gear/sound guy. They played a couple songs from their new album: "Minotaur (The Wrath of Poseidon)" and "The Elegy," both of which had a good death metal groove going on and utilized more operatic backing vocals, compared to the sporadic line or two of agonized cries on most songs on the previous album, Agony. They had a female singer in a feathered mask standing at the back right, doing the operatic vocals. Besides the new songs, they only played songs from Agony. That was all right with me since that's the album of theirs I know best, and I got to hear some of my favorite songs. I wanted to go in the pit for "The Violation," the pit was too fast and brutal; I thought I'd better stay out. They were good - solid, headbangable guitars and crushing vocals - but when am I going to get to hear the symphonics and piano live, hm?
Setlist: The Temptation (intro). The Hypocrisy. Minotaur (The Wrath of Poseidon). The Deceit. The Violation. The Egoism. Elegy. The Forsaking. (Thanks to Dave_o_rama on M-A for id'ing the first song.)

And then, it didn't seem long at all before the ethereal strains of "Time Fades Away" wafted over the audience, and we grabbed a spot and waited for Wintersun to come out. They emerged at the climax of the intro, Jari second after the drummer, and launched right into "Sons of Winter and Stars." There is nothing quite like belting out that chorus along with a hundred odd other metalheads while the epic strains of Jari and co surround you. It was an awesome experience all the way through. The sound seemed fuller than when we saw them supporting Eluveitie, but that's probably because this was a bigger venue than the "metal church" where we saw them before. Fantastically epic riffs contrasted with heartwrenching sorrowful moments - I actually teared up at end of "Land of Snow and Sorrow" and "Time" (although maybe just because I associate them with the sad moments of a certain novel). I was stoked to hear "Beautiful Death," a charging fast song that made up for the lack of a certain other fast song. There was an enormous pit for "Beyond the Dark Sun" - I've only seen pits that large at thrash shows. Their "new" song, "The Way of the Fire," was another fast one, though with slower choruses. At some point there was a solo from Teemu, showing that he's a great guitarist in his own right (I mean, he was in Imperanon after all). They finished the set with the epic "Starchild."

There was all sorts of talk beforehand about what they were and weren't going to play - well, they played all of Time I (though in separate chunks), the new song, and all but three songs from Wintersun. I know several people were upset that they dropped "Battle Against Time," but I was pretty happy with their set. They played a solid set - an hour and a half - and didn't take up much time talking (come to think of it, none of the bands did).
Setlist: When Time Fades Away. Sons of Winter and Stars. Land of Snow and Sorrow. Beautiful Death. Darkness and Frost (Time intro). Time. Death and the Healing. Winter Madness. Beyond the Dark Sun. The Way of the Fire. Starchild.

All in all, it was an epic night, well worth being up till nearly 2 in the morning.

Next show: Midnight Eye's release party - tonight! Check out my review of their new EP, and stream all 3 songs from it, here. :)

Concert Review - Lamb of God, Decapitated, The Acacia Strain - 6/19/13 at Ram's Head Live, Baltimore, MD

So, to make up for the kind of lame night of metalcore the week before last, here's a review of a solid night of killer metal (and metalcore). Although none of these are among my favorite bands, I knew that Lamb of God would put on an intense show, and both the openers had things going for them that made me curious to see them, so this promised to be a solid night.

I thought the Ram's Head website said Decapitated was going on first, so we were surprised to see The Acacia Strain come out out just a few minutes after we got to the venue (they started 15 minutes late, though). I had been hoping to see them live for some time, cause they are quite heavy and brutal (and that's pretty much all they are.) Their sound was very low and heavy, a churning maelstrom. The first song was basically like one long breakdown, slow, crushingly heavy, the vocals kind of in the background. The vocals were utterly incomprehensible anyway (which I don't mind; I read some of their song lyrics a year or two ago and then decided I didn't want to know what their songs are about). Every couple of songs, the singer would go on a half-intelligible rant, telling us things like, "Don't hate yourself; hate everyone else," and "There's too much positivity going on in music today." I thought they were good as an opener - a nice heavy start to the evening - but I don't think they would have held my interest for a headline-length set. I started to get bored of the plodding heavy parts where they weren't doing anything besides being really heavy. They had a very few different moments like a few seconds of melodic guitar (omg, a solo?!) or increased tempo, but mostly it was just constant breakdown (ironically, a guy near us in a shirt that said "No breakdowns...no karate..." etc was bobbing his head during the breakdowniness).

So Polish technical death metal band Decapitated had the second slot, of which I was glad - I would much rather hear more of them than TAS. My first introduction to Decapitated was hearing "404" on the radio about a year ago, and I did not dig it at all. But I mean, they're from Poland, the land of Behemoth and Unsun, so I figured I must be missing something, and got intrigued at the prospect of seeing them live. Turned out they were great. Their guitar work and drumming was very complex, but still groovy enough for headbanging. I am pretty picky about drumming, but I enjoyed the unpredictable drum rhythms in their songs (the thing I hate most in metal is nonstop banging on the same drum over and over). Even "404" sounded good (I didn't realize what song it was at first because the singer called it "Four hundred and four" and I didn't hear the last word clearly; I've always thought of it as "four-oh-four"). The strange rhythms and guitar squeals that I found so grating when I first heard it were not as prominent. Overall, their sound was a thick, nonstop barrage peppered with fast rhythms, so it was a good thing they paused every few songs and we got a breather. I didn't really notice any solos, except for one short one that was rather slow and atmospheric. The singer was stalking about the stage, throwing about his Chris Barnes-esque dreads, and sometimes doing a repeated cobra-like motion that made me think he was spitting on the crowd. Obviously, I never saw the original Decapitated live, so I can't say how they compare to that, but they certainly sounded heavy and technically capable. And since I've seen Lamb of God before, Decapitated was the gem of the night - the performance that really made it worth it.

After an "intermission" where decades-old movie theater commercials for popcorn and corn dogs were shown on screens on the stage, Lamb of God came out thundering. They also delivered a solid set - I realized that I actually know a lot of their songs, at least the popular ones. Their guitar riffs are aggressive yet accessible, like a cleaned up version of thrash riffs, and Randy's low vocals and the thundering bass bring a bit of death metal brutality. We got much closer this time than last time at the Fillmore - we were about five rows back, but off to the left, off the actual floor and nearer the bar. Which was fine - we could still see great, and didn't get caught in the meatgrinder that was the jam-packed floor (if the show wasn't sold out, it was pretty damn close - B market be damned). Randy called for moshing a couple times and seemed impressed by the crowd-surfing wheelchair guy, which cued us in that he wasn't the one behind the "No moshing" and "No crowdsurfing" signs at the venue. The venue didn't seem to intend on enforcing this policy either, because wheelchair guy crowdsurfed to the front no less than three times.

They put on an intense show, delivering a fine-tuned aggressive sound, with great energy - Randy was running around the stage - and with strong, roving lights and videos on the aforementioned screens adding to the effect. Some of the videos seemed familiar from last time, such as the animated one for "Ghost Walking," but some seemed new, such as the one for "Now You've got Something to Die For," which showed photos of their fans in the armed forces (of course they dedicated that song to servicemembers like usual). During the encore, the drummer from Decapitated (they called him "Polish Pauly" and kept flashing the image of his face on the screens in front of a Polish flag) played a song with them.

I think I enjoyed seeing them even more this time than last. The sound was better - we could hear the vocals more clearly - and being closer to the stage, we could see the band a lot better. S discovered later that they actually played the same setlist as in the fall, and we found out later that their tour last year hit the "A" markets, since they were not sure how long they would have Randy, and now that he's back they did a tour of the "B" markets. Nice to know that bands consider Washington, DC an important market - now if only tours like Helloween and Godflesh would hit it up!

Next show: Maybe Holy Grail on 7/1 or maybe Amaranthe on 7/18. We shall see.