Showing posts with label Insomnium. Show all posts
Showing posts with label Insomnium. Show all posts

Thursday, January 8, 2015

Concert Review: Dark Tranquillity, Insomnium, Aurelian, Oberris, Within Our Gates, Tortile - 1/5/15 at Empire, Springfield, VA

First review of the year! Although this wasn't the first show of the year - I went to Monthly Metal at Guido's in Frederick on Saturday, so that was the first show of the year, but I felt like crap at that show and could barely pay attention to the one band we saw (Day of the Beast) never mind trying to review them. I was kind of worried that the same thing would happen at this show - ok, maybe a lot worried, since Insomnium is one of my favorite bands and I would hate to zone out at their show due to my issues. But for various reasons, I felt much more comfortable at this show, and barely thought about my issues at all.

I got there pretty early, around 6:50. A band was playing, and after excluding the bands I saw later and finding out March to Victory dropped off the show, I conclude it was probably Tortile. They had screamy harsh vocals, and melodic and atmospheric tremolo-y guitar. They seemed like they might be good, but they stopped playing right as I got into the main room.

I spotted my buddy M.C. in the crowd and went to chat with him. We watched the next local opener, Within Our Gates, setting up, and got worried because most of them had short hair, and at least one had gauges in his ears... I wish it weren't so, but you can generally judge the style of music of a band by the length of their hair, and these haircuts screamed metalcore or screamo. But then they started out with a choral intro highly reminiscent of Caladan Brood. And then they launched into energetic, melodic guitaring that sounded kinda like Blackguard on an off day. The reason for the short hair became apparent with the chorus, though - clean, angsty emo vocals. But either that emo sound is growing on me or the angst wasn't at an unbearable level, because I didn't find it annoying - though the singer did occasionally seem a little off key. They did have a lot of good stuff going on in their music, like In Flames-esque melodic riffs. I headbanged a bit and I wasn't the only one showing my appreciation with my hair. They got a lot of applause, too, and even got the crowd to clap along at one point (that's how I know the Euro metal influence is strong with this one XD ). Unfortunately, the sound wasn't great; when the drums and bass got going, they drowned everything else out. There was a short solo in second song, but I could only judge its virtuosity based on the guitarist's hands; it was practically inaudible through the bass and drums. But they were loud and shook the floor, which I guess is a good sign. I kept expecting a pit to break out for the fast, heavy parts (I might have started one if I had a moshing buddy with me) but nothing happened. I figured that presaged a quiet night - maybe people who listen to DT don't mosh? - but I turned out to be wrong about that :) Overall I probably enjoyed Within Our Gates most (emo vocals and all) out of the local openers I saw due to their energy and their fast, melodic guitaring. They have potential to really go somewhere, especially with how popular emo-y metalcore is now; and I hope they do, cause they'd be one of those metalcore bands that are actually good.

Next up was Oberris. I didn't really dig them at first - their sound consisted of noisy jackhammer guitars with weird vocals (I'm not quite sure how to describe them, perhaps a sort of wet shriek with a little of the reptilian flavor of Inquisition, sometimes descending into a rumbling growl that was surprising for the vocalist's small frame). But then they covered a Gojira song and the pounding guitars got my attention. After that they played a thundering song with a bit of groove to it, which I enjoyed all right. The floor was full for them and people seemed to be enjoying it - I saw a couple people in the middle headbanging to the rumbling death metal parts.

Last local band of the night and direct support to the touring bands was my friend Mike's band Aurelian. They only played three songs, but I guess that's what you get when you're a doom band with ten minute songs. The middle song was mostly slow with, I felt, overly strident female vocals. The third song was more a mix of slow and fast, light and heavy. There were a couple awkward transitions, but mostly they did a nice job building up the atmosphere and then crushing us with heaviness. They really killed it at the end when there was a sudden explosion of heaviness and a blast of growl from Mike, then they launched into heavy riffs. Mike once said their main influences are Katatonia and Swallow The Sun, but I don't really hear the melancholy of those bands in Aurelian's music (at least judging from those three songs).

Then the band I came to see - Insomnium, masters of the melancholy and doomy end of the melodeath spectrum. There was something a little off in the first song or two, like things weren't quite in sync, but from there on out they were amazing. They were much louder and heavier than I remember them being at Howard Theatre with Epica. (Then again, I was also much closer to the front this time - in the third or fourth row or thereabouts. That was D.'s doing. I would have hung back - because no way was I going to listen to Insomnium through earplugs - but it actually wasn't painful to go up front without earplugs, just very, very loud.) And anyone who thinks Insomnium is a slow band hasn't heard them play "Where the Last Wave Broke" live. They really amped up the energy on that one, and I think that was when a pit started - right by where we were standing by the right speaker. I did my best to stay out of it cause I had a CD in my pants pocket (great idea, right?) and I didn't feel like moshing for Insomnium; I just wanted to windmill my hair. And I did, in spite of the dense crowd. Far too soon the set was over. To my great disappointment, they didn't play "Weather the Storm" - and they had Mikael Stanne with them, dammit! It's the song that got me into the band, and it's just amazing - the soaring riffs, the uplifting chorus, the way the guys all headbang together in the video.. :D Later, D. diplomatically asked the vocalist and bassist, Niilo Sevänen, about that song, and he said they need Mikael on stage with them or it wouldn't be right, so they can't do it every night. I'm not sure what that means. Maybe Mikael is fiercely protective of his before-stage time, or wants to conserve his voice? Anyway, I'm still bummed since it seems I'll never get to see this phenomenal song performed live.

With Niilo Sevänen of Insomnium

After Insomnium, I joked that I was done and D. gave me a look... XD Somehow, over the couple of years I've been into melodeath, I've only gotten moderately into Dark Tranquillity. I think it's because I really dig melancholy music, and they don't have as much of that flavor. Sure, they have some, but they also have a of just plain upbeat, melodic riffing a la other Gothenburg bands. Which is something that I enjoy a lot, but it doesn't dig into my soul the way that moody, mournful music does. That probably explains why the DT songs that actually stick in my head are songs like "Therein" ("I starve myself for energy..") and "Wonders at Your Feet," which have a strong melancholy component. And man, I thought my heart was going to break during "What Only You Know." They played a video of a dying bumblebee on the screen behind them, and combined with the thoughts going through my head, that just tore me up inside. Who'd have thought a dying insect could be so heartbreaking.. Most of the set was cheerful and upbeat, though, thanks to Mikael Stanne's unquenchable smile and enthusiasm and his dancing about the stage. While I wouldn't have gone up to the third row without D. dragging me there, I was certainly not sorry to be just five feet away from Mikael :3

For the first international tour I saw this year, this show certainly started things off right. Seeing one of my favorite bands, rocking out to our favorite music with people who are dear to me, phenomenal performances from DT and Insomnium and a solid lineup of locals - I couldn't have asked for more.

Next show: Flight of the Valkyries on Jan. 10!

Thursday, October 25, 2012

Epica, Alestorm, Insomnium, System Divide, Blackguard - 10/23/12 at Howard Theatre, Washington, DC

Never mind my previous paeans to Alestorm and Blackguard - the band I was most excited to see at this show was Finnish melodic death metal band Insomnium. I've been smitten with them ever since first hearing the song "Weather the Storm" with its sweeping melodic riffs that make my soul ache with their tragic power, and once I read the poetic lyrics, so full of melancholy determination, my love for them was cemented. I didn't think they were well enough known to leave Finland anytime soon, though, so I was thrilled to hear that they were touring. (Around the same time I found out that another favorite unknown band from Finland, Swallow the Sun, would also be touring, but through a lack of planning I missed their show :( S went though.) And of course, getting to see awesome bands like Blackguard, Alestorm and Epica along with Insomnium only made the deal even better.

Actually, Blackguard wasn't originally on this tour; a band called Destiny Potato was on the original bill, but at the last moment I suppose they canceled, and Blackguard was added instead for six shows before they head off to Europe to support Kamelot. They sounded good, with the same energetic stage presence and sound that they brought to their headline show two weeks ago. There was a technical issue at first, making them sound way too quiet, but that was quickly corrected and their epically fast guitars and vocals blasted into the crowd. In the second or third song, Paul, the vocalist, called for a pit and four or five people (including me) enthusiastically obliged. They played their new song, "In Dreams," and it sounded a bit more polished than last time; the folk melodies were less evident, but the riffs were stronger. Otherwise, they only played songs from Firefight (nothing from their folk metal days), and they didn't play my favorite song from that album, "Sarissas." Still, it was a fun time - a good warm-up for a night of epic metal.

Luckily for such a crowded evening, the show moved along smartly right on schedule, and Blackguard was soon followed by System Divide, a band that's hard to shove into a genre box. I had never heard them before, having been too busy listening to the other four bands the week before. One of the singers introduced them as being "from everywhere" and the other vocalist later explained that they came from Israel, Holland, Belgium, Washington DC and New York. (And when we spoke with her later at the merch table, she said several of the members were new to the band, and they only got together for three days to rehearse before the tour O.o) They had a very strong bass, to the point that its drone and/or thunder sometimes drowned out the vocals, guitars and even drums. The male vocalist provided harsh screaming extreme metal style vocals, while the female vocalist did clean vocals. Her vocals sounded a little weak to start, barely audible, but got better as the set went on. They had some poundingly heavy grindcore moments - this is the first time I've heard grindcore with clean female vocals, so that was something fun to hear - and a distorted industrial-like intro to one song. They were interesting to listen to; I particularly enjoyed the grind segments. It's a great type of music to hear live, although hard to listen to properly at home. There were a few pits for them - I think I got pushed into the circle pit by a certain someone, but there were too few people and so we were full out running around the pit, and I was afraid I was going to slip on the drink-slippery wooden floor.

 Me and Miri Milman, vocalist of System Divide. 
I know, I look truly ugly in this pic, but also truly metal methinks \m/

We hardly had time to chat and take some pics with Miri before Insomnium took the stage. They were quite a change of pace from the other bands - not as loud, hardly moving on the stage other than to headbang (shoegaze melodeath? Actually my favorite moment in the "Weather the Storm" video is when they all headbang together), and with a much calmer vibe (no moshing). They sounded good, their beautiful melodies and soul-filling riffs moving everyone on the floor, but I kept waiting for them to play "Weather the Storm" and was ultimately disappointed. Perhaps to my detriment, I possibly worship this one song too much and don't pay enough attention to their other songs. They also only played five songs, which seemed surprisingly few, less than System Divide. Still, I was satisfied to have seen them, and to meet their vocalist and tell him how much I love that song. (I talked to him while waiting for Epica's encore, and trolled him a bit, asking if they would come back some other time and play "Weather the Storm" :P He commented on my Swallow the Sun shirt, saying that they are great friends with "those guys" :) )

Then the pace picked up again as pirate metal band Alestorm took the stage. Their songs are full of salty dancing or drinking melodies with piratey lyrics, and they're my favorite band to mosh to, thanks to the jig-filled folk pits. The singer looked pretty rough as he wandered around the stage before set, but he seemed to rally - he looked much more energetic once they started, and his voice and keyboard sounded great. They played some songs they don't usually play live, like "Leviathan" and "Death Throes of the Terror Squid" (the vocalist said they were no longer a pirate metal band, but a "squid metal band"). I particularly enjoyed the "Terror Squid" due to its black metal sound - I was right in front of the stage for that segment, and the fast rumbling guitars were shaking the floor. There was a large TV screen on either side of the stage, which I thought just showed the band playing, but S reported that during "Leviathan," they also showed shots from a Pirates of the Caribbean fan video, and during "Terror Squid" I spotted segments of the official video for that song, which does feature the band playing on a snowy mountain in true black metal style. In the vein of less played songs, they also played "Pirate Song," which I didn't think was a good choice - the melody isn't that catchy and the riffs aren't very inspiring. I'd rather they had played "You are a Pirate" or "Wolves of the Sea." They did play their classic "Captain Morgan's Revenge," which was great since they didn't play it last time we saw them, and we had twenty or more people with their arms over each other's shoulders doing a jig - I was in the center cause I started it. Overall though, I was a little disappointed in the experience, because there was less dancing and arms-over-shoulders-headbanging than at previous Alestorm shows, and more of just a brutal mosh pit. It was still fun, though.

Oh that's why he was feeling better.

I could probably have gone home after Alestorm and been happy (and exhausted), but since we were already there and an amazing band just happened to be coming up next, we stuck around. I do like Epica, but for whatever reason I can't seem to get into them as much as I should - perhaps it's just that I'm not often in the mood for gothic/symphonic metal these days. They do (and did) put on a great show, though. They were loud and heavy, and Simone's vocals were clear and lovely. I thought they'd play a lot of songs from their new album, but there were actually only a few - still, they only played one song that I know really well ("Unleashed"). There were a couple pits toward end of the set, but I was way too tired to take part. Other people seemed tired too - the pits were small and short, and the crowd thinned considerably before the encore. Once again, they showed snippets of music videos on the TV screens - official videos for "Unleashed" and a couple other songs, and a least one fan video. I had feminist thoughts in mind and noticed that Simone was very conservatively dressed for a gothic female vocalist, and wasn't sure what to make of that. In spite of being tired, I did enjoy their set - they sounded good, and their songs are so epic that even though my head was starting to hurt, I was headbanging right up until the end.

 Epica. Hey look, Mark has a wind machine.

This was a solid show, with the great performances that I expected from the four bands that I knew, and a nice surprise in System Divide. It was an eclectic mix of bands, but I for one didn't mind as I liked most of them. I thought it was nice to have some variety, and also a chance to rest from the more energy-requiring bands.

Photos by Steve Wass

Next show: Probably Dethklok with All That Remains, Machine Head, Black Dahlia Murder, Nov. 2 - although I may go to a show next week with a friend, we shall see.

PS. This was my first visit to the Howard Theatre, and it seemed like a super swanky place to have a metal show - high ceilings and marble in the foyer, impeccably dressed hosts/hostesses (I think I gave a weird look to two hostesses who greeted us as we went into the bar area, because I'm not used to people welcoming me to a metal show, and I hope they didn't get a poor impression of the metal scene from other surprised people like me), tables and sit-down food service near the bar, posh bathrooms, a WATER FOUNTAIN (every venue should have one of those). The only poor thing about it was the location - near Howard University, so a horrible trek by metro or an infuriating drive through DC to very limited parking. Still, I would go there again. Just for the water fountain.