Concert Review: Dark Tranquillity, Insomnium, Aurelian, Oberris, Within Our Gates, Tortile - 1/5/15 at Empire, Springfield, VA

First review of the year! Although this wasn't the first show of the year - I went to Monthly Metal at Guido's in Frederick on Saturday, so that was the first show of the year, but I felt like crap at that show and could barely pay attention to the one band we saw (Day of the Beast) never mind trying to review them. I was kind of worried that the same thing would happen at this show - ok, maybe a lot worried, since Insomnium is one of my favorite bands and I would hate to zone out at their show due to my issues. But for various reasons, I felt much more comfortable at this show, and barely thought about my issues at all.

I got there pretty early, around 6:50. A band was playing, and after excluding the bands I saw later and finding out March to Victory dropped off the show, I conclude it was probably Tortile. They had screamy harsh vocals, and melodic and atmospheric tremolo-y guitar. They seemed like they might be good, but they stopped playing right as I got into the main room.

I spotted my buddy M.C. in the crowd and went to chat with him. We watched the next local opener, Within Our Gates, setting up, and got worried because most of them had short hair, and at least one had gauges in his ears... I wish it weren't so, but you can generally judge the style of music of a band by the length of their hair, and these haircuts screamed metalcore or screamo. But then they started out with a choral intro highly reminiscent of Caladan Brood. And then they launched into energetic, melodic guitaring that sounded kinda like Blackguard on an off day. The reason for the short hair became apparent with the chorus, though - clean, angsty emo vocals. But either that emo sound is growing on me or the angst wasn't at an unbearable level, because I didn't find it annoying - though the singer did occasionally seem a little off key. They did have a lot of good stuff going on in their music, like In Flames-esque melodic riffs. I headbanged a bit and I wasn't the only one showing my appreciation with my hair. They got a lot of applause, too, and even got the crowd to clap along at one point (that's how I know the Euro metal influence is strong with this one XD ). Unfortunately, the sound wasn't great; when the drums and bass got going, they drowned everything else out. There was a short solo in second song, but I could only judge its virtuosity based on the guitarist's hands; it was practically inaudible through the bass and drums. But they were loud and shook the floor, which I guess is a good sign. I kept expecting a pit to break out for the fast, heavy parts (I might have started one if I had a moshing buddy with me) but nothing happened. I figured that presaged a quiet night - maybe people who listen to DT don't mosh? - but I turned out to be wrong about that :) Overall I probably enjoyed Within Our Gates most (emo vocals and all) out of the local openers I saw due to their energy and their fast, melodic guitaring. They have potential to really go somewhere, especially with how popular emo-y metalcore is now; and I hope they do, cause they'd be one of those metalcore bands that are actually good.

Next up was Oberris. I didn't really dig them at first - their sound consisted of noisy jackhammer guitars with weird vocals (I'm not quite sure how to describe them, perhaps a sort of wet shriek with a little of the reptilian flavor of Inquisition, sometimes descending into a rumbling growl that was surprising for the vocalist's small frame). But then they covered a Gojira song and the pounding guitars got my attention. After that they played a thundering song with a bit of groove to it, which I enjoyed all right. The floor was full for them and people seemed to be enjoying it - I saw a couple people in the middle headbanging to the rumbling death metal parts.

Last local band of the night and direct support to the touring bands was my friend Mike's band Aurelian. They only played three songs, but I guess that's what you get when you're a doom band with ten minute songs. The middle song was mostly slow with, I felt, overly strident female vocals. The third song was more a mix of slow and fast, light and heavy. There were a couple awkward transitions, but mostly they did a nice job building up the atmosphere and then crushing us with heaviness. They really killed it at the end when there was a sudden explosion of heaviness and a blast of growl from Mike, then they launched into heavy riffs. Mike once said their main influences are Katatonia and Swallow The Sun, but I don't really hear the melancholy of those bands in Aurelian's music (at least judging from those three songs).

Then the band I came to see - Insomnium, masters of the melancholy and doomy end of the melodeath spectrum. There was something a little off in the first song or two, like things weren't quite in sync, but from there on out they were amazing. They were much louder and heavier than I remember them being at Howard Theatre with Epica. (Then again, I was also much closer to the front this time - in the third or fourth row or thereabouts. That was D.'s doing. I would have hung back - because no way was I going to listen to Insomnium through earplugs - but it actually wasn't painful to go up front without earplugs, just very, very loud.) And anyone who thinks Insomnium is a slow band hasn't heard them play "Where the Last Wave Broke" live. They really amped up the energy on that one, and I think that was when a pit started - right by where we were standing by the right speaker. I did my best to stay out of it cause I had a CD in my pants pocket (great idea, right?) and I didn't feel like moshing for Insomnium; I just wanted to windmill my hair. And I did, in spite of the dense crowd. Far too soon the set was over. To my great disappointment, they didn't play "Weather the Storm" - and they had Mikael Stanne with them, dammit! It's the song that got me into the band, and it's just amazing - the soaring riffs, the uplifting chorus, the way the guys all headbang together in the video.. :D Later, D. diplomatically asked the vocalist and bassist, Niilo Sevänen, about that song, and he said they need Mikael on stage with them or it wouldn't be right, so they can't do it every night. I'm not sure what that means. Maybe Mikael is fiercely protective of his before-stage time, or wants to conserve his voice? Anyway, I'm still bummed since it seems I'll never get to see this phenomenal song performed live.

With Niilo Sevänen of Insomnium

After Insomnium, I joked that I was done and D. gave me a look... XD Somehow, over the couple of years I've been into melodeath, I've only gotten moderately into Dark Tranquillity. I think it's because I really dig melancholy music, and they don't have as much of that flavor. Sure, they have some, but they also have a of just plain upbeat, melodic riffing a la other Gothenburg bands. Which is something that I enjoy a lot, but it doesn't dig into my soul the way that moody, mournful music does. That probably explains why the DT songs that actually stick in my head are songs like "Therein" ("I starve myself for energy..") and "Wonders at Your Feet," which have a strong melancholy component. And man, I thought my heart was going to break during "What Only You Know." They played a video of a dying bumblebee on the screen behind them, and combined with the thoughts going through my head, that just tore me up inside. Who'd have thought a dying insect could be so heartbreaking.. Most of the set was cheerful and upbeat, though, thanks to Mikael Stanne's unquenchable smile and enthusiasm and his dancing about the stage. While I wouldn't have gone up to the third row without D. dragging me there, I was certainly not sorry to be just five feet away from Mikael :3

For the first international tour I saw this year, this show certainly started things off right. Seeing one of my favorite bands, rocking out to our favorite music with people who are dear to me, phenomenal performances from DT and Insomnium and a solid lineup of locals - I couldn't have asked for more.

Next show: Flight of the Valkyries on Jan. 10!

Concert Review - Within Temptation, Amaranthe - 10/7/14 at Ram's Head, Baltimore, MD

It was hard to say which band I was looking forward to more. I'd never seen Within Temptation before, but had liked them almost as long as Nightwish and Sonata Arctica - and they had special meaning to me, to boot, because a funny Dutch friend in Hong Kong introduced me to them. Yeah, I wasn't as huge a fan of their 2011 album, The Unforgiving, because I felt like it was too hard rock. And I hadn't followed the band for a number of years so I completely missed their transformation from gothic metal to symphonic metal. But I enjoyed this year's Hydra - very symphonic, with some gothic touches to boot. Not only that, but that album turned out to make a great soundtrack for the transition that's happening in my personal life, especially the songs "Dangerous" and "The Whole World is Watching," and even "And We Run," in spite of - actually especially because of - the rap part.

As for Amaranthe, they're pretty unique in the metal scene with their music that combines electronic dance beats with death growls and metal riffs, and they were stellar when I saw them in Philly last year. It promised to be a night of dancing and emotional release.

Unfortunately, a poor route choice left me on the road for about two hours (blagh!) and so I (and my pal J, sorry man :( ) missed most of Amaranthe's set. They were just ending "Amaranthine" as we got into the venue. We spent the next couple songs ("Call Out My Name," "Drop Dead Cynical") trying to get drinks, looking at merch and looking for people. Well, that was what J was doing; I just followed him around. My friend D found me by Amaranthe's merch table right before the band launched into "The Nexus," and we stood between the bar and the crowd where we could just barely see the band, and headbanged a bit. That was their last song, sadly. At least S informed me later that they didn't play "Electroheart"; I'd have hated myself for missing that song, unabashed electro-metal dance song that it is. 

Then D dragged me into the crowd, so I ended up in the middle of the floor and quite close up for Within Temptation. How am I going to headbang and dance? I wondered. But I managed. They started off with their radio hit (I mean, it gets played on XM radio) from their latest album, "Paradise (What About Us?)," which was recorded as a duet with Tarja Turunen (ex-Nightwish), but Sharon pulled it off all on her own, and sounded damn good. They played mainly from Hydra (yay!) and The Unforgiving (all right..) with just a few older songs thrown in here and there. While I barely expected that I might hear my favorite song, "The Dance" (too old and obscure :( ), I did hope they'd play "The Howling," but no luck. However, "Ice Queen" and "Mother Earth" were plenty amazing, full of gothic goodness that got me dancing. I also was really looking forward to hearing "The Whole World is Watching" from Hydra and was sad when the end of the set arrived without it. I found a lot of songs from Hydra personally meaningful, but that was the one that would probably have reduced me to tears. But they played all the other songs I hoped to hear from Hydra, most especially "Dangerous," which is like the theme song for my life at the moment. Unfortunately, the rap part that was piped in during "And We Run" was almost inaudible; too bad, because those words had a lot of meaning for me, too. But the most amazing moment was probably Sharon's little speech before "Stand My Ground," where she talked about how things are changing in the world and people should be whoever they wanna be, "gay or straight or whatever you are, whatever religion..." Wow, from a band of their standing, that meant a lot, and made the song even more powerful. I might have screamed "Stand your ground!" totally off key the first time the chorus came around XD I may have tuned out a little for some of the slower songs from The Unforgiving, but overall it was a good set, and they sounded great. Mostly. Sharon flubbed the vocals at the start of "Angels," but the crowd was not unforgiving (heh, heh). Actually, her vocals seemed a little bit weak throughout - but it is nearing the end of the tour, so she might be getting tired. If I'm not mistaken though, she pulled off Tarja's parts of "Paradise (What About Us?)" pretty well, which is a feat.

While I was pretty disappointed that I missed most of Amaranthe (and so much dancing that could have gone with them!), Within Temptation did not disappoint. Yeah, maybe I caught them ten years too late to hear most of their gothic songs, but the songs from Hydra completely made up for it.

Next show: Going to see Cab Ride Home tonight :D

Concert Review - Amaranthe, Kobra and the Lotus, Shattered Sanctity - 7/18/13 at The Note, West Chester, PA

When we saw that the power metal/metalcore/synthpop fusion act Amaranthe were embarking on a headline US tour, and the closest date, while out of state, was right during our summer vacation, we knew we had to go see them. So, after a short vacation on the beach, we trekked up (through four states) to West Chester, PA to see their show, not sure whether we should be more prepared to mosh or to dance.

The Note turned out to be a tiny venue, with a stage at the far end of a long rectangular room, and a bar on the right near the door. There were a good number of a people on the floor when we got there, and the whole place filled up by the time Amaranthe came on.

We were curious to see the local opener, Shattered Sanctity, after reading that they might appeal to fans of Sonata Arctica and Stratovarius. But the show started early, so even though we got there right on the advertised show time (8pm), we only caught the last song or so. We were stuck at the bar socializing and drinking, so I only caught snatches of some shredding and a couple wails, but not enough for a distinct impression. From the bar, they did not sound as fabulous as we hoped.

Touring with Amaranthe was Canadian band Kobra and the Lotus. I hadn't really heard of them before; a friend said they are pretty much straight ahead heavy metal, with a deep-voiced female singer. I was in the bathroom when they started, and if I hadn't known singer was a woman, I would have sworn it was a man, she had such a deep voice. Even then I doubted it for a moment. They were very good - solid NWOBHM metal riffs, verging on thrashy in one song, and the singer's rich, powerful vocals were a feast to the ears. They were quite thunderous for such a small place - it seemed the sound system was tuned to rumble.

After a rather longer wait than the first set change, Amaranthe emerged. You may know them for their single "Hunger" or the fact that their female singer has done backing vocals for Kamelot - up till a month ago that was pretty much what I knew of them. Once we decided we were going to this show, I listened to them more, and got pumped to see them. Their sound defies genres - clean power metal vocals from the female and male singers, Gothenburg-esque death growls from a third singer, riffs that range from pounding metalcore to In Flames like melodeath, and danceable synth melodies. It seemed like it should be one of the funnest shows I've been to. Unfortunately, they started out weak - the vocals were all right, but the instruments were off, even out of tune, and the synth inaudible for the first couple of songs. Guess they should have sound checked! (I didn't notice them doing so during that long break between sets.) Then they got it together, and sounded pretty good for the rest of the show. The synth was still a little low, but the vocals were very clear, and the guitar sounded good. The venue was full, and full of super-fans to boot. People I would never have pegged for knowing the lyrics to Amaranthe's "Amaranthine" were singing along to every word (here's a video). There was even a small pit for a few songs. Throughout the show, Elize, the female vocalist, profusely expressed the band's gratitude for everyone coming out to support them. So far, their first US tour seems to be a success, and I look forward to seeing them again sometime!

Next show - we went to The Agonist and co the following night.

Concert Review - Killswitch Engage, Miss May I, Darkest Hour, Affiance - 6/12/13 at Fillmore, Silver Spring, MD

Killswitch Engage has been through this area a couple times in the past few years, but somehow I've never managed to get out to see them. They're the only mainstream metalcore band that I consider to be a truly good band, and not just "pretty good for a metalcore band." Their sweet guitar melodies and the heartfelt nature of their clean vocals (as opposed to annoying whiny clean vocals from most metalcore bands) make them foremost in my mind in American melodic metal. 

On this tour, they were supposed to be supported by As I Lay Dying, one of those bands that I consider "pretty good for a metalcore band" (PGFAMB?). They're both decent sounding and unmemorable - I don't know how many times I heard "Paralyzed" on the radio, thought, "Hey, this guitar part is pretty good," checked the info and went, "Oh. These guys again." So I was a little interested in seeing how they would sound live. But then that whole thing with Tim Lambesis trying to have his wife killed happened, and they dropped off the tour.

They were replaced by Darkest Hour, another PGFAMB. Darkest Hour, originally from DC, has some really good melodic guitar parts, but the rest of their songs don't really live up to promise of those guitar parts, generally turning into a repetitive mash of screams and banging drums that bury the guitar. I saw them last year opening for Machine Head and was not too impressed. Still, I thought I'd give them another chance, so I ambled over to the venue around their start time (leaving S to settle the bill at the Irish pub where we were waiting out the less acceptable openers, haha. He arrived two songs after I did.) They sounded much better this time than last time. They seemed louder and heavier than at Ram's Head (maybe more to do with the sound system than the band). In some songs, the bass was too loud, or there was not enough going on with guitars, but for about half their songs (that is, three out of a six song set) the guitars were fairly prominent and melodic. Also, I couldn't fault the vocalist's screams - they were delivered with metal ferocity, even deepening into death metal territory at times (such as in the last song, "Sadist Nation"). The guitar was pretty prominent in that song as well. I was pleased that I got there to see most of their set, and would probably see them again, with the hope that they keep sounding better.

I had never heard of the next support act, Miss May I. They started out very promising, high energy, the singer jumping about on stage and wearing an actual metal shirt (Sylosis), and the long-haired guitarist windmilling his hair. Their sound was certainly a sonic assault, loud and fast, with intense screams. But they had too much going on at once, which gave them a confused sound. Every now and then a melodic guitar part would sing out, but mostly the guitar was relegated to a background instrument, and everything was dominated by the hammering bass. Whenever things would calm down enough to hear the guitar, the bassist would come in with some cringe-worthy overly emo clean vocals. There were a few good parts where everything was together, and a nice thundering breakdown in the second to last song, but mostly I found them kind of a mess.

Fortunately, Killswitch Engage made the night worth it. As I said, I like them mostly for their sweet guitar melodies, so I was surprised to find they were much more hardcore-oriented live - thundering bass, tank tops and short/shaved hair, and an aggressive stage manner. Of course, any band will sound heavier live, but for Killswitch Engage the shift to a hammering-bass hardcore sound totally changed the character of their music. The guitar was still perfectly audible, though, and many songs were quite guitar driven ("Life to Lifeless," "Rose of Sharyn") or melody driven (slow songs like "The Arms of Sorrow"). "My Curse" was a good combination of bass, guitar and melody - it started out thundering, but with the guitar gamely riffing away, and then softened for a melodic chorus. For the whole set, Jesse Leach's vocals were intense, in keeping with the hardcore spirit. The clean vocals were full of feeling, real feeling, not emo whininess. Jesse hardly talked besides to say "The next song is.." a couple times. Guitarist Adam D did most of the talking, including joking with the audience (inviting fans to suck his tits, calling for a "circle pit of love" ie. holding hands, and claiming he could smell someone menstruating - he had to be cut off by Jesse at that point). I also thought it was amusing that, being quite tall and decently muscled, he looked so out of proportion to his guitar that it looked like a toy. I enjoyed their set even though I didn't know most songs, which is unusual for me. There was enough energy with the powerful bass and their lively stage presence to keep me pumped, and enough guitar going on to keep me interested and headbanging. I will have to learn the choruses of some songs for next time though.

Next show: Tomorrow! Lamb of God, Decapitated and The Acacia Strain.

There should also be a book review at some point, because I finished a book a few weeks ago. I have been so focused on my own novel-writing that I haven't had much time for reviews, and that's why the concert reviews have been so slow! But things should calm down toward the end of June.

Hatebreed, Shadows Fall, Dying Fetus, etc. - 2/14/13 at Empire, Springfield, VA

This will be a pretty short review cause it's now been a week since this show :/ But I want to have something on record saying that I went, something to look back on in a couple years when I'm like, didn't I once see Hatebreed on Valentine's Day? Yeah, I did...

So yeah, S and I had our Valentine's Day date at Hatebreed, and before that at BGR with friend J. Who is not part of our threesome. Really.

Due to the V-day dinner at the burger joint (or perhaps just due to not caring), we missed the first band, The Contortionist.

I can't recall if we saw all of Dying Fetus's set, but what we did see, I liked. They are a death metal band with a very groovy feel, a bit like Six Feet Under but maybe more complicated, and their music is very headbangable (my number one criterion for judging metal music!). I enjoyed their set.

I was looking forward to seeing the quasi-melodic Shadows Fall, but unfortunately I was pretty disappointed with their set. The first half of their set sounded very messy - riffs, vocals, melodies all seemed out of sync. "Weight of the World," the only song I know well enough to judge, sounded terrible. They got better as the set went on, the vocals and guitars getting clearer, so we could actually hear the melodies and riffs. They were still not as melodic as I would have liked, though (possibly my second or third criterion for good metal).

There was a mom with a young child (3 years?) at the show. I'm all for introducing kids to metal - after all, I foist it on my daughter every day - but her behavior during Shadows Fall's set was questionable. I'm sure S says more about it in his review.

Hatebreed, however, was great like always. Jamey Jasta and the crowd were both very energetic. I got to hear most of the songs I wanted to hear like "This is Now," "I Will be Heard," "In Ashes they Shall Reap" and of course "Destroy Everything." They didn't play too much from the new album, which was fine with me as I don't know the songs too well yet (and the whole point of being at a Hatebreed show is to jump around shouting along to the lyrics).

For a Valentine's Day date, the only better show I can think of would have been Kamelot. That would have been a little more romantic. But this was pretty awesome, too.

Dethklok, All That Remains, Machine Head, Black Dahlia Murder - 11/2/2012 at the Fillmore, Silver Spring, MD

The reviews for November will probably be a little abbreviated, because NaNoWriMo has taken over my usual method of note-taking at concerts (texting to email) and the back-up method I discovered (my phone's notepad) is pretty limited. But at least I can give you a general idea.

Anyway, I was looking forward to most of this line-up - except All That Remains. They didn't impress me last year, and the new song they've been playing on the radio seemed wimpy to me. The other bands all seemed like they'd put on a good show, though. Black Dahlia Murder's music is fast and intense, while Dethklok has some of the epic melodic feel of European metal (never mind the hilarious characters). I thought the highlight would be Machine Head, though. They were great when I saw them earlier this year, and I really respect Rob Flynn's songwriting and guitar skills. (On a halfway related note, Suicide Silence opened for them then, and I'm really glad I had a chance to see them, cause they were great as well.)

We were very lucky that this show wasn't earlier, because the first couple of shows on the tour had been canceled due to Hurricane Sandy. So this was actually the first show of the tour.

We got to the venue just as Black Dahlia Murder was starting. (It was exactly 6:30, the time the show was supposed to start, and the rest of the night continued just as precisely, with all the bands going on within ten minutes of their scheduled times.) As expected, they were loud and fast, an intense barrage of sound. They play something like a fusion of fast thrashy riffs with vocals that go from low death growl to black metal shriek in the space of one word - great energetic music. The singer looked like he was having a great time, grinning and jumping about, and the crowd did too - there were only a few small pits, but during several songs pretty much everyone in the front half of the floor started jumping up and down. I had too much stuff with me to jump, but I headbanged pretty happily, especially when they played my favorite song, "Stirring the Seas of Salted Blood." S. said he hoped the singer wouldn't take off his shirt - but he did just before the last song.

Machine Head played the third slot, which came as a little of a surprise and disappointment. I thought they were much more qualified for the second slot than ATR, and I wanted to hear more of their music. Since they were amazing last time I saw them, I had my standards set pretty high, and was disappointed at first - they sounded muddy and the vocals were too low, barely audible at times. (Also, the floor, which had seemed pretty full for BDM, had filled up even more, and Rob Flynn being a little short, I couldn't see him much of the time.) They hit their stride in their third song, however - "Aesthetics of Hate," which they dedicated to the late Mitch Lucker of Suicide Silence, and also included a Dimebag Darrell tribute in their visuals. (Right before their set, we were standing by the merch area when a kid in a Suicide Silence t-shirt came up, and one of the merch guys asked if he would let Rob wear his shirt on stage. The kid happily agreed, but apparently Rob didn't have time to put on the shirt, because it was just hanging off the drum kit.) Finally, in this song the guitars began blasting and Rob's vocals sounded stronger, and they killed for the remainder of the set. They played "Locust" a bit faster than they do on the album, making a cool song even better. Their set was soon over, though; it was only five or six songs. I was rather disappointed at the short set, and that we didn't get to hear "Darkness Within," which is my favorite off their newest album.

As a result I felt a little bitter toward All That Remains, but I ended up being pleasantly surprised by them. With the longer set, I was able to hear them play a wider range of songs, and got a better appreciation for their sound. They're also much heavier and intense live than on their recordings - "Down Through the Ages" sounds so much better live than on the radio. During this show, I noticed their guitar work for the first time - I'd never noticed before that their songs had such powerful and melodic guitars. They moved through a range of styles, from anthemic hard rock/classic metal-style songs, to metalcore shouted verses/clean choruses, to the unintelligible death growls at the end of "Some of the People, All of the Time" (is that why it's my favorite ATR song?), and even some grindingly heavy segments. I don't know if this makes me any more likely to listen to their albums (might still find them wimpy) but I was definitely satisfied with their live performance.

After all this, Dethklok was just icing on the cake, but they easily carried the night. They sounded great, with flawless speedy guitar playing and growled vocals delivered by Brendon Small and co. (He had Gene Hoglan on drums; I didn't recognize any other names.) They played several songs off the newest album ("I Ejaculate Fire," "Andromeda," "The Galaxy," "Crush the Industry") as well as classics like "Murmaider" and "Awaken." I wasn't sure what to expect as I'd never seen Dethklok live and wondered how exactly an animated band was going to perform live. Without spoiling too much, they basically showed the music videos for the songs on a large screen, with the stage darkened so that one wouldn't pay too much attention to the live musicians below. There were a few recorded interludes including talking-to's from Facebones and the Dethklok manager, Dr. Rockzo calling for crowd participation, a plot by the Tribunal and some "backstage" antics by the band. The best part, though, had to be the part before the last song of the encore, when all the lights went off except one red one shining straight into the audience and entirely obscuring the stage, and (presumably) Brendon Small proceeded to banter with the audience in the voices of all the band members. (And he talked about Hurricane Sandy, so I'm pretty sure it wasn't entirely scripted - maybe prepared earlier that day, but not a script for the whole tour.) At that moment, it felt almost like the Dethklok band from the show was actually there in the hall (of course, we're probably lucky that they weren't, because that wouldn't have ended well for half or more of the audience). They picked a sort of lackluster song to end on - good, but not as great as the others - but the second to last song (first song of the encore) was "Go Into the Water" and it was absolutely epic.

This was a great show, even with the disappointment about playing order and the first half of Machine Head's performance - Dethklok more than made up for the that, and the rest was pretty enjoyable too.

Next show: was Six Feet Under, Cattle Decapitation and Wretched, 11/3 - the review for this will go up soon.

Machine Head, Suicide Silence, Darkest Hour - 2/1/12 at Ram's Head Live, Baltimore, MD

This was the first concert in a good six months that I was actually
excited to attend. Maybe it was just that I was less tired and
stressed out than usual, maybe that there was no hassle involved in
getting there (Ram's Head is a couple blocks from my place of
employment..). It was also the first in a while where I wasn't bored
and tired and feeling like
can't-wait-till-this-is-over-so-I-can-go-home in a good while. Again
maybe because I actually wasn't tired for once. But anyway..it was
nice to actually enjoy a concert again.

So now for the actual reviewing..

Darkest Hour was good, although not as excellent as I thought it would be
from my very quick pre-listening the day before. They had some melodic
bits and heavy bits and some bits that were both melodic and
heavy, but I kept wishing they would make the guitars a little heavier
and give the vocals more punch to make it into true melodic death
metal (but this may just be because I wish everything was death
metal..). Also, metalcore kids don't know how to mosh. During one
insanely heavy song, there was NO ONE in the pit. At one point the
singer called for a circle pit, and one guy pushed another around the
floor, and that was it. I had come straight from work and had a bunch
of "luggage" with me, otherwise I would definitely have had to teach
those kids a lesson.

Suicide Silence was great. Ultra heavy, just an all out assault
on the senses (being a bit ADHD, I like music that overwhelms all
distractions in my brain). But it wasn't just the usual grinding-bass
grindcore band; the vocals were more of a black metal shriek, and they
mixed in some other unusual sounds as well.
They varied the tempo, too, with some fast riffs and some slow,
soul-shakingly heavy segments. Overall it was just all-consuming
nonstop heaviness (the singer didn't waste a lot of time talking
either) and it never got boring either. There was better moshing for
these guys but some grindcore silliness too - a few guys doing moves
that reminded me of kung fu drills in the pit.

I thought that with their nonstop delivery of heaviness, Suicide
Silence would blow Machine Head out of the water, but I was
wrong. They weren't as heavy as Suicide Silence, but definitely heavy
enough. Also, they had great riffs and guitar solos, as well as
powerful lyrics and melodies that took the place of overwhelming
heaviness in holding my interest and making me headbang. I didn't
really like their old stuff much before this concert - although I
thought their new album was amazing and that was why I went to the
concert at all - but after seeing them live I have new enjoyment of
their music. The singer delivered a short speech before the first
encore, and usually I'm the jerk that shouts "Play some damn music"
when the band gets speechy, but it seemed like he was really speaking
from his heart, thanking the band's fans and talking about how music
got him through tough spots, as well as high points, in his life, so I
actually listened and was touched by what he said, even though I'm a
relatively new fan of the band. Then the first encore, "Darkness
Within," which starts with a long acoustic segment, convinced me for
certain of the guy's amazing songwriting abilities. That's right, I
said first encore. I think they played three encores. They played for
about 2 hours overall. I was so exhausted by the end, I was leaning on
the barrier in front of the sound tech area thing, but still the music
moved me to headbang till the end.

Overall it was an excellent experience, well worth the exhaustion. It
was also neat to see three bands of such different styles on one
night. You could definitely see the change in the crowd as the bands
changed - but I for one enjoyed all three.