This was probably my most anticipated show of the summer. As a fan of all sorts of melodic metal, Wintersun is of course one of my top bands - Jari Mäenpää is the king of epic, sweeping guitar riffs. Their tour in support of Eluveitie last winter - their first North American tour - skipped the DC area. We did go see them in Pittsburgh, but it was still exciting to see them come back and headline. And what a line-up they brought! Fleshgod Apocalypse, with their classical piano woven into fast and brutal death metal, is one of my favorite melodic/symphonic acts, and Arsis, another speedy and melodic band, are also highly enjoyable. And I was super stoked to see Starkill on the bill. When I first heard them, I could not believe something so epic and melodic was made in the USA (although, I guess we do have Dethklok). I figured they would tour sooner or later. My hopes were raised and then dashed when they toured with Krisiun - but not in my area. And then I heard that they were going to tour with no less than Wintersun. It was like a dream come true.
We got to Soundstage early - on time, rather - to catch the first opener, but it turned out the show was running about 15 minutes late - unfortunate for such a long line-up, but not the worst delay we've experienced. So we had time to check out the merch. There were plenty of Wintersun shirts and other items such as shorts, underwear, cap, koozie, patch, button...Fleshgod Apocalypse had shirts and their new album Labyrinth which doesn't come out till August 20 in the US (!!), Starkill was selling shirts and CD's, and Arsis had...donuts. Their merch was delayed, again.
Lancaster, PA death metal band March to Victory started the night with a solid set. Most of their songs were full of nice headbangable grooves, also the second song, "Soulless," had some pounding jackhammer moments, and the unusually named song "Funeral of the Lizard Beast" (did I hear that right?) was rather complex. Like last time we saw them, they covered Death's "Crystal Mountain," quite well - Danielle does high-pitched Chuck Schuldiner well. She mostly sings in a high rasp, but can produce some nice low growls, too. They were going to play a cover of "The Philosopher" as well, but got cut off. Danielle did not talk to crowd much besides to tell us what each song was - she's new to the band, so perhaps she's still finding her feet onstage. I wish she had called for a mosh pit, though, cause I would have loved to push people around to the thundering fast parts, but was too shy to start a pit in such a large venue.
Setlist: Deadly Venom. Soulless. Funeral of the Lizard Beast.
Crystal Mountain (Death cover). Consumption. The Philosopher (Death cover, cut off before they played it).
The next local opener was Fallen Martyr, a sort of melodic fusion of different things. We've seen them a couple times before, but this was the first time I saw them with a good sound system. (Cafe 611 does have a decent system, but it's usually tuned to rumble, which means some of the higher tones get drowned out.) So this was the first time I really got to appreciate their guitar work in a live setting. The guitars are really good - some groovy death metal moments, some blasting black metal moments, some nice solos. The vocals..well, during the first song, I thought I might finally be getting used to them. There were moments when the singer's vocals meshed nicely with the music, and altogether they painted an image of desperate yearning - I imagined a drowning person struggling for air. But as the set went on, the whininess started to get to me again. They're not overly whiny - they're kind of like Muse's vocals, just whiny enough to be a little irritating. And his screams took it right out of the ballpark for me. Some people may like screamo, but it's not for me. Frankly, the singer ranting, "You will all bow" at the end of the set was kind of ridiculous. I've seen him do that before, and it always sounds and looks like a petulant teenager. So, I've given them several tries and still can't get into the vocals. But hey, I did really enjoy listening to their guitars.
An then it was time for Starkill. They take melodic death metal to a new level epic power metal solos and film score-based symphonics, besides throwing in some black metal or other influences at times. I was really looking forward to these guys, so I was disappointed that they started out weak. At first, they were too quiet - then the vocals were too loud and lead guitar so low that I could hardly hear it - not all whenever Parker was singing. It was frustrating to the point that I thought of shouting, "Turn up the lead guitar!" but I didn't, for fear it might throw the band off. Fortunately, the sound was corrected during the solo of their second song, "Immortal Hunt." After that, they sounded much better, although still a bit quiet compared retrospectively to the acts that followed. Their sound has a strong resemblance to Dethklok at times, especially the song "Below the Darkest Depths." There was a decent pit for most songs - if there wasn't, I might have felt compelled to help out, but as it was I decided to just headbang to their epic grooves. They played a good selection of songs from their new album, Fires of Life, although I didn't think "Wash Away the Blood with Rain" was a good choice to end on, not being one of their stronger songs. I would have preferred to hear "Sword, Spear, Blood, Fire" or "This is Our Battle, This is Our Day." But oh well - that leaves something to look forward to when they come around again.
Setlist: New Infernal Rebirth. Immortal Hunt. Fires of Life. Below the Darkest Depths. Wash Away the Blood with Rain.
Starkill used be known as Massakren and released a self-titled EP under that name, so after the show I screwed my courage to the sticking plate and asked one of the band members about their name change. He said they changed the name, as well as cleaned off their corpse paint, in order to better represent their sound. Apparently Massakren kept getting labeled as a black metal band, even though there is so much to their sound than that, so they wanted to get away from that - to have a fresh start, I suppose.
Their image is a bit mixed, though. Their clean-cut looks fits with the epic, melodic metal vibe, but the skinny jeans they wear make me think of the throwback thrash scene - and thrash is one thing that doesn't appear in their sound at all. (I dunno, maybe that's just the way people dress these days, though.) Their album cover with its warrior on a mountaintop and lightning or lasers flying everywhere, makes me think of Manowar, while their T-shirt designs are rather dark and ghoulish, in the vein of death metal or deathcore bands. But hey, it's their band. They can do pretty much anything, as long as they keep making that sweet epic melodic metal goodness.
After Starkill were Virginia natives Arsis. While not one of my top bands, I can get behind their very fast and melodic style of technical death metal. Their songs all sound rather similar to me; I can't really tell them apart (aside from a few singles like "Forced to Rock" or "We Are The Nightmare"), but there's enough variation within the songs that I don't get bored. We were very near the front for their set, perhaps in the fifth row, but off to the left of the stage. Yet the sound level was bearable without earplugs, so perhaps they weren't very loud either. They sounded great even way off to the side, a barrage of furious riffs punctuated by the James Malone's raspy vocals. I was trying to headbang with a drink in my hand and wondering whether or not I'd be too drunk to go in the pit for Fleshgod Apocalypse. They played a short set, but a fun one.
Setlist: Handbook for the Recently Deceased. A Diamond For Disease (first few minutes). Seven Whispers Fell Silent. Unwelcome. Carve My Cross. Face of My Innocence. (Thanks to XcKyle93 on M-A for filling in my gaps :) )
Fleshgod Apocalypse had the second slot, of which I was glad, since after Wintersun and Starkill, I most wanted to see more of them and go crazy to their fast, brutal sound with its tidbits of classical piano. Actually, it seems the piano plays a larger role than I thought, because they had an actual piano on stage during this show, with a guy playing constantly - I don't remember if they had that last time. I still couldn't hear it much of the time, though, and I feel like their symphonic backing track was pretty low, too. Their sound was much bigger this time; I don't know whether that has to do with the difference between Soundstage and Empire's sound equipment, or their own gear/sound guy. They played a couple songs from their new album: "Minotaur (The Wrath of Poseidon)" and "The Elegy," both of which had a good death metal groove going on and utilized more operatic backing vocals, compared to the sporadic line or two of agonized cries on most songs on the previous album, Agony. They had a female singer in a feathered mask standing at the back right, doing the operatic vocals. Besides the new songs, they only played songs from Agony. That was all right with me since that's the album of theirs I know best, and I got to hear some of my favorite songs. I wanted to go in the pit for "The Violation," the pit was too fast and brutal; I thought I'd better stay out. They were good - solid, headbangable guitars and crushing vocals - but when am I going to get to hear the symphonics and piano live, hm?
Setlist: The Temptation (intro). The Hypocrisy. Minotaur (The Wrath of Poseidon). The Deceit. The Violation.
The Egoism. Elegy. The Forsaking. (Thanks to Dave_o_rama on M-A for id'ing the first song.)
And then, it didn't seem long at all before the ethereal strains of "Time Fades Away" wafted over the audience, and we grabbed a spot and waited for Wintersun to come out. They emerged at the climax of the intro, Jari second after the drummer, and launched right into "Sons of Winter and Stars." There is nothing quite like belting out that chorus along with a hundred odd other metalheads while the epic strains of Jari and co surround you. It was an awesome experience all the way through. The sound seemed fuller than when we saw them supporting Eluveitie, but that's probably because this was a bigger venue than the "metal church" where we saw them before. Fantastically epic riffs contrasted with heartwrenching sorrowful moments - I actually teared up at end of "Land of Snow and Sorrow" and "Time" (although maybe just because I associate them with the sad moments of a certain novel). I was stoked to hear "Beautiful Death," a charging fast song that made up for the lack of a certain other fast song. There was an enormous pit for "Beyond the Dark Sun" - I've only seen pits that large at thrash shows. Their "new" song, "The Way of the Fire," was another fast one, though with slower choruses. At some point there was a solo from Teemu, showing that he's a great guitarist in his own right (I mean, he was in Imperanon after all). They finished the set with the epic "Starchild."
There was all sorts of talk beforehand about what they were and weren't going to play - well, they played all of Time I (though in separate chunks), the new song, and all but three songs from Wintersun. I know several people were upset that they dropped "Battle Against Time," but I was pretty happy with their set. They played a solid set - an hour and a half - and didn't take up much time talking (come to think of it, none of the bands did).
Setlist: When Time Fades Away. Sons of Winter and Stars. Land of Snow and Sorrow. Beautiful Death. Darkness and Frost (Time intro). Time. Death and the Healing. Winter Madness. Beyond the Dark Sun. The Way of the Fire. Starchild.
All in all, it was an epic night, well worth being up till nearly 2 in the morning.
Next show: Midnight Eye's release party - tonight! Check out my review of their new EP, and stream all 3 songs from it, here. :)
Showing posts with label Wintersun. Show all posts
Showing posts with label Wintersun. Show all posts
Thursday, August 8, 2013
Wednesday, January 2, 2013
Eluveitie, Wintersun, Varg - 12/19/12 at Mr. Small's Theatre, Millvale (Pittsburgh), PA
Wintersun's first ever US tour! I think we would even have driven to New York to see them, or even further if we had to, but as it was, the closest stop to us was in Pittsburgh, PA. The show was very well attended - several of the other tour stops were sold out, but I'm not sure if this one was. The venue seemed to have about the same capacity as Jaxxpire (a couple hundred people) but with a different layout. More on that later. The drive up to Pittsburgh, although long, was not bad because of the interesting terrain/roads/things on the side of the road, the mountain views and the proliferation of Sheetz along the way (I think we stopped at Sheetz four times on the round trip).I would definitely do it again for a group as phenomenal as Wintersun.
The show started at 7:30, but due to traffic and walking from a distant parking spot, we got there around 7:45, and then still had to wait in line to get in. Mr. Small's gave a new meaning to the term "Metal Church" - it literally was a big old brick church that had been turned into a concert venue (and recording studio and "funhouse"?). Inside, it was just one big cavernous room (former church after all) with a stage at one end and a bar at the other. On one side was the merch, and on the other a stand selling french bread pizza (every now and then during Wintersun's set, a garlicky smell would waft over the audience).
Because of our tardiness, we only caught the last song by Varg. They sounded much better live than on their recordings - more intense and more folk melody/vibe. It was too bad we missed most of their set.
Wintersun was great as expected. They played mostly songs from their newest album, but also a few old ones. They didn't play any of the "new" ones that they've played before like "The Way of the Fire." There were pits for most of their songs, with an especially wild pit for "Battle Against Time." I noticed that that song in particular sounds a lot like Ensiferum - not a huge surprise since Jari used to be the singer for Ensiferum.
Eluveitie was also great. They played the entirety of their latest album, Helvetios. I was pretty stoked about that since it meant I'd get to hear some of favorite songs from that albums, "Helvetios" and "Luxtos," which were songs that I didn't think they would play live otherwise. But I was also worried about having enough energy for the pit, because there are sooo many furious fighting songs on that album. In the end, I didn't go in the pit for every song, or stay in for the whole song when I did. There wasn't much of a folk pit in the beginning, but I managed to get people dancing, and we did have a few good jig circles, as well as pits full of jigging pairs. It was a fun time.
There was a wall of death (for "Meet the Enemy"?), which Chrigel invited with the words "I want it to look like fucking Braveheart!" I was behind some people in the wall of death, and during the crazy pit immediately after, a guy took me by the shoulders and literally pushed me out of the pit. The audience actually set up a second wall of death during the same song. A tall girl in gray sweater actually took charge of it! I wanted to say hi to her but she disappeared as soon as the encore was over.
Oh yeah, so after playing all the songs from Helvetios, the band left the stage, but they came back and played four more songs, including "Everything Remains...," "Inis Mona" and "Tegernako," energetic songs with lots of moshing and dancing, and a little sing-along for "Inis Mona." Not only was there a mosh pit for "Inis Mona," there were pits for slower sadder songs like "Rose for Epona" and "Alesia" which just made me shake my head. (But the same big guys who were moshing during the verses were singing along to the choruses XD) Chrigel apparently thought we were an awesome audience, and at the end of the show, he gave his necklace to a girl in the front row, so that she would remember him :P
The show was totally worth the trip up to Pittsburgh, not just to see Wintersun, but also to see Eluveitie with such a great crowd. I had almost no complaints (besides that the pit should have been more folky); it was an almost perfect show.
Next show: Enslaved, at the end of this month
The show started at 7:30, but due to traffic and walking from a distant parking spot, we got there around 7:45, and then still had to wait in line to get in. Mr. Small's gave a new meaning to the term "Metal Church" - it literally was a big old brick church that had been turned into a concert venue (and recording studio and "funhouse"?). Inside, it was just one big cavernous room (former church after all) with a stage at one end and a bar at the other. On one side was the merch, and on the other a stand selling french bread pizza (every now and then during Wintersun's set, a garlicky smell would waft over the audience).
Because of our tardiness, we only caught the last song by Varg. They sounded much better live than on their recordings - more intense and more folk melody/vibe. It was too bad we missed most of their set.
Wintersun was great as expected. They played mostly songs from their newest album, but also a few old ones. They didn't play any of the "new" ones that they've played before like "The Way of the Fire." There were pits for most of their songs, with an especially wild pit for "Battle Against Time." I noticed that that song in particular sounds a lot like Ensiferum - not a huge surprise since Jari used to be the singer for Ensiferum.
Eluveitie was also great. They played the entirety of their latest album, Helvetios. I was pretty stoked about that since it meant I'd get to hear some of favorite songs from that albums, "Helvetios" and "Luxtos," which were songs that I didn't think they would play live otherwise. But I was also worried about having enough energy for the pit, because there are sooo many furious fighting songs on that album. In the end, I didn't go in the pit for every song, or stay in for the whole song when I did. There wasn't much of a folk pit in the beginning, but I managed to get people dancing, and we did have a few good jig circles, as well as pits full of jigging pairs. It was a fun time.
There was a wall of death (for "Meet the Enemy"?), which Chrigel invited with the words "I want it to look like fucking Braveheart!" I was behind some people in the wall of death, and during the crazy pit immediately after, a guy took me by the shoulders and literally pushed me out of the pit. The audience actually set up a second wall of death during the same song. A tall girl in gray sweater actually took charge of it! I wanted to say hi to her but she disappeared as soon as the encore was over.
Oh yeah, so after playing all the songs from Helvetios, the band left the stage, but they came back and played four more songs, including "Everything Remains...," "Inis Mona" and "Tegernako," energetic songs with lots of moshing and dancing, and a little sing-along for "Inis Mona." Not only was there a mosh pit for "Inis Mona," there were pits for slower sadder songs like "Rose for Epona" and "Alesia" which just made me shake my head. (But the same big guys who were moshing during the verses were singing along to the choruses XD) Chrigel apparently thought we were an awesome audience, and at the end of the show, he gave his necklace to a girl in the front row, so that she would remember him :P
The show was totally worth the trip up to Pittsburgh, not just to see Wintersun, but also to see Eluveitie with such a great crowd. I had almost no complaints (besides that the pit should have been more folky); it was an almost perfect show.
Next show: Enslaved, at the end of this month
Monday, September 5, 2011
TUSKA Videos
As promised, yummy videos from Tuska Fest 2011. These are not my videos though, much loves to the wonderful people who recorded them and posted them on Youtube.
Moonsorrow - Aurinko ja Kuu
Moonsorrow - Kivenkantaja - This is from Wacken, not Tuska, but I couldn't find a Tuska video of this song. This is the one I was talking about with the shamanic sound.
Wintersun wall of death
Wintersun - so called "Summer Madness"
Blind Guardian - Valhalla sing-along
Blind Guardian - Nightfall
Enslaved - Allfáðr Oðinn
Turisas - To Holmgard and Beyond
Turisas - Battle Metal
ok, so I didn't see these guys cause they were on Sunday but I just love em!
Moonsorrow - Aurinko ja Kuu
Moonsorrow - Kivenkantaja - This is from Wacken, not Tuska, but I couldn't find a Tuska video of this song. This is the one I was talking about with the shamanic sound.
Wintersun wall of death
Wintersun - so called "Summer Madness"
Blind Guardian - Valhalla sing-along
Blind Guardian - Nightfall
Enslaved - Allfáðr Oðinn
Turisas - To Holmgard and Beyond
Turisas - Battle Metal
ok, so I didn't see these guys cause they were on Sunday but I just love em!
Saturday, August 27, 2011
TUSKA - 7/23/11 at Suvilahti, Helsinki, Finland
So, I know this is very late, but one thing or another has conspired to keep me from typing it up ever since the event and since I got back from Finland. Now I have some other concert reviews piling up, so I need to get this posted, and expect a few more posts in quick succession.
So. I believe Tuska is Finland's largest metal festival, held each summer in Helsinki for three days (I only went for one day, though, because the tickets were so expensive). In the past, I think it has drawn some performers from overseas, but this year the line-up was mostly Finnish, with several Swedish visitors and a smattering of other European bands. Oh and Devin Townsend Project, which I believe is from Australia. The biggest names there - off the top of my head, and with considerable bias according to my tastes - were Amon Amarth, Blind Guardian, Epica, Amorphis, Wintersun, Turisas.. I could go on and on.
I went on Saturday, the middle day. Most of the big names like Amon Amarth, Amorphis and Turisas performed on Sunday, but I chose Saturday because I already saw Amon Amarth and Turisas earlier this year, and on Saturday I would have the chance to see Wintersun and Moonsorrow.
Tuska used to be held at a park called Kaisaniemi, but this year it was in what seemed to be an old industrial location called Suvilahti. It was very convenient to the metro - you literally walk about 100 feet from the Kalasatama metro station, following the stream of metallic looking people. I got there early in the day, about 1pm, and there was no line to speak of at the gates. The space inside the area felt a little small, maybe because the arrangement of the vendors and merch booths, food stands and stages created some sort of narrow, winding areas with large open areas only in front of the main and second stage. However, it did not feel cramped, even in the evening when the crowds got bigger, but then again the festival wasn't sold out either.
Facilities at the venue were excellent. There was a veritable maze of portapotties, with no line. There were a couple water fountains for drinking and refilling water bottles. The lines for food and merch were not too long (wait about 5 minutes) and moved fast, especially the line for the Alepa (convenience store) kiosk. The only long waits were at the signing booth, where I waited an hour each of the two times I went (for Wintersun and Epica). The Alepa kiosk was great - you could get sandwiches, ice cream, energy drinks and other basic supplies for very good prices there. (I read on the Tuska website that the prices were the same as in regular Alepa stores around Helsinki. Mad props to Alepa for doing that, it made being at the fest all day much more economical \m/) The area was pretty clean, compared to what I'd seen on the news a few days earlier about a big gathering in a park in Helsinki or Turku, with trash everywhere - at Tuska, there were just cigarette butts everywhere, and a few cans.
I loved the relaxed atmosphere - my favorite part of the day had to be sitting on the ground in the shade of this huge domed thing, eating something called "kebab" which was really not a kebab at all, with a bunch of people I didn't know but felt totally cool with, all while watching Blind Guardian perform not too far away on the main stage. I didn't talk to many people - as I well exemplify, Finnish people are kind of taciturn and not given to small talk - but I felt very comfortable. The Finnish metal scene has a strong goth/industrial edge, so I fit in better than at metal shows in the US ;D
So now to the actual bands. The entire list of performers and schedule for the day can still be found on the Tuska website (and when they can't anymore, well, I guess it means it's time to move on and think about Tuska 2012 XD) I shall just go through the bands that I actually saw and/or was interested in.
Witchery - They were onstage when I got through the winding corridor of vendor booths, and I sort of watched the with one eye while buying stuff at the merch stand (T-shirts!!) and then waiting for Wintersun at the signing booth. They were fast and heavy though not particularly remarkable.
Medeia - Just as I stepped away from the signing booth, it started to rain, and a bunch of people headed into the building where the fourth stage was (only that and the third stage, which was in a huge tent, were covered). I was going in there anyway since it was time for Medeia to start. Medeia is a death metal band from Finland with hilarious videos. This video is my favorite. I don't think they're well known abroad but they definitely had a lot of enthusiastic fans at Tuska. Their riffs were kind of simple but the guitars were very heavy. The last song they played sounded like thunder - always a good sign for a metal band. (I just wish I'd written down which song it was because now I have no recollection >.<)
Moonsorrow - A pagan/folk metal band with a very strong influence from Finnish folk music in particular, which is rare compared to the more jig-like Scandinavian/Celtic sound that a lot of folk metal bands use. Their songs are long and often slow, although in a good way (I think) because of the melodies and folk elements. "Kivenkantaja" (The Stone Carrier) was a crowd favorite. For the first time, I realized the (apparent) influence from Finnish shaman chants - when the vocalist starts in, the guitars, not just the drums, even seemed to imitate the sound a of shaman's drum. Starting from this song, their set got heavier, which made me happy.
Katatonia - Wandered out to see them partway through their set after a having a snack. They were a little lite for my taste. A person who started randomly talking to me said they used to have a heavier sound but their singer damaged his voice and can't do growls anymore, thus the classic metal sound.
Wintersun - Obviously, they were epic. Jari Mäenpää is a god to many Finnish metal fans - though he seemed like a regular dude when I asked him to sign a t-shirt for a friend of mine, maybe a little aloof but what Finnish person isn't? (Digression, you could definitely feel the difference in national personalities between Wintersun and Epica, the former being civil, smiling and perhaps chatting a little with you if you started the conversation; the latter joking, hitting people with flyswatters and all around out to have a good time.) Anyway, so Wintersun was not very heavy but they were FAST. The guitars were sometimes so fast and complicated that it was hard to headbang. They were easily the best performance of the day.
Blind Guardian - As I said before, I listened to them while eating dinner XD I would have been more enthused if it weren't for the fact that I saw BG last December (battling a nasty nasty cold to go the show, too). I was walking away toward the signing booth when "Valhalla" started and I had to back and sing along (best BG sing-along song EVER). I listened to them more while waiting for Epica. As at Jaxx last December, they gave a solid performance and played all the crowd-pleasers like "Valhalla," "The Bard's Song," "Nightfall" and so on.
Enslaved - After BG finished, while I was still waiting for Epica, stages 2 and 3 started up at the same time, and I couldn't make out much except when one of the bands stopped to talk. After getting another shirt signed for another friend, I went to listen to Enslaved while eating ice cream. (What's better than eating something yummy while watching awesome metal? Well, I suppose not eating while watching so that you can HEADBANG or MOSH.) Enslaved, I found out, is an epic Swedish death metal band in the vein of Amon Amarth. Strong melodies and epic riffs. I liked their last song, "Allfadr Odin" so much that I chose to headbang, rather than use the portapotty before dashing out to the metro for a two hour bus ride back to Turku.
Since my mom and I opted for the 9:00 bus (which would let us get back to Turku before midnight), I didn't get to hear Devin Townsend Project (as it was, I just barely made it to the bus terminal in time; but luckily there was a very clean and functional toilet in the back of the bus :D). And I definitely didn't get to go to the afterclub, where Turmion Kätilöt, one of my favorite Finnish industrial metal bands, would have been performing. But as my aunt said, "Leave something for next time!"
Hopefully, next time will be Tuska 2012, just waiting to see who the performers will be, and figure out a way to get airline tickets.... O.o
Next reviews: I have a review of KMFDM already typed up, and need to do one for Blackguard who we saw headlining this past Wednesday. I hope I can get those up before we head out to see Blackguard, Alestorm and Kamelot tonight - braving a hurricane no less!
I will also later proofread this post and add links to wonderfully awesome live vids from the festival....
So. I believe Tuska is Finland's largest metal festival, held each summer in Helsinki for three days (I only went for one day, though, because the tickets were so expensive). In the past, I think it has drawn some performers from overseas, but this year the line-up was mostly Finnish, with several Swedish visitors and a smattering of other European bands. Oh and Devin Townsend Project, which I believe is from Australia. The biggest names there - off the top of my head, and with considerable bias according to my tastes - were Amon Amarth, Blind Guardian, Epica, Amorphis, Wintersun, Turisas.. I could go on and on.
I went on Saturday, the middle day. Most of the big names like Amon Amarth, Amorphis and Turisas performed on Sunday, but I chose Saturday because I already saw Amon Amarth and Turisas earlier this year, and on Saturday I would have the chance to see Wintersun and Moonsorrow.
Tuska used to be held at a park called Kaisaniemi, but this year it was in what seemed to be an old industrial location called Suvilahti. It was very convenient to the metro - you literally walk about 100 feet from the Kalasatama metro station, following the stream of metallic looking people. I got there early in the day, about 1pm, and there was no line to speak of at the gates. The space inside the area felt a little small, maybe because the arrangement of the vendors and merch booths, food stands and stages created some sort of narrow, winding areas with large open areas only in front of the main and second stage. However, it did not feel cramped, even in the evening when the crowds got bigger, but then again the festival wasn't sold out either.
Facilities at the venue were excellent. There was a veritable maze of portapotties, with no line. There were a couple water fountains for drinking and refilling water bottles. The lines for food and merch were not too long (wait about 5 minutes) and moved fast, especially the line for the Alepa (convenience store) kiosk. The only long waits were at the signing booth, where I waited an hour each of the two times I went (for Wintersun and Epica). The Alepa kiosk was great - you could get sandwiches, ice cream, energy drinks and other basic supplies for very good prices there. (I read on the Tuska website that the prices were the same as in regular Alepa stores around Helsinki. Mad props to Alepa for doing that, it made being at the fest all day much more economical \m/) The area was pretty clean, compared to what I'd seen on the news a few days earlier about a big gathering in a park in Helsinki or Turku, with trash everywhere - at Tuska, there were just cigarette butts everywhere, and a few cans.
I loved the relaxed atmosphere - my favorite part of the day had to be sitting on the ground in the shade of this huge domed thing, eating something called "kebab" which was really not a kebab at all, with a bunch of people I didn't know but felt totally cool with, all while watching Blind Guardian perform not too far away on the main stage. I didn't talk to many people - as I well exemplify, Finnish people are kind of taciturn and not given to small talk - but I felt very comfortable. The Finnish metal scene has a strong goth/industrial edge, so I fit in better than at metal shows in the US ;D
So now to the actual bands. The entire list of performers and schedule for the day can still be found on the Tuska website (and when they can't anymore, well, I guess it means it's time to move on and think about Tuska 2012 XD) I shall just go through the bands that I actually saw and/or was interested in.
Witchery - They were onstage when I got through the winding corridor of vendor booths, and I sort of watched the with one eye while buying stuff at the merch stand (T-shirts!!) and then waiting for Wintersun at the signing booth. They were fast and heavy though not particularly remarkable.
Medeia - Just as I stepped away from the signing booth, it started to rain, and a bunch of people headed into the building where the fourth stage was (only that and the third stage, which was in a huge tent, were covered). I was going in there anyway since it was time for Medeia to start. Medeia is a death metal band from Finland with hilarious videos. This video is my favorite. I don't think they're well known abroad but they definitely had a lot of enthusiastic fans at Tuska. Their riffs were kind of simple but the guitars were very heavy. The last song they played sounded like thunder - always a good sign for a metal band. (I just wish I'd written down which song it was because now I have no recollection >.<)
Moonsorrow - A pagan/folk metal band with a very strong influence from Finnish folk music in particular, which is rare compared to the more jig-like Scandinavian/Celtic sound that a lot of folk metal bands use. Their songs are long and often slow, although in a good way (I think) because of the melodies and folk elements. "Kivenkantaja" (The Stone Carrier) was a crowd favorite. For the first time, I realized the (apparent) influence from Finnish shaman chants - when the vocalist starts in, the guitars, not just the drums, even seemed to imitate the sound a of shaman's drum. Starting from this song, their set got heavier, which made me happy.
Katatonia - Wandered out to see them partway through their set after a having a snack. They were a little lite for my taste. A person who started randomly talking to me said they used to have a heavier sound but their singer damaged his voice and can't do growls anymore, thus the classic metal sound.
Wintersun - Obviously, they were epic. Jari Mäenpää is a god to many Finnish metal fans - though he seemed like a regular dude when I asked him to sign a t-shirt for a friend of mine, maybe a little aloof but what Finnish person isn't? (Digression, you could definitely feel the difference in national personalities between Wintersun and Epica, the former being civil, smiling and perhaps chatting a little with you if you started the conversation; the latter joking, hitting people with flyswatters and all around out to have a good time.) Anyway, so Wintersun was not very heavy but they were FAST. The guitars were sometimes so fast and complicated that it was hard to headbang. They were easily the best performance of the day.
Blind Guardian - As I said before, I listened to them while eating dinner XD I would have been more enthused if it weren't for the fact that I saw BG last December (battling a nasty nasty cold to go the show, too). I was walking away toward the signing booth when "Valhalla" started and I had to back and sing along (best BG sing-along song EVER). I listened to them more while waiting for Epica. As at Jaxx last December, they gave a solid performance and played all the crowd-pleasers like "Valhalla," "The Bard's Song," "Nightfall" and so on.
Enslaved - After BG finished, while I was still waiting for Epica, stages 2 and 3 started up at the same time, and I couldn't make out much except when one of the bands stopped to talk. After getting another shirt signed for another friend, I went to listen to Enslaved while eating ice cream. (What's better than eating something yummy while watching awesome metal? Well, I suppose not eating while watching so that you can HEADBANG or MOSH.) Enslaved, I found out, is an epic Swedish death metal band in the vein of Amon Amarth. Strong melodies and epic riffs. I liked their last song, "Allfadr Odin" so much that I chose to headbang, rather than use the portapotty before dashing out to the metro for a two hour bus ride back to Turku.
Since my mom and I opted for the 9:00 bus (which would let us get back to Turku before midnight), I didn't get to hear Devin Townsend Project (as it was, I just barely made it to the bus terminal in time; but luckily there was a very clean and functional toilet in the back of the bus :D). And I definitely didn't get to go to the afterclub, where Turmion Kätilöt, one of my favorite Finnish industrial metal bands, would have been performing. But as my aunt said, "Leave something for next time!"
Hopefully, next time will be Tuska 2012, just waiting to see who the performers will be, and figure out a way to get airline tickets.... O.o
Next reviews: I have a review of KMFDM already typed up, and need to do one for Blackguard who we saw headlining this past Wednesday. I hope I can get those up before we head out to see Blackguard, Alestorm and Kamelot tonight - braving a hurricane no less!
I will also later proofread this post and add links to wonderfully awesome live vids from the festival....
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