Sooo...I haven't reviewed anything on here for a while.
It's been largely a question of motivation, more than time or anything else, because I've managed to find time to write constantly for my another blog o' mine, sometimes even two posts a week. I have some attention issues which make me leap to do the things I find fun, interesting or obsessing (and make it hard to anything else till those things are done) while also making me adverse to doing anything that seems hard or boring. And unfortunately, for quite a while now this blog has felt like a chore. And so, as my writing projects (metal and otherwise) have piled up, this one has kind of fallen by the wayside.
But I'm not ready to give up on this blog yet. I've made a lot of friends and connections in the local scene because of this blog. And people are still visiting the site, even though I haven't updated in months. Most of all, I feel like reviewing local bands is still an important contribution I can make to the local scene. And so, I'm going to try to keep it going. Sometimes, we have to do things that are hard, cause they may be worthwhile even if they don't feel like fun at the time.
I'm also going to try to get back into doing book reviews, particularly of local and/or self-publishing authors.
Anyway, to get back into the swing of things, here's a review I drafted back in May the night after the show, but never got around to finalizing and posting. It actually doesn't include any locals, but after this I think I have the notes for an entirely local show, Isenmor's CD release party show in June. I actually typed a loooong thing about MDF, as well, but I'm not going to post it because it ended up being way more about personal stuff than about the music. I might still write a summary of the music, just to have an entry in my "concert diary" that, oh yeah, I went to MDF this year.
Anyway. Enough of that - here's my review of Ensiferum and Korpiklaani at Soundstage in May:
Seeing as this show was three days after Maryland Deathfest, I wasn't all that sure I'd have the babysitting cred, or social energy, to go. But then there was a two-for-one ticket deal, and I felt obliged to ask my brother if he'd like to go, and to my surprise he said yes, and so I bought the tickets and had to go. Turned out to be a good decision despite the potential guilting from my daughter's grandparents, cause I had an awesome time.
There was some sort of delay on the way up, and so we got there right as Korpiklaani starting. I had been aiming to get there sometime during or toward the end of TrollfesT's set, cause I don't much care for them, but we overshot it and missed some of Korpi instead :/
Korpiklaani played a lot of songs I didn't recognize - but then I don't listen to them, or folk metal in general, much anymore. (It's fun live, but at home I prefer the doomy end of the melodeath spectrum.) I hadn't listened to Korpi's new album, Noita, before the show, but I'm pretty sure they started with "Viinamäen Mies" from the new album. The first song I recognized was "Sumussa Hämärän Aamun" (one of my favorite Korpi songs) and that was maybe the 6th song in. After listening to Noita, I'm pretty sure they also played "Pilli on Pajusta Tehty," "Lempo" and I know they played "Ammanhauta" because Jonne introduced that song. There was an enormous pit on their first song, and I wondered if I would be able to go in the pit at all. But a couple songs later there was dancing, so I went in. The moshing to dancing ratio was still higher than I'd have liked, but it was still fun. I also had to spend time with my brother (who just wanted to stand in the back - concerts aren't actually really his thing), so I couldn't be in the pit all the time anyway. There were very few songs I recognized overall - besides "Sumussa Hämärän Aamun," there was "Vodka" (of course), "Wooden Pints" (of course), "Juodaan Viinaa," "Rauta," and maybe something else. But just about all the songs were in Finnish, so that was cool - there seemed to be less of the generic silly songs about alcohol, and more really folky stuff. And it was a fun time in the pit - I was literally soaked in sweat head to toe by the end of their set.
A little while later, Ensiferum came out to the intro and a song from their new album One Man Army, I believe. They played a second new one - and then the singer announced we were going to "ride INTO BATTLE." "Hold this," I said, pushing my ice water into my brother's hands, and made my way to the pit as that epic intro wafted over the crowd. As I expected, the pit was crazy, but I'd been waiting years to mosh to this song, so I toughed through it and kept moving the whole time. I even got to dance a little. After that song ended, I rested my head on my buddy L's shoulder and said, "I'm done." He wasn't gonna let me leave the pit so I had to tell him I had to retrieve my "drink" from my brother. The rest of the set consisted of a lot more songs from One Man Army, as well as a few other classics ("Ahti," "Victory Song"), and "Unsung Heroes" and "Burning Leaves" from their previous album. The songs from One Man Army were good - they were fast and interesting, though not quite like old Ensiferum. The singer encouraged the moshers, especially for "One Man Army," which was quite thrashy. (There were sound problems during that song though - I couldn't hear the lead guitar at first, just thundering drums and bass.) The songs from Unsung Heroes, meanwhile, sounded like "Ensiferum plays generic folk metal" - though they did have some redeeming parts. [I didn't write down what they were at the time, and by now I've forgotten :/ ] Their keyboard player was "left behind," but instead they had Netta Skog (formerly of Turisas) on accordion, which seemed to adequately complete their sound.
At the start of their encore, everyone switched instruments, and with Netta singing (and wearing a shiny police cap), they performed a silly cover of "Breaking the Law." Then they played "From Afar" and "Token of Time" with a sing-along, and closed with "Iron." I actually enjoyed their set a lot. The new songs were good, and they worked in a decent number of old songs, though I did wonder that they didn't play "Lai Lai Hei" or "Deathbringer From the Sky." I guess with a new album to promote, they had to leave something out.
Dare I say it - I think I actually had more fun at this show than at MDF. The pit was a little more brutal than I usually like, but still fun. It was totally worth winding up soaked in sweat and getting cracked in the jaw. Never mind all the hassle with getting to the show - that was all forgotten by the end of the night, subsumed by all the fun memories.
Next show - Well, tonight I'm going to see Iris Divine, MindMaze and Dogs & Day Drinkers, should be good!
Showing posts with label Korpiklaani. Show all posts
Showing posts with label Korpiklaani. Show all posts
Saturday, August 1, 2015
Tuesday, April 29, 2014
Paganfest America V - Korpiklaani, Turisas, ChthoniC, Varg, Winterhymn - 4/25/14 at Empire, Springfield, VA and 4/26/14 at Ottobar, Baltimore, MD
So for some reason, Paganfest had two shows in my area this year - and as it's folk metal's biggest party of the year and I had to party with my best folk metal pit buds, and some were going to one show and some to the other...I had no choice but to go to both XD In order to make that happen, I had to take my kid along to avoid asking for two nights of babysitting, and thus, she accompanied me to the show at Empire :) (If someone has a pic of us, pls send, cause I didn't manage to get one! We were both wearing Turisas warpaint and my daughter got so many compliments for it :) )
Anyway, I'm just going to write both shows up together, cause no way I have time to write two separate reviews.
Unfortunately, both nights I missed the locals due to traffic. Cause of some silly sportsing event it took me twice as long as normal to get to Baltimore >.< So unfortunately, I missed Demiz who are awesome but did not even want to open for Paganfest XD And also Yesterday's Saints and March to Victory. Grrr!
But at least I got there in time for the first touring band. This year's US band on the tour was Winterhymn from Cinncinnati, Ohio. I didn't have a chance to listen to them before the show, so I was pleasantly surprised to find they had a solid sound, with a fiddle prominent in their sound, gruff vocals done by the portly rhythm guitarist and energetic guitars (including some galloping basslines). They started out sounding more Vikingy, but got more folky as they went on, peaking with the drinking and dancing song "Ale Song." They were a good start to the night both nights, with a decent pit going.
Next up was Varg from Germany (no relation to Varg Vikernes; the word means "wolf" in Old Norse and these guys just like wolves, apparently; the frontman kept calling their music "wolf metal"). I saw a song or two of them when they supported Eluveitie a couple years back, but didn't really get into them then. However, I was quite impressed this time. Especially at tiny Ottobar, they filled the venue with their racing drums, heavy guitars and the singer's harsh vocals, somewhere between a bark and a death growl, and some outright hellish roars in "Nagelfar." It was mostly dark, headbangable stuff with a few folkier moments in "Rotkäppchen" and "Guten Tag." My kid got into them and danced and jumped around a little.
I was perhaps most excited to see blackened-death-metal-with-folk-tidbits band ChthoniC (閃靈) from Taiwan. I feel like they're one of the most original things lately in the international metal scene and the broad spectrum of metal-that-involves-folksy-bits. At Empire, I went up close with my kid, but she didn't let me concentrate much on staring at Doris, or at Freddy playing the erhu (Chinese fiddle). Besides, the sound up at the front was all distorted. In general, the kid did not like them much - I guess they were a bit dark and heavy for a five-year-old, more brutality than fun. It was disappointing, too, that Freddy played the erhu very little; most of the erhu and other folk instruments were piped in.
At Ottobar I got to headbang to my heart's content and hear them clearly from a bit further back (and I think I went in the pit for "Takao"). They seemed more confident and professional this time than when I saw them touring with Arch Enemy and Freddy's English seemed better, too. At both shows he proudly announced that the band was from "the country where the people have occupied Congress!" and interacted with the crowd a bit more than at the last show. They played mostly from their 2013 album Bu-tík, with just "Oceanquake" and "Takao" from (the previous album) Takasago Army, and nothing earlier. It would have been nice to hear something older, but I wasn't terribly disappointed since I'm more familiar with their newer stuff anyway, and it has a more polished, epic sound. Perhaps if they get up to a headline tour, they'll be able to play a greater variety, as well as some hidden gems like "Resurrection Pyre" from Bu-tík, which starts off with such an awesome guitar riff! After their set I talked to Doris and Freddy for a few moments by their merch table, and like every Taiwanese person, Doris told me I should go to Taiwan for the snacks! XD It's totally why I want to go, too. I almost got to pick up the Taiwanese version of Bu-tík for just $10 but I waited too long and they sold out! :(
After that great performance, the night was only half over; next was Turisas from Finland, second band of the night in red and black face paint and inventors of "battle metal." (Just kidding, I totally don't think that's an actual genre.) At Empire my kid and I enjoyed them from the counter at the side while finishing off some chicken fingers (her bedtime snack, as she fell asleep several songs from the end of the set); I couldn't wait to push people around to them at Ottobar! They came out to "Ten More Miles" ("Tu-REE-sas! You can count on us!") dressed in their new barbarian-biker-punk attire. I'm one of those old fans who is gonna complain that I preferred their old songs and their old barbarian look. But the new songs actually sounded ok live - epic choruses and some folksy bits courtesy of (fiddler) Olli - except "For Your Own Good" which was rather bland. (Song has a pretty good message, though; go read the lyrics.) And they actually played a great mix, with some epic old songs thrown in - "Rex Regi Rebellis" and "Miklagard Overture" - as well as the crowd-pleasers like "Battle Metal" and "Stand Up and Fight." Not only that, but, by popular demand as explained by Mathias, they played "Rasputin" both nights! Not unlike the last time, I got the crowd chanting at second show, cause damn if they were not going to play it when I could actually be in the pit. They actually went off and came back on to play that and "Stand Up and Fight," one of the few times I've seen a second slot band do an encore. At Empire, Mathias said they would play a different set at Ottobar, but this was not the case - they played the same songs in a different order, and there was perhaps one more song at Empire but I forget what it was. I was totally satisfied after their set, cause they played so many good songs, the pit was great, and the new songs didn't suck so that wasn't too bad.
I do wonder what they think of the fact that the song everyone wants to hear them play (and their most played song on Spotify, too) is "Rasputin," which is a cover XD
We left the Empire show after Turisas cause my kid was literally asleep. I wasn't too bummed, as I'd seen the bands I really wanted to see, and I would see Korpiklaani the next night anyway.
At Ottobar, I was worried that Korpiklaani wouldn't be very inspiring after Turisas - great respect for them, but they just don't get me as amped. After a little ginger beer, though, things were great, and Korpiklaani's set was a lot of fun, in spite of it being surely after midnight by the time they started (I left my watch and phone in the car to keep them safe from the pit). I think they played a lot from their latest album Manala - a lot of very folky, mythology-steeped songs with some joik vocals thrown in (yes!), and it seemed like less of the drink-themed songs than usual. They did play "Vodka," "Ievan Polkka," "Wooden Pints" and "Happy Little Boozer" to get party going, though. At Ottobar, they played "Pellonpekko" as the first song of the encore because D.P. kept shouting for it. In spite of recognizing hardly any of the songs, I had a great time dancing to the folky parts, and pushing people around a little for the heavy parts. (In general, the pits were a little fast and brutal for me, so I tried to stay near the edge.) There was a good mix of moshing and dancing in the pit, which has been a little harder to find recently around here. I was not quite as dead afterward as at Finntroll, though, so I must have been holding back a little XD
Personally, I thought this was the best Paganfest so far. Winterhymn started things off great, Varg and ChthoniC blasted our faces off, Turisas played an epic selection of songs and Korpiklaani's set was so much fun. I can hardly remember another show where I've had such a solid night of enjoyment. I know some people came especially for this band or that band but I was lucky enough to find something to enjoy in each of them \m/
Next show: Primal Fear, tonight! And then Negura Bunget, on 5/10.
Anyway, I'm just going to write both shows up together, cause no way I have time to write two separate reviews.
Unfortunately, both nights I missed the locals due to traffic. Cause of some silly sportsing event it took me twice as long as normal to get to Baltimore >.< So unfortunately, I missed Demiz who are awesome but did not even want to open for Paganfest XD And also Yesterday's Saints and March to Victory. Grrr!
But at least I got there in time for the first touring band. This year's US band on the tour was Winterhymn from Cinncinnati, Ohio. I didn't have a chance to listen to them before the show, so I was pleasantly surprised to find they had a solid sound, with a fiddle prominent in their sound, gruff vocals done by the portly rhythm guitarist and energetic guitars (including some galloping basslines). They started out sounding more Vikingy, but got more folky as they went on, peaking with the drinking and dancing song "Ale Song." They were a good start to the night both nights, with a decent pit going.
Next up was Varg from Germany (no relation to Varg Vikernes; the word means "wolf" in Old Norse and these guys just like wolves, apparently; the frontman kept calling their music "wolf metal"). I saw a song or two of them when they supported Eluveitie a couple years back, but didn't really get into them then. However, I was quite impressed this time. Especially at tiny Ottobar, they filled the venue with their racing drums, heavy guitars and the singer's harsh vocals, somewhere between a bark and a death growl, and some outright hellish roars in "Nagelfar." It was mostly dark, headbangable stuff with a few folkier moments in "Rotkäppchen" and "Guten Tag." My kid got into them and danced and jumped around a little.
I was perhaps most excited to see blackened-death-metal-with-folk-tidbits band ChthoniC (閃靈) from Taiwan. I feel like they're one of the most original things lately in the international metal scene and the broad spectrum of metal-that-involves-folksy-bits. At Empire, I went up close with my kid, but she didn't let me concentrate much on staring at Doris, or at Freddy playing the erhu (Chinese fiddle). Besides, the sound up at the front was all distorted. In general, the kid did not like them much - I guess they were a bit dark and heavy for a five-year-old, more brutality than fun. It was disappointing, too, that Freddy played the erhu very little; most of the erhu and other folk instruments were piped in.
At Ottobar I got to headbang to my heart's content and hear them clearly from a bit further back (and I think I went in the pit for "Takao"). They seemed more confident and professional this time than when I saw them touring with Arch Enemy and Freddy's English seemed better, too. At both shows he proudly announced that the band was from "the country where the people have occupied Congress!" and interacted with the crowd a bit more than at the last show. They played mostly from their 2013 album Bu-tík, with just "Oceanquake" and "Takao" from (the previous album) Takasago Army, and nothing earlier. It would have been nice to hear something older, but I wasn't terribly disappointed since I'm more familiar with their newer stuff anyway, and it has a more polished, epic sound. Perhaps if they get up to a headline tour, they'll be able to play a greater variety, as well as some hidden gems like "Resurrection Pyre" from Bu-tík, which starts off with such an awesome guitar riff! After their set I talked to Doris and Freddy for a few moments by their merch table, and like every Taiwanese person, Doris told me I should go to Taiwan for the snacks! XD It's totally why I want to go, too. I almost got to pick up the Taiwanese version of Bu-tík for just $10 but I waited too long and they sold out! :(
Turisas-painted me with Doris and Freddy of ChthoniC!
After that great performance, the night was only half over; next was Turisas from Finland, second band of the night in red and black face paint and inventors of "battle metal." (Just kidding, I totally don't think that's an actual genre.) At Empire my kid and I enjoyed them from the counter at the side while finishing off some chicken fingers (her bedtime snack, as she fell asleep several songs from the end of the set); I couldn't wait to push people around to them at Ottobar! They came out to "Ten More Miles" ("Tu-REE-sas! You can count on us!") dressed in their new barbarian-biker-punk attire. I'm one of those old fans who is gonna complain that I preferred their old songs and their old barbarian look. But the new songs actually sounded ok live - epic choruses and some folksy bits courtesy of (fiddler) Olli - except "For Your Own Good" which was rather bland. (Song has a pretty good message, though; go read the lyrics.) And they actually played a great mix, with some epic old songs thrown in - "Rex Regi Rebellis" and "Miklagard Overture" - as well as the crowd-pleasers like "Battle Metal" and "Stand Up and Fight." Not only that, but, by popular demand as explained by Mathias, they played "Rasputin" both nights! Not unlike the last time, I got the crowd chanting at second show, cause damn if they were not going to play it when I could actually be in the pit. They actually went off and came back on to play that and "Stand Up and Fight," one of the few times I've seen a second slot band do an encore. At Empire, Mathias said they would play a different set at Ottobar, but this was not the case - they played the same songs in a different order, and there was perhaps one more song at Empire but I forget what it was. I was totally satisfied after their set, cause they played so many good songs, the pit was great, and the new songs didn't suck so that wasn't too bad.
I do wonder what they think of the fact that the song everyone wants to hear them play (and their most played song on Spotify, too) is "Rasputin," which is a cover XD
We left the Empire show after Turisas cause my kid was literally asleep. I wasn't too bummed, as I'd seen the bands I really wanted to see, and I would see Korpiklaani the next night anyway.
At Ottobar, I was worried that Korpiklaani wouldn't be very inspiring after Turisas - great respect for them, but they just don't get me as amped. After a little ginger beer, though, things were great, and Korpiklaani's set was a lot of fun, in spite of it being surely after midnight by the time they started (I left my watch and phone in the car to keep them safe from the pit). I think they played a lot from their latest album Manala - a lot of very folky, mythology-steeped songs with some joik vocals thrown in (yes!), and it seemed like less of the drink-themed songs than usual. They did play "Vodka," "Ievan Polkka," "Wooden Pints" and "Happy Little Boozer" to get party going, though. At Ottobar, they played "Pellonpekko" as the first song of the encore because D.P. kept shouting for it. In spite of recognizing hardly any of the songs, I had a great time dancing to the folky parts, and pushing people around a little for the heavy parts. (In general, the pits were a little fast and brutal for me, so I tried to stay near the edge.) There was a good mix of moshing and dancing in the pit, which has been a little harder to find recently around here. I was not quite as dead afterward as at Finntroll, though, so I must have been holding back a little XD
Personally, I thought this was the best Paganfest so far. Winterhymn started things off great, Varg and ChthoniC blasted our faces off, Turisas played an epic selection of songs and Korpiklaani's set was so much fun. I can hardly remember another show where I've had such a solid night of enjoyment. I know some people came especially for this band or that band but I was lucky enough to find something to enjoy in each of them \m/
Next show: Primal Fear, tonight! And then Negura Bunget, on 5/10.
Thursday, September 27, 2012
Korpiklaani, Moonsorrow, Tyr, Metsatöll (Manala North America Tour), Yesterday's Saints, Burning Shadows - 9/21/12 at Empire, Springfield, VA
I couldn't believe it when I first heard about this line-up - some of my favorite folk metal bands on the same night (the only better combination so far has been Ensiferum and Finntroll). I looked up Metsatöll a few days before the show, and got pretty stoked to see them too - they have a very heroic folk metal sound.
I hoped to see Burning Shadows open for them all as well, since I've heard about Burning Shadows (BSMetal on Facebook XD) for ages, but there was no way I could make the 5:40 start time.
As it was, I got there just as Metsatöll started, during their first song. Surprisingly, the place was already full - both the floor and the bar and merch area - and the crowd responded enthusiastically to Metsatöll. There was a pit for almost every song - a folk pit no less - even though their tempo was a little slow for moshing. (Still, I went into the pit for "Vaid Vaprust" - favorite song largely due to the video.) Their sound combined aggressive guitars with a slow, solemn singing style which I think is typical of folk songs from the Baltic area. The bag pipes could be heard loud and clear. They only played five songs; it would have been nice to hear more, but I guess the schedule was a little crowded.
Set changes happened fast that night - it wasn't long before Tyr came out. Unfortunately, their first song, a newer one, was pretty weak - the vocals weren't strong and the guitars weren't very loud. The second song was better, and at the third one, "Hall of Freedom," they hit their stride. Their newer songs sounded a bit like power metal or Manowar, with the clean vocals and fast guitars and keyboards. "Hall of Freedom" and some others also had a polka-like melody, but there was no folk pit :( Their best songs were the slightly older songs like "Tróndur Í Gøtu" and "Hold the Heathen Hammer High," fast-paced, anthemic songs which led to energetic pits. They also played a ballad which slowed their energy way down without being exceptionally epic. They would have been better off playing more of their classics like "Hail to the Hammer."
Moonsorrow was quite a change in pace, and only about half the crowd stuck around on the floor for them. They play a slower, darker vein of folk metal, with melancholy melodies interspersed with fierce guitars and growled vocals of black metal intensity. Unlike the other bands of the night, it's not music best enjoyed by jumping and dancing around, but heavy and intense enough to slowly headbang while they lead you on a musical journey through bloodsoaked battlefields and the desolation of the land of the dead. They sounded excellent, as good if not better than they did a year ago at Tuska - perhaps because they could fill the small, dark room with their sound more easily than a gigantic tent. Their third song, "Taistelu Pohjolasta," which they introduced as "a demo song from 1998," was probably the fastest Moonsorrow song I've ever heard, and there was even a pit for a bit in the beginning. To my surprise, I noticed a large part of the crowd singing along for the last song, "Kuolleiden Maa," even though the lyrics are in Finnish.
After Moonsorrow I tried to get a quick bite to eat in order to be fueled up for the folk pit madness of Korpiklaani's set. Unfortunately, Empire's new menu does not feature anything quick to prepare and digest - the dishes sounded like something you'd get at a classy restaurant, not a bar. The quickest thing we could get was hummus and pita, and even that took ten minutes, in part thanks to the bartender's obliviousness. We got the food just before Korpiklaani came on; I stuffed as much hummus and pita in my face as I could and then hurried out to the floor. If any Empire staff are reading this: bring the old menu back! When I'm about to go into the pit, I want chicken tenders and mozzarella sticks, not fine dining, dammit.
Korpiklaani was great, in spite of the stomach cramp from moshing right after gobbling food. They started with several newer songs, which were heavier and more serious than their usual jovial drinking songs, and seemed based on older Finnish folk songs (ie. melancholy songs about how much life sucks, or eerie shaman-like spell-chants). They also had a song a bit heavier than the usual Korpiklaani, with a pop-song-like chorus. Their drinking songs as well as their version of "Ievan Polkka" made up the second half of their set (although they did play "Juodaan Viinaa" as their third song). There was an almost constant folk pit/communal jig going on, including people who didn't look like they'd usually be found in a folk pit. (Alestorm still holds the title for best folk pits though.) As a special treat, in the middle of their set the violinist played a solo from the band's days as Shaman, when they made songs based on Sami folk music.
This was probably the best show of the year for me (unless Wintersun upstages them). It was everything that I had hoped Paganfest would be - great performances, and great folk pits.
Next show: Blackguard, 10/10
I hoped to see Burning Shadows open for them all as well, since I've heard about Burning Shadows (BSMetal on Facebook XD) for ages, but there was no way I could make the 5:40 start time.
As it was, I got there just as Metsatöll started, during their first song. Surprisingly, the place was already full - both the floor and the bar and merch area - and the crowd responded enthusiastically to Metsatöll. There was a pit for almost every song - a folk pit no less - even though their tempo was a little slow for moshing. (Still, I went into the pit for "Vaid Vaprust" - favorite song largely due to the video.) Their sound combined aggressive guitars with a slow, solemn singing style which I think is typical of folk songs from the Baltic area. The bag pipes could be heard loud and clear. They only played five songs; it would have been nice to hear more, but I guess the schedule was a little crowded.
Set changes happened fast that night - it wasn't long before Tyr came out. Unfortunately, their first song, a newer one, was pretty weak - the vocals weren't strong and the guitars weren't very loud. The second song was better, and at the third one, "Hall of Freedom," they hit their stride. Their newer songs sounded a bit like power metal or Manowar, with the clean vocals and fast guitars and keyboards. "Hall of Freedom" and some others also had a polka-like melody, but there was no folk pit :( Their best songs were the slightly older songs like "Tróndur Í Gøtu" and "Hold the Heathen Hammer High," fast-paced, anthemic songs which led to energetic pits. They also played a ballad which slowed their energy way down without being exceptionally epic. They would have been better off playing more of their classics like "Hail to the Hammer."
Moonsorrow was quite a change in pace, and only about half the crowd stuck around on the floor for them. They play a slower, darker vein of folk metal, with melancholy melodies interspersed with fierce guitars and growled vocals of black metal intensity. Unlike the other bands of the night, it's not music best enjoyed by jumping and dancing around, but heavy and intense enough to slowly headbang while they lead you on a musical journey through bloodsoaked battlefields and the desolation of the land of the dead. They sounded excellent, as good if not better than they did a year ago at Tuska - perhaps because they could fill the small, dark room with their sound more easily than a gigantic tent. Their third song, "Taistelu Pohjolasta," which they introduced as "a demo song from 1998," was probably the fastest Moonsorrow song I've ever heard, and there was even a pit for a bit in the beginning. To my surprise, I noticed a large part of the crowd singing along for the last song, "Kuolleiden Maa," even though the lyrics are in Finnish.
After Moonsorrow I tried to get a quick bite to eat in order to be fueled up for the folk pit madness of Korpiklaani's set. Unfortunately, Empire's new menu does not feature anything quick to prepare and digest - the dishes sounded like something you'd get at a classy restaurant, not a bar. The quickest thing we could get was hummus and pita, and even that took ten minutes, in part thanks to the bartender's obliviousness. We got the food just before Korpiklaani came on; I stuffed as much hummus and pita in my face as I could and then hurried out to the floor. If any Empire staff are reading this: bring the old menu back! When I'm about to go into the pit, I want chicken tenders and mozzarella sticks, not fine dining, dammit.
Korpiklaani was great, in spite of the stomach cramp from moshing right after gobbling food. They started with several newer songs, which were heavier and more serious than their usual jovial drinking songs, and seemed based on older Finnish folk songs (ie. melancholy songs about how much life sucks, or eerie shaman-like spell-chants). They also had a song a bit heavier than the usual Korpiklaani, with a pop-song-like chorus. Their drinking songs as well as their version of "Ievan Polkka" made up the second half of their set (although they did play "Juodaan Viinaa" as their third song). There was an almost constant folk pit/communal jig going on, including people who didn't look like they'd usually be found in a folk pit. (Alestorm still holds the title for best folk pits though.) As a special treat, in the middle of their set the violinist played a solo from the band's days as Shaman, when they made songs based on Sami folk music.
This was probably the best show of the year for me (unless Wintersun upstages them). It was everything that I had hoped Paganfest would be - great performances, and great folk pits.
Next show: Blackguard, 10/10
Thursday, February 2, 2012
Concert Recap
I'm going to post a review of Machine Head et al pretty soon (I know, my first review in what, five months? So exciting!). First though I thought I should recap what I've been doing since September. It's not that I took time off concerts, just that I was too tired/stressed/busy/lacking-in-internets, etc. to post reviews. Since my next concert is early March, we'll see if the renewed vigor lasts.
So here's what I've been doing since September:
Sabaton, A Sound of Thunder, Oct. 2011, Jaxx: Sabaton = awesome, so Sabaton live = overpowering amounts of awesome. Jumping, headbanging, shouting and singing along. Sabaton is a power metal band that focuses on historical and heroic themes, so they manage to create some seriously inspiring songs. "Uprising" was definitely the highlight of the night. Even more excellently, the amazing local band Sound of Thunder opened for them and got to play an extra long set (for a local band) so we got to hear a lot of their new music.
Anthrax, Testament, Death Angel, Nov. 2011, Ram's Head Live (Baltimore): It was great to see a legendary act like Anthrax in such a small venue. We were behind the pit but it still felt like up close and personal with metal history. Great show and massive pit. Was not a big fan of Testament before but I appreciate them more after seeing them live. We missed most of Death Angel but the song and a half that we did hear sounded good as well. (Thank goodness we didn't hear "Truce," it's an ok song but horribly overplayed on a certain xm radio station.)
Korpiklaani, Arkona, Polkadot Cadaver, Dec. 15, 2011, Jaxx: I couldn't remember who the third band on this line-up was and when I googled it I realized why. I don't really care for Polkadot Cadaver at all, I think their music just sounds bad. No epic riffs, powerful vocals, or stellar guitars. We sat out their set. Arkona and Korpiklaani were great, though, of course. I spent most of Arkona's set in the pit, and most of Korpiklaani watching two bigheaded guys ruining the pit for everyone else (by the time it occurred to me to just get in their way and mess up their turning the pit into their personal duel, the set was winding down). And I got S injured in the pit when I dragged him in - oops :( Anyway, it was fun times but not quite as good as Alestorm or Blackguard, I think.
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