Showing posts with label Vitality. Show all posts
Showing posts with label Vitality. Show all posts

Sunday, May 10, 2015

Concert Review - Shell Fest 2015 - Vitality, Aether Realm, Condemn the Infected, Frostclad - 5/9/15 at Nyumburu Cultural Center, University of MD, College Park, MD

So, this is my first review in months! I have actually been to a few shows in the meantime, but didn't review them for various reasons. Alestorm, Swashbuckle and Sekengard on January 29, but that was the night before my family's dog was to be put down, so I was in no mood to enjoy the show, much less review it. Sekengard and Isenmor the following Monday, February 2, which I started to review but never finished writing; I was still kind of out of it. And then later in February, I saw my girlfriend's band, but I can't review them if I wish to be taken seriously. I'm still trying to live down the review I wrote before she and I started dating, heh.

And then somehow a few months went by without me going to any concerts at all. Oh, I was supposed to see Kamelot and DragonForce on April 27, and wanted to see Apocalyptica on April 29, but I couldn't get away for either one. And then the Baltimore Uprising happened and that Kamelot show was canceled/ rescheduled anyway. I'm going to see them when they come around again in the fall. And I was going to go to Empire's Last Show Ever featuring A Sound of Thunder, Yesterday's Saints and Iris Divine (and some headlining band I'd never heard of) but again, couldn't get away.

So it'd been about two months since I'd even been to a concert. May was originally shaping up to be crazy with concerts, but Empire's closing wiped out several of those, and prioritizing my life removed a few others, so now the only things remaining on my calendar are NIGHTWISH, MARYLAND DEATHFEST and a folk metal show. Yes, those things are supposed to be shouted. No, I don't give a fuck if you hate me for liking COB Nightwish - they're the band that got me started on metal.

So anyway - to ease myself back into the metal life and the metal writing, a fun and free show at the University of Maryland - the UMD Metal Club's annual Shell Fest, this year featuring Vitality, Aether Realm, Condemn the Infected and Frostclad. Aether Realm is one my of favorite "local" bands - as a band from a few states away who hasn't quite hit it big yet. They're folky melodeath, or melodeath style folk/Viking metal, or something, in the vein of Ensiferum, with tones of Amon Amarth and Children of Bodom at times too. They were supposed to play at the Finntroll show at Empire in November 2013 but couldn't make it; before that, the last time (and also the first time, I think?) that I saw them was opening for Turisas that spring. So it'd been a while and more than anything else about this show, I was looking forward to seeing them again. I also recalled liking Vitality, so I figured at least half the show should be good.

Unfortunately, everything took way too long on Saturday, including finding the visitor parking on the UMD campus, and so my friend B. and I got there well after the first band, the UM Metal Club's black metal band Frostclad, finished playing. In fact, the second band, Condemn the Infected, was already playing when we got there. As soon as we stumbled upon the well-hidden Nyumburu Cultural Center, our discovery was confirmed by the sound blasting out the open doors. I immediately bumped into my buddy M and spent the rest of Condemn the Infected's set standing around in the lobby chatting with him. I had meant to watch at least a little of their set, but catching up with a friend I hadn't seen in a long time was more fun. (Sorry, folks, it seems I'm getting old and lazy..)

Speaking of people I hadn't seen in a while, Vincent of Aether Realm actually recognized me and said hi. When they were getting ready to play is when M. and B. and I finally abandoned our barricade of the water fountain and went into the room where the bands were playing. It was like a large, high-ceilinged classroom, with a hard tiled floor and a low stage at the far end. There were about forty people on the floor for the two bands I watched, loosely filling the front half of the room, a nice turnout for a hard-to-find venue on a night when two other local shows were happening. The sound was actually pretty good, too; no complaints there.

After numerous false starts/ sound checks, and jokes about being done and leaving the stage, Aether Realm finally got started. The first two songs  ("The Magician" and "One Chosen By The Gods") sounded all right, but I thought they really hit their stride with their third song, "Swamp Witch," and the fourth song, their new single "The Chariot," sounded exceedingly good and tight. Epic riffs warred with tremolo black metal guitars, and the vocals reminded at times of Alestorm and at times of Alexi Laiho. They like to joke around and act silly saying things like, "This is..um.. a song," but once they actually start playing you can tell they take the music seriously, at least. Surprisingly they only played five songs, when it had seemed like Condemn the Infected played for an hour. It was fun though - there was a strong pit, ten to fifteen people, for almost every song, as well as some headbanging lines that stretched almost across the whole floor.

Last band of the night was Vitality from Frederick, MD. I had seen them a year and a half ago at Cafe 611 opening for Arkona. Perhaps the sound there was poor, for this time they were much more brutal and less melodic than I remembered. There were more battering drums and hammering guitars than I recalled, and the vocals were that sort of low roar that sounds almost wordless, it's so incomprehensible. They did have some groovy parts, which were fun. Also, I kept getting distracted by how closely their guitarist Chris resembles by friend S. Chris is taller with longer hair and able to play guitar, but his face, facial hair and hair type are so much like S, and the expressions he makes while playing guitar are spot on like S's expressions (when not playing guitar), that I couldn't help giggling whenever I saw his face (which wasn't often as there was usually a curtain of hair in front of it). I talked to him after their set (and up close, sporting a man bun and with a distinct voice, he's not so reminiscent of S) and it turns out he actually knows S! Go figure, haha.

Being that it was a college campus, the show was over around 10:30, but we hung out till about 11, chatting and pestering Aether Realm about merch. Between meeting up with friends, seeing the long-lost Aether Realm, and hanging out in a chill metal atmosphere, it was a really fun night.

Wednesday, October 30, 2013

Concert Review - Arkona, Fallen Martyr, Yesterday's Saints, Burning Shadows, Vitality, Divine Conspiracy - 10/28/13 at Cafe 611, Frederick, MD

This was the first stop of Russian folk metal band Arkona's headline world tour. I was super excited to see them play a whole set. We've seen them open for bigger folk metal acts, but their set has always been short and rushed. Not only that, but since they were playing at Cafe 611, a tiny venue with a stage barely raised off the floor and barely big enough to hold a band, I knew we would be up close and personal with the band - especially Masha, the singer, who is one of my metal idols.

There was a pretty strong line-up of local bands warming up the crowd - the downside to that being that the show ran about an hour late, and so an already late start time for Arkona was pushed back to about midnight. We planned to get there sometime during Vitality's set in order to make sure to see Burning Shadows, but when we arrived sometime after 8, the first band was just going on >.<

The set-up was also interesting, because Arkona's drum kit had already been set up and was taking up about half the stage, which meant that for most of the opening bands, their drum kit took up the other half of the stage, the guitarists stood on the sides, and the singer was on the floor with the crowd - sometimes in the crowd. In fact, the first band had all their equipment set up right on the floor.

The first band was Divine Conspiracy, a three piece outfit. I heard people saying that it was their first show, and I believe the singer backed up when I talked to him later. Just as we came in, they launched into something very punk rock sounding. Then they did a System of a Down cover, which I didn't really listen to. I believe their third song was an original, and it sounded pretty energetic, although I couldn't hear much other than the bass. When I could hear it, the lead guitar (played by the singer) sounded pretty great. They ended with a Slayer-paced cover of Pantera's "Fucking Hostile"; the singer/guitarist's speedy playing was a little more audible in this song. He definitely has skills, but they need to work on their sound mixing.

Next was Vitality, whom I had somehow mentally confused with Vital Remains. Once they took the stage, though, it was immediately clear that they look and sound completely different from that band. As soon as they launched into fast melodic riffs and aggressive vocals alternating between a high rasp and guttural growl, I wondered how come I never heard of them before. I was also amazed at the low growls emerging from the rather diminutive and normal-looking singer - although I really should know better than to judge by appearances! S kept comparing them to Black Dahlia Murder, and I can see the comparison in terms of style, but their pace was more moderate than BDM's frenzy. They only played three songs. Hopefully we'll be seeing more of them.

Then came Burning Shadows, a power metal band that I've been trying to see for years. We always seemed to arrive too late to shows they were playing, but this time we finally made it. They started off with something from their latest album, Gather Darkness - I think it may have been "A New Dark Age." They played three songs total, and they all seemed rather long. When listening to the album Gather Darkness, I found the vocals a bit overly pompous, but this effect was diminished in the live setting, and they had some headbang-inspiring thundering power metal bridges. There was a headbanging section on the left side of the floor that was pretty into their music; I might have been up there too if I hadn't been hanging out with people. They exceeded my expectations, so I hope it's not years before I see them again.

After that was Yesterday's Saints, another band we've been trying to see for a while. During their set, we moved to the floor and I tried out wearing earplugs, since S insisted I would need them if I wanted to go up close for Arkona. The earplugs were a terrible experience - as I expected, everything sounded muffled, the singer's voice sounded distant, the bass was just a blur of low noise and I couldn't hear the guitar at all. By the end of the set I decided I wasn't going to waste my time not hearing the music and took them out. Even without earplugs, though, the bass and guitar sounded like a confused roar, and the singer's vocals were so low, he might as well have been singing without a mic. I heard him complaining about the sound afterward and I don't blame him. Fortunately he had a powerful voice, both for growls and clean vocals, so I was able to hear him, but the vocals didn't quite have the bad-ass or soaring effect, respectively, that they would have if the volume matched the instruments. They played three songs total, including a new song that the singer warned might not be quite polished, but at the least it didn't sound any worse than the rest of the set. The singer got into the crowd a couple times, and even tried to start a pit at one point, but people didn't seem to be having it. It was kind of a disappointing experience with the earplugs and the sound issues, since it seemed like some cool heavy stuff was going on. I guess we have to continue our quest and try to see Yesterday's Saints again, without sound problems.

The last local band was Fallen Martyr, which, ironically in contrast to the previous two elusive bands, is a band that I have seen several times and have never been able to get into. This time, though, I was actually able to enjoy their set a little. I'm not sure if it was that I got drunk during their set, that I'm finally getting used to the agonized vocals or that said vocals were being halfway drowned out by the guitars (which, by the way, are excellent and are Fallen Martyr's saving grace). I think they played four songs; the first was "Soul Left Bare" (whose chorus is among the more bearable of their songs and always makes me think of Paradise Lost's "Faith Divides Us...Death Unites Us" just because of the lyrics) and the last was "Body of Light" (whose repetition of the words "I rise" led me to troll S with talk of the Batman).

During Fallen Martyr's set, a guy came up to me and asked me, in all seriousness, if I was Masha and said I looked just like her. Best compliment I've ever gotten :D \m/

And then at last Arkona. As soon as the sweeping intro started, I totally forgot the lateness of the hour. I had worried that the folk instruments or melodies might be drowned out on Cafe 611's sound system, which is usually tuned to rumble as though made for bass-heavy death metal bands, but in fact they sounded perfectly clear, at least from the center of the floor, front to back. I spent some time getting as close to the stage (and Masha) as possible, but much more starting mosh pits and jigs. There was a core of three or four guys and three other girls who could be relied on to get moving when the music got fast or polka-y. Most of the crowd pressed up to the front of the floor, leaving the pit in the back; I never did get all the way up to front like I hoped.

They started off fast and heavy with "Arkaim" and I couldn't resist pushing a friend around and starting a pit. That song has some great headbanging grooves, too, and Masha got everyone clapping for the more melodic parts. While the crowd wasn't the loudest, they were very willing to clap, fistpump and shout "Hey!" (and the band had us doing a lot of all three, so much my arms are still sore) and the crowd even sang along and jumped along with the band for some parts. The floor was about half full, but people were packed pretty tightly up at the front. The sound was perhaps not quite as rich as their recent live album Decade of Glory with its backing choir and orchestra, but this was a tiny venue in Frederick after all. The guitars were heavy, thundering in the fast parts; the bagpipes and recorder melodies floated over them nice and clear; and Masha's vocals were commanding or naturally beautiful, depending on the circumstance. It is pretty amazing how the band can go from flowing folk singing and wind melodies to black-metal-like furious guitars and drums and dark, harsh vocals; I think the variety, along with the earthy feel of the folk parts and the intensity of the harsh parts, is one of the reasons I like Arkona so much. They played most of the "classics" people would expect like "Goi, Rode Goi," "Slavsia, Rus," "Arkona," "Yarilo," and "Stenka na Stenku" as well as "Maslenitsa," "Po Syroi Zemle," and "Slovo," with "Rus" and "Kupala i Kostroma" as the encore, and also some other songs I can't name off the top of my head. (Someone has posted a setlist.) About two thirds through the set, the rest of band took a break for a bagpipe solo. As at Paganfest last year, Masha called for a wall of death for "Stenka na Stenku"; unlike at Paganfest, this time she had time to make herself understood and so it actually happened. Even though I said beforehand that I didn't think I could orchestrate a wall of death, I did have to goad people to line up for it, and then finally took part in my first honest to god wall of death. A lot of people got into and fell down in the crazy pit right after that. I hope we did Masha proud :P

Masha was getting pretty pink by the end of the set, and on the last song ("Kupala i Kostroma") she sounded a bit weak - that was probably the only weak point in the whole set. It's got to be difficult performing under those lights in furs. I was a tiny bit disappointed that they didn't play "Pokrovy Nebesnogo Startsa" (a great moshing song) or "Vyidu ya na Volushku" (which has a lovely folksy melody) but I had such a great time with the songs they did play, I could hardly complain about missing songs. Actually, it seems like all the songs they played are on their Decade of Glory live album, which would make sense, if they consider those songs their "hits."

I realized it was a long time since the last folk metal show - even this year's Paganfest doesn't really count, since most of the bands were more epic-riff Viking metal rather than folk metal chock full of folk instruments and melodies - so it was a while since I'd experienced a good folk pit. Arkona was an awesome cure to that! The band put on a great show, and the crowd made it really fun too. Like the last show at Cafe 611, the local line-up was also solid, keeping me well entertained till the headliner finally came on. Now, I just wish I wasn't operating on 3 hours of sleep, still..

Next show: Next Monday - Finntroll, Blackguard, Metsatöll and more awesome locals! Another chance at Yesterday's Saints, as well as North Carolina vikings Aether Realm and a new folk metal band from Maryland, Sekengard.

Monday, September 5, 2011

Sanhedron, Sixteen Cylinder, Vitality, Fallen Martyr, BLACKGUARD - 8/24/11 at Krug's Place, Frederick, MD

I was pretty excited when I found out that as warm-up for their tour with Kamelot, Alestorm and The Agonist, Blackguard would be doing a headlining show in my area. (If you don't know why I'm crazy about Blackguard, read this post.) They'll play a whole set, I thought, which means a bunch of their old stuff! (These days they tend to mainly play songs from Firefight, their latest album, with a few old ones thrown in along with a comment about their fans who've followed them since the beginning of time and how they used to be a folk metal band, which always causes me to throw the horns and yell, "FOLK METALLLLL!" Although before that, they were a black metal band.) But anyway, I digress.

Well, this show started late. By the time we managed to get our butts in gear and get out the door (and stop by Giant for supplies..) it became clear it would be past 9:00 when we got to Frederick. We figured we were going to miss most of the opening bands, which made me sad since the tiny samples that Sixteen Cylinder put up online sounded pretty tempting, and I wanted to hear some full songs from them. But it turned out the show, which was supposed to start at 8, didn't start till 9. We missed Sanhedron, but Sixteen Cylinder was on when we got there.

Sixteen Cylinder is an insanely heavy band, with a little industrial flavor particularly at the beginnings of their songs, and also a female vocalist with a great voice. I was glad we got to see them, disappointed that they didn't have any CDs or merch for sale. I guess they're just working on their first album. They had an amazing, loud and heavy sound for a band that's so new they don't even have an album or full song samples.

After Sixteen Cylinder, we skipped out for a bit. Krug's place is more of a bar and restaurant than a real concert venue - there was plenty of seating, as well as pool tables, in the bar area to the left, and the room to the right where the bands played was jammed with tables, chairs and five bands' gear. The "floor" area was so tiny and the "stage" so small and low, that it was wonder none of the moshers crashed into any of the band members. Things at the venue were pretty relaxed, so it was easy to go in and out..so figuring we were in for a long night, we left and got some fries.

When we got back, Fallen Martyr was on. We missed Vitality, whom S. would have liked to see, but I was not that excited about. Fallen Martyr has a pretty nice sound, and they sound more intense live than on their recordings, but they're still missing something. Their songs tend to be long and ramble a bit, with lots of different pieces that don't quite come together. They have epic and heavy guitars, but the singer doesn't quite live up to the rest of the band. He has a nice voice, but in my opinion he doesn't sing strongly enough - although this was better live than on the recordings; S. thought he would be more suited to a different music genre.

By the time Blackguard finally came on stage - I think it was near midnight, I didn't even dare look at my watch cause I had to go to work the next day - there were only ten or so people left in the floor area. We chatted a bit with Terry (guitarist) earlier in the show, and found out that since Kim (lead guitarist) couldn't make it, they were not going to be able to do any songs from their Profugus Mortis days, only a limited set that the guest guitarist (someone from Destrophy \m/) had learned. And then since they came on late, they announced they were only going to play a short set :(

They started with "Firefight" like usual. I felt like there was something off about the song, but maybe that's just from listening to the album version too many times. Even with a small crowd in a small space, they sounded loud and awesome, and they used the low stage to their advantage - the bassist got on the floor a couple times to join in the pit, and Paul put his hand on people's heads and gave one avid fan the chance to sing into the mic. The highlight of the night for me was that they played "Sarissas," my second favorite song from the new album and one that they don't usually play live; I said to S., "If no one else starts a pit for this song, I think I'll have to." No one else did - so I ran into a bunch of big dudes, who looked at me like I was crazy - I'm female and kind of small, so I don't think they believed I was serious. I couldn't get a real pit going for that song, but I joined in a few more and tried to start a folk pit for "Allegiance." (More about folk pits in the next review XD) Overall, the expected solid, fun performance from Blackguard, and it was just too bad that there weren't more people there to hear them. (S. commented that the advertising for the show and for Krug's Place in general was pretty nonexistent.)

Next review: I believe the one I will post after this is Kamelot, Alestorm, BLACKGUARDDDDD and The Agonist, from 8/27/11