Concert Review - Shell Fest 2015 - Vitality, Aether Realm, Condemn the Infected, Frostclad - 5/9/15 at Nyumburu Cultural Center, University of MD, College Park, MD

So, this is my first review in months! I have actually been to a few shows in the meantime, but didn't review them for various reasons. Alestorm, Swashbuckle and Sekengard on January 29, but that was the night before my family's dog was to be put down, so I was in no mood to enjoy the show, much less review it. Sekengard and Isenmor the following Monday, February 2, which I started to review but never finished writing; I was still kind of out of it. And then later in February, I saw my girlfriend's band, but I can't review them if I wish to be taken seriously. I'm still trying to live down the review I wrote before she and I started dating, heh.

And then somehow a few months went by without me going to any concerts at all. Oh, I was supposed to see Kamelot and DragonForce on April 27, and wanted to see Apocalyptica on April 29, but I couldn't get away for either one. And then the Baltimore Uprising happened and that Kamelot show was canceled/ rescheduled anyway. I'm going to see them when they come around again in the fall. And I was going to go to Empire's Last Show Ever featuring A Sound of Thunder, Yesterday's Saints and Iris Divine (and some headlining band I'd never heard of) but again, couldn't get away.

So it'd been about two months since I'd even been to a concert. May was originally shaping up to be crazy with concerts, but Empire's closing wiped out several of those, and prioritizing my life removed a few others, so now the only things remaining on my calendar are NIGHTWISH, MARYLAND DEATHFEST and a folk metal show. Yes, those things are supposed to be shouted. No, I don't give a fuck if you hate me for liking COB Nightwish - they're the band that got me started on metal.

So anyway - to ease myself back into the metal life and the metal writing, a fun and free show at the University of Maryland - the UMD Metal Club's annual Shell Fest, this year featuring Vitality, Aether Realm, Condemn the Infected and Frostclad. Aether Realm is one my of favorite "local" bands - as a band from a few states away who hasn't quite hit it big yet. They're folky melodeath, or melodeath style folk/Viking metal, or something, in the vein of Ensiferum, with tones of Amon Amarth and Children of Bodom at times too. They were supposed to play at the Finntroll show at Empire in November 2013 but couldn't make it; before that, the last time (and also the first time, I think?) that I saw them was opening for Turisas that spring. So it'd been a while and more than anything else about this show, I was looking forward to seeing them again. I also recalled liking Vitality, so I figured at least half the show should be good.

Unfortunately, everything took way too long on Saturday, including finding the visitor parking on the UMD campus, and so my friend B. and I got there well after the first band, the UM Metal Club's black metal band Frostclad, finished playing. In fact, the second band, Condemn the Infected, was already playing when we got there. As soon as we stumbled upon the well-hidden Nyumburu Cultural Center, our discovery was confirmed by the sound blasting out the open doors. I immediately bumped into my buddy M and spent the rest of Condemn the Infected's set standing around in the lobby chatting with him. I had meant to watch at least a little of their set, but catching up with a friend I hadn't seen in a long time was more fun. (Sorry, folks, it seems I'm getting old and lazy..)

Speaking of people I hadn't seen in a while, Vincent of Aether Realm actually recognized me and said hi. When they were getting ready to play is when M. and B. and I finally abandoned our barricade of the water fountain and went into the room where the bands were playing. It was like a large, high-ceilinged classroom, with a hard tiled floor and a low stage at the far end. There were about forty people on the floor for the two bands I watched, loosely filling the front half of the room, a nice turnout for a hard-to-find venue on a night when two other local shows were happening. The sound was actually pretty good, too; no complaints there.

After numerous false starts/ sound checks, and jokes about being done and leaving the stage, Aether Realm finally got started. The first two songs  ("The Magician" and "One Chosen By The Gods") sounded all right, but I thought they really hit their stride with their third song, "Swamp Witch," and the fourth song, their new single "The Chariot," sounded exceedingly good and tight. Epic riffs warred with tremolo black metal guitars, and the vocals reminded at times of Alestorm and at times of Alexi Laiho. They like to joke around and act silly saying things like, "This is..um.. a song," but once they actually start playing you can tell they take the music seriously, at least. Surprisingly they only played five songs, when it had seemed like Condemn the Infected played for an hour. It was fun though - there was a strong pit, ten to fifteen people, for almost every song, as well as some headbanging lines that stretched almost across the whole floor.

Last band of the night was Vitality from Frederick, MD. I had seen them a year and a half ago at Cafe 611 opening for Arkona. Perhaps the sound there was poor, for this time they were much more brutal and less melodic than I remembered. There were more battering drums and hammering guitars than I recalled, and the vocals were that sort of low roar that sounds almost wordless, it's so incomprehensible. They did have some groovy parts, which were fun. Also, I kept getting distracted by how closely their guitarist Chris resembles by friend S. Chris is taller with longer hair and able to play guitar, but his face, facial hair and hair type are so much like S, and the expressions he makes while playing guitar are spot on like S's expressions (when not playing guitar), that I couldn't help giggling whenever I saw his face (which wasn't often as there was usually a curtain of hair in front of it). I talked to him after their set (and up close, sporting a man bun and with a distinct voice, he's not so reminiscent of S) and it turns out he actually knows S! Go figure, haha.

Being that it was a college campus, the show was over around 10:30, but we hung out till about 11, chatting and pestering Aether Realm about merch. Between meeting up with friends, seeing the long-lost Aether Realm, and hanging out in a chill metal atmosphere, it was a really fun night.

Concert Review - Agalloch, Vex, Cladonia Rangiferina - 6/28/14 at Empire, West Springfield, VA

Last month (actually, month before last by now) I got to see Agalloch at Maryland Deathfest. I mean that quite literally - even from where I was standing, toward the back of the crowd, I could see the stage quite clearly. I could hear them, too, in a general sense - but there was so much chatter around me, it was impossible to get into their ethereal atmospheric sound. My main impression of their set at MDF was the stage bathed in blue-green light, and how fitting that was.

So I was pretty excited when plans were made and it seemed I'd have the chance to see them again - and hopefully actually hear them this time - at Empire. Unfortunately, plans changed, I had to stay home till after the kid's bedtime, bedtime ran late, and I got to the venue after Agalloch had already started. So I completely missed Vex and local band Cladonia Rangiferina.

The ticket price was totally worth it for Agalloch alone though. I spent most of the set leaning on T's shoulder and letting the music wash over me - dreamy, gentle melodic passages or cascades of blastbeats and tremolo guitar. We were standing near the front - about the fourth row - which isn't normal for me, since I don't like earplugs. They tend to deaden the sound, and if that had been the case for Agalloch I would definitely have moved back, but it turned out to be all right. I can really only recognize one Agalloch song - the haunting and lovely (and somewhat gruesome, if you read the lyrics) song "Limbs" - and that was the second song they played after I came in (I think I only missed one song). It was a transcendental experience to hear that song live, although some of the melodic, beautiful parts were lost in the rumble of bass and drums up near the front. I worried that other songs, where I couldn't fill in the softer bits from memory, would sound like just a blur, but that turned out not to be the case. I even enjoyed the intensity of the drums in some spots where their thunder was quite impressive.

The whole stage was so wreathed in smoke that even just a few rows back from the stage, the musicians were indistinct at times. It made for a cool effect, but unfortunately made me cough - and the cough continued into the next day, which was unsettling. I thought I caught a whiff of incense, too, which was a nice touch. Adding to the atmosphere, as the band left the stage before the encore, one of the guitarists left his guitar on, so that the room was filled with a buzz of distorted sound, like auditory fog to go along with the visual. They ended the set the same way, with drawn-out waves of distorted guitar; it was quite the performance. T commented that the one guitarist seemed "vaguely worshipful" of his guitar, holding it reverentially aloft and holding it out the audience - that added to the spiritual feel of the performance.

As with Alcest last fall, there were definitely several songs where, as the final chord faded out and the crowd broke into cheers and applause, I felt like I was waking from a peaceful dream. Which just goes to show that Agalloch was doing their job, since that's exactly how one should feel at such a show <3

I'm not sure what/when the next show will be. At the moment noveling is up and concerts have slipped a bit down my list of priorities..

Concert Review - Maryland Deathfest XII, Edison Lot, Friday, May 23, 2014 - Baltimore, MD

I've waffled about going to Maryland Deathfest for a couple years now - I mean, it's right here in my home state, yet somehow I've never been interested enough in enough of the bands to justify the ticket price. But this year, the stars aligned and almost all the MDF bands I would have wanted to see ended up playing the same venue on the same day. How could I not go??

One of the bands I most wanted to see, Mgła, was fairly early in the running order (3:45) so I headed up right after lunch, aiming to get there with an hour to wait in line, if necessary. I probably got there in about that timeframe. For someone reasonably familiar with Baltimore, finding the Edison Lot was not difficult - but finding the gate to the parking lot was a pain >.< At the entrance to the venue, the street to the lot was closed, and knowing Baltimore, trying to go around meant making a bunch of weird turns, but finally I found the parking lot by sheer luck. Only to discover they had increased the price from $10 to $15 (perhaps because there were ball games in town that day, too, but still that was irritating, since I thought I was going to have to come back the next day and drop another $15 into parking >.<)

The line was actually not that bad. It had only just started to wrap around the venue when I got in it, and it also started moving (slowly, but steadily) almost as soon as I got in line. Besides, there was an entertaining European guy nearby complaining about various things, like not being able to drink beer on the street ("It's the land of the free! Liberate the beer!") And New York math metal or black metal band Castevet started up as well ("This is good for the soul," someone near me commented), and they sounded pretty good. Their live sound had more of an intense black metal sound than I expected from their kind of light, atmospheric/prog rock type songs I'd heard ahead of time.

I'd say it was about 3:30 when I actually got into the venue. I really needed to find the portapotties, but not seeing them, I decided to go pick up my pre-ordered MDF shirt first, since I did see the tent for that. There was barely a line and it took just a couple minutes for me to obtain my shirt (maybe a photo tomorrow, cause I'm gonna wear it to tomorrow's show :) ) Then since there were a bunch of merch tents, I wandered on looking at the stuff - lots of CDs, shirts, patches and some books. Didn't find anything I wanted on first glance, but then again I was going kind of quickly since I knew Mgła would be on soon.

The merch tents formed a sort of aisle immediately to the left when one came into the venue, dead-ending inside a tent, which was where the books were. Past that corridor of merch was a big open blacktop with a stage facing the entrance (Stage A) and another stage at the far left by the highway overpass (Stage B). The lot extended under the overpass and there were a few tables in the shade there; I guess that was the shady area for any overheated metalheads to recover. Although I hadn't been following any debate that may have happened, I did notice that MDF announced there was supposed to be a "shaded" stage where the black metal bands that had to perform in daytime (oh, the horror) would play, but neither of the stages was actually in the shade. However, there was a difference, as the photos will show. (I brought my crappy digital camera which is literally ten years old and snapped some pictures, just because I could..)

At this point I was a little flummoxed as to where the portapotties could be, so I headed back toward the entrance, and there I finally found them, tucked away in a nook to the right of the entrance (when coming in) where it had been pretty much impossible to see them on the way in. I suppose it was an ok spot for them, but they could have had a sign or something making the location more obvious.

That quest completed, it was time for the fun to begin, starting with the second band of the day, Mgła.

Polish black band Mgła was the band that convinced me to attend MDF - when I reviewed them for DC Heavy Metal, I knew I had to hear this band if I had a chance. That was what led me to look at the MDF running order at all, and to realize that Friday in the Edison Lot was absolutely perfect. As soon as I'd gotten the day off work, I bought my ticket. It was a great decision. Unfortunately Mgła's performance wasn't the shining highlight I'd hoped. They're heavy on atmospheric guitar work that tends toward groovy or even climbs to soaring, but at MDF, the guitars were somewhat drowned by reverberating bass and hollow-sounding drums. (Mind, I was standing kind of toward the back of the crowd, since I feared my earplug-less ears couldn't handle the sound closer - but perhaps I should have tried.) Fortunately, the vocals were nice and clear at least, and the groovy melodic guitars were so headbangable, if a bit hard to hear when the drums and bass were going. My favorites were "With Hearts Towards None III" ("And you shall know perdition / And it will set you free... With hearts towards none"), with its long waves of atmospheric and mostly audible guitar riffs, and "With Hearts Towards None VII" ("Always downwards - and towards / the farthest sides of the north"), with its furious, relentless tremolo riffs.

Mgła. This is pretty much all they did during their whole set. They must have been roasting - in hoodies and leather jackets. Also, I never noticed before that they also perform with their faces covered. Every now and then a fog machine would waft a cloud of fog across the stage but unfortunately I could never get my camera out quick enough to capture it..

They were followed up by another atmospheric black metal band, Germany's The Ruins of Beverast. I'm not terribly familiar with this band - they're a little weird for my tastes - but I find them intriguing all the same. When they're not freaking me out (or even when they are), they can be very good at building an eerie atmosphere, with churning, slightly discordant guitars, usually laced with some creepy whispers or anguished cries along with the snarls and demonic rumblings of the vocalist. Unfortunately, they started out with same problems as Mgła, the drums and bass drowning out the guitars. At several points, the guitarists must have been doing something awesome cause they were headbanging wildly, but I couldn't hear the guitar part at all (so it was even worse than Mgła). As their set went on, the sound got a little better and I started being able to hear the guitars, although I still felt that perhaps both this band and Mgła might have sounded better indoors. A dark, enclosed space would have been more atmospheric, too. But then, that wouldn't have been much different from a regular concert; being outside in a festival environment was somehow more exciting.

The Ruins of Beverast. It is noticeably lighter on Stage A.

Germany's Necros Christos was up next, and they sounded pretty good, but I wanted to look at the merch again, so I went and pored over patches and CDs while they thundered on the other side of the tents. I mostly got stupid stuff that I didn't really need, so I'm not going to talk about it (oops), and a present for someone.

After that was another of the bands that I really wanted to see, Sólstafir from Iceland. Considering how Mgła and Ruins of Beverast sounded, I was bit worried how Sólstafir's subtle and dreamy guitar work was going to come across in the festival setting. But to my great joy, their sound was perfect - you could hear every note of their delicately layered sound. They only played 4 songs (not counting the intro), but I guess that's what happens when your songs are all 10+ minutes long. After the intro ("Náttfari"), they started off with the opening track of Svartir Sandar, "Ljós í Stormi." Hearing the haunting guitar passages live quite literally gave me chills. They followed that up with the title track "Svartir Sandar," which has the same dreamy atmosphere but a little more momentum in the guitars, and a pretty melodious segment toward the end, and then the song I was dying to hear, "Fjara." I was afraid I might weep during this song, but honestly it wasn't quite as intense live as it is listening to it on the album - although it was still intense. They finished with "Goddess of the Ages," a song I was not familiar with, but it fit with the feel of the songs from Svartir Sandar in terms of atmosphere and emotion. Their set was over far too soon, although I was satisfied to have heard "Ljós í Stormi" and "Fjara." Seeing as their headline show in this area was cancelled, I can only hope they'll make it over here on another headline tour sometime soon!

Sólstafir. I got pretty close for these guys and somehow it didn't hurt my ears.

Showin off his boots?

As soon as they finished, everyone headed over to Stage B for Norwegian black metal band Taake; I hung back for a bit but eventually joined the crowd in front of the stage, since someone told me this band was good. They sounded like Mgła should have sounded, their first song anyway - the atmospheric guitars nice and clear, the drums crisp but not overwhelming. The next song was thundering, and the one after that had quite a rock vibe. They seemed to play for a long time, much longer than Sólstafir. Overall they were very groovy and headbangable, and I enjoyed them more than I expected.

Taake. Wish I'd gotten better pictures, but you can kind of see the band's corpsepaint and the singer's cloak.

After that it was time for a dinner break during Cancer's set. I honestly didn't pay much attention to Cancer at all; I was busy chowing down on delicious barbeque and texting people about a big interview, Drudkh albums, and the fact that someone gave me passes to a strip club XD And then I went and grabbed a Drudkh CD just before Agalloch came on.

Oregon's atmospheric, blackish post-metal act Agalloch was every bit as amazing as I hoped, but I had trouble getting into them at first, because I was standing at the back waiting for someone and people around me were talking, which made it hard to get into the atmosphere of the music. Gradually I moved up closer and managed to sink into the lovely and melancholy cascades of guitar a bit more. It was also starting to get cold, which was a little distracting.

Agalloch. This was the least blurry photo I had. My camera just sucks for night photos. I didn't even try for At The Gates. Agalloch's lighting was very nice though - a lot of this bluish green stuff, very fitting for their chill music.

After Agalloch finished there was a bit of a break before the headliner, Sweden's melodic death metal legends At The Gates, took the stage. They started off just decent - heavy, agressive, but not very melodic. I was standing next to expert metalhead Metal Chris (of DC Heavy Metal) and he commented the lead guitar was just about inaudible. "There's supposed to be a solo here, but you can't hear it." The band noticed, too, because they paused after the first song to correct the technical difficulties - Metal Chris was of the opinion that the lead and rhythm guitar were switched somewhere. It probably took them a good ten minutes to fix that, but it paid off as the rest of the set sounded great. The largest proportion of songs seemed to be from their last album, Slaughter of the Soul, and these, along with songs from the previous album Terminal Spirit Disease, were full of raging melodies that made me want to push people around (but I was hardly going to go in the pit at MDF; I'd get squished like a bug!). Older songs like "Windows" and "All Life Ends" were face-smashingly brutal, but I preferred the more melodic ones. For being pretty new to actually listening to At The Gates (they're one of those bands that I just always assumed had to be good, since they're so legendary) I enjoyed the set a lot more than I thought I would. I'm sure there was a pit somewhere, but from my place near the back I couldn't really see people moving that much - but me, I was throwing my hair around like crazy to their furious melodic riffs. I didn't come to a metal festival to not headbang!

After they finished, I hung back away from the gates (I know, I am the worst) letting most of the mass exodus get out of the way. Getting lost leaving the parking lot, lane closures on 95 and needing to stop for coffee meant it was nearly 1am when I got home, even though ATG finished playing before 11 (this in spite of the time spent on technical problems, but they didn't play an encore, so maybe part of their set got cut off due to curfew or something..) I didn't mind too much though. For my first Maryland Deathfest, and my second ever metal festival experience, I thought it was just awesome. Being surrounded by metal people and metal music and metal things was just amazing, the atmosphere was so charged and full of energy. Although going with people would have been nice, in a way I'm also glad I got to go alone, because I experience things so much more profoundly that way, and this was an experience worth soaking up without missing a second. I can only hope next year's MDF features a similarly awesome line-up so I can go again!

Next show: A Sound of Thunder, Iris Divine, MindMaze and Metanium at The Pinch - tomorrow! (Or is it today by now? :P The show is Friday, June 6.)

Between The Buried And Me, Deafheaven, Intronaut, Kindred - 2/20/14 at Empire, Springfield, VA

A little while ago I discovered Deafheaven, crazily enough, through hearing their song "Dream House" on XM radio. Wtf? I thought. No way are they playing something this atmospheric and lovely! But they were, and when I got to work I had to check out Deafheaven more, and fell even more in love. They're up there with Alcest for harshly beautiful, trance-inducing music. So when I found they were touring, I had to go. Even if it meant buying a ticket to Between The Buried And Me.

Deafheaven was the only band I really cared to see, so I didn't bother taking time off work, which meant I got to Empire around 8. Somehow, there was still a line to get in (doors were at 6:30, I think). The show was sold out. By the time I got in, Intronaut had started, and I had my dinner of black bean burger with them as background music. They made good background music - not very distracting, as they were far too slow to hold my interest. I woulda just preferred eating my dinner somewhere with less people. The place was packed.

I met a fellow Alcest fan and we talked for a bit before Deafheaven. Then, the San Francisco-based black metal band took the stage with "Dream House." (It's the only song I can recognize, since they play it on the radio; the rest of the songs blend together into one long cascade of loveliness.) They sounded amazing, and transfixed the crowd. Being near the back, I decided I should kneel on a stool in order to see, and I was a bit distracted trying to keep my balance, so I couldn't quite go into a trance like when I saw Alcest, but there were still parts that carried me away. I had just gone through a rather difficult personal episode, but hearing Deafheaven live purged all the negativity and made me feel so uplifted and alive. I could even forgive their, erm, not very metal appearance with short hair and random shirts (not even black..what sort of black metal is this) by how into it they were. Headbanging (sans hair), the singer and one guitarist dancing around to one melodic part, and the singer getting up close and personal with the crowd. At one point it looked like he was hugging people in the crowd, and he definitely threw himself onto the crowd briefly near the end of the set. It was intense. I only wish I had been able to get a better spot so I could have gotten more into the feel of it, but at least I got to see the band clearly from my precarious perch.

I stayed for a few songs of Between The Buried And Me. I owed it to a friend who really likes them. For her sake, I had tried a couple times to listen to them, but just could not get into them because of the chaotic segments in their music. They'd be doing something lovely or heandbangable with the guitars, and then suddenly go crazy and sound like a mess. Unfortunately, it was even worse live. During the discordant segments, I was almost in physical pain; it was like my soul was being destroyed. It quite possibly wiped away all the good vibes I got from Deafheaven. The ending of the second song was decent and I decided, that's it, gonna leave on a good note. Walked back to the car wishing I had brought my Deafheaven cd so I could get the good vibes back.

I was still glad I went, though. Seeing Deafheaven was worth it.

Next concert: Face-Melting Friday Melodic Metal Edition at the Sidebar, 2/28

Amon Amarth, Enslaved, Skeletonwitch - 1/31/14 at Fillmore, Silver Spring, MD

First show of the year, and I don't even get to it until a week later. That's just my life.

Well, so we went to see Amon Amarth. They were one of the first metal bands I got into, so I think they'll always be one of my top bands :) Besides, Johan Hegg is one of my idols as far as vocals go. I wish I could growl like him. (But since I'm a girl, I don't think my voice will ever be able to go that low.) I was actually looking forward to Enslaved more, though, because they were amazing last time we saw them. I didn't care much about Skeletonwitch; they're better than decent, but I wondered why they couldn't find another Viking-themed band for this tour.

When we got to the venue, they were screening the video for "Father of the Wolf." We were with S's brother and niece, and I tried to convince them to go in and watch the video, but they were hesitant for a while, so the video was almost over by the time we actually went into the stage area.

Not soon after, Ohio's blackened thrash outfit Skeletonwitch took the stage. The Fillmore's stellar sound system did them justice - they sounded better and clearer than I've ever heard them. I got a sort of death metal vibe from them this time, although that may have just been the thundering sound. They definitely did have an Amon Amarthy vibe to some of the leads though, with an epic or rolling sound. I noticed some thrashy and black metal moments, too, but my overall impression was much more groovy and melodic than I remembered them being. So it was a pretty entertaining set.

The experience of seeing Norway's progressive black band Enslaved was also different from the last time we saw them. Then, we saw them at the rather small Ottobar in Baltimore. We were probably less than twenty feet away from them, and they clearly towered over everyone in the venue (they're all incredibly tall, either that or they wear tall shoes). This time they were just distant figures, dwarfed by a large stage. They got off to a slow start with newer songs from Riitiir, but things intensified with "Ethica Odini." And two songs after that, I was very glad to find that they're still playing one of their oldest songs, "Allfáðr Oðinn," which is one of their best - it's my favorite, anyway. "Riitiir" also sounded surprisingly good. With the bigger venue and shorter set, their performance was not as intense as when we saw them at Ottobar, but I still enjoyed it.

We wondered what props Amon Amarth, Sweden's death metal Vikings, would have, considering that last time we saw them, they brought along a whole Viking ship. They turned out not to have much, just some banners of Viking warriors in front of their huge banner of the cover of Deceiver of the Gods. They also started out a little weak with two new songs. But as they thundered into the third song, "Death by Fire," I felt like the show really got started, and the intensity didn't let up till the end. Johan Hegg complained of a cold, but it didn't seem to affect his vocals, just making his speaking voice rough like his vocals. I felt like "Destroyer of the Universe" and a couple songs right after it were a little off, as though they were trying to play faster and not everyone could keep up. They finished up with "War of the Gods," which sounded much more epic than when they played it at Jaxx a couple years ago. But they weren't done - soon, thunder rumbled through the hall, introducing "Twilight of the Thunder God." The crowd was invited to sing along for the chorus. Then the band launched into "Pursuit of Vikings" and everyone went crazy - the whole floor seemed to be jumping, and I hear the middle of the floor was wild (we were at the very back).

Before leaving the stage, Johan Hegg invited everyone to stay and watch the video for "Father of the Wolf" (perhaps not knowing it had already been shown) but it didn't actually play and pretty soon the staff began encouraging us to leave.

Considering I was rather, um, unamped for this show, I had a great time. We got solid performances from all three bands, but Amon Amarth obviously ruled the night.

Concert Review - Midnight Eye, Exar Kun, Thrain - 8/8/13 at The Pinch, Washington, DC

Although I'd already been to two concerts in the past seven days (and I was only supposed to go to two per month), I wanted to get out to support Midnight Eye, so I waited till my kid was in bed and headed out. By that time, I thought I'd be lucky to get to The Pinch before Midnight Eye started - certainly not in time to have some of the restaurant's insane duck bacon BBQ cheese loaded waffle fries. Well, the intent was to go for the music anyway, right?

After the quest for parking (we passed several good spots, but got greedy and went on thinking we could get closer to the venue, but no such luck, we had to turn around and go back up 14th Street almost to where we were before) we got to the venue right around 10pm. It turned out that only the first band, experimental/black metal band Thrain, had played so far. I was thrilled, cause that meant we could get the awesome fries; I didn't really think about the implications for timing. I do want to see Thrain sometime - their demo is quite heavy and technically proficient for a local band, and combines some plodding doomy segments, cleaner vocals and melancholy melodic moments with the base black metal sound.

A few minutes after we got to the venue Exar Kun started up in the basement, so we headed down. They are, as a friend put it, two bassists and a computer. They provided some heavy background music, but did not really catch my interest. The two high points were when they did start to play something almost riffy; and when they sampled Lordi's "Would You Love a Monsterman."

After they finished, I went to look at Midnight Eye's merch and acquired a turquoise shirt (first ever turquoise metal shirt?), and then our amazing fries arrived.

 Yes, we ate all that between the two of us. Someone was hungry.

It was after 11pm when Midnight Eye finally came on, and they were immediately plagued by sound problems, for at least the first two songs of their set. They played (not necessarily in this order) the three songs from their new EP, Nightmonger (which you can still stream here); a cover of something I didn't recognize, but which they said was by a DC band; "Virtuous" and maybe one other song from their first album, Sign; and a new song with the working title "Weed Helmet." Their guitars were excellent as I expected. The thrashy and black metal parts sounded best on the spartan sound system, but the heavy metal riffs and solos sounded good, too. The vocals were very rough, though; scratchy and little off compared to the albums. I tried to start a pit for the frenzied thrash part near the end of the first song, "Alarm," but no one seemed interested in moshing except for Grimy Grant. The black metal segments of "Outsider" were amazing, so thick and heavy, although the melody was a little lost in the low noise. The new song also sounded very promising, starting off with energetic heavy metal riffs, just thrashy enough to mosh to - I pushed Grant and this time three or four other people joined in, yes! - with another thick, atmospheric black metal segment in the middle of the song, followed by some very heavy noodling that slowed down into a droning segment at the end. It was cool, but would have been more impressive on a better sound system where the low distorted notes would have made the building and everyone in it tremble. Needless to say, hoping to see these guys again soon and looking forward to more releases from them.

Next show: Not sure. There a couple local metal shows in Baltimore on Saturday, but I don't think I will be able to go so far from home. So the next thing might be Face Melting Friday at the end of August. In the meantime, there will be some book reviews!

Concert Review - The Agonist, Fallen Martyr, Demiz, March to Victory, Area 52, Iris Divine - 7/19/13 at Cafe 611, Frederick, MD

This show was the day after we trekked up to PA to see Amaranthe, but we decided to go anyway since it was so close by. I also felt like I was getting a cold, but thought I could power through the evening. I'm not a huge fan of The Agonist - I feel like their music lacks intensity somehow - but I was interested in seeing the long line-up of local bands opening for them.

We wanted to see Iris Divine, but left too late and missed them. We got there just before Area 52 started. They sounded like they might have some promise, but it was hard to tell. The mix was off, so they sounded like a lot of bass noise punctuated by way too loud (and slow and repetitive) drums. The guitar player did (mostly) clean vocals, and the bass player harsh vocals, but I could hardly hear them (from my seat at the bar). They had some promising moments, like when the bass and drums were obviously doing something thrashy, but I couldn't hear the guitar. They called for a mosh pit and the crowd actually obliged, which doesn't always happen with the local acts at Cafe 611.

Gettysburg, PA death metal band March to Victory was on next, and they sounded really good. They had a different vocalist than the last time we saw them - they had a male vocalist previously, but this time the vocalist was a woman (with fake(?) blood smeared on her face and neck). I liked her vocals more than the previous guy - I still couldn't make out what she was saying, but it sounded more like words than the former vocalist's unintelligible growls. Overall their sound was much clearer and groovier than last time. I headbanged a lot and would have pushed people around if I wasn't sick and wanting to save my seat for later.

Next was Demiz (pronounced like "demise"), who also sounded good. They played mainly fast, fierce black metal in the vein of Marduk, very loud and energetic. They had a song about Vikings, which sounded rather Viking-y. I think they need to work on their image though - the guy in a red Subway shirt and the singer's plug earlobe piercings really threw things off. They would look much more like a professional black metal band if they had a more unified image. The guitarist (who looked rather more black metal with his dark hair and clothing and crosses painted on his face) jumped on the speakers a couple times. I did enjoy their sound.

After that was Fallen Martyr, who also sounded better than last time we saw a whole set of theirs (opening for Blackguard). They collected a good crowd and had a very professional demeanor and sound. The guitars and drums were nice and heavy, and pretty well mixed, although I couldn't hear much of the guitar melodies. Still, they are not quite to my taste, mainly because of the vocals. The singer sang with a lot of gusto this time (lack of which was one of my gripes before) but I was not digging the anguished sound of most of his vocals. There were some moments where he sang with more aggressive punch to his voice, kind of like Halford's vocals, which I thought were good, but overall things tended a little too much toward emo for me.

By the time The Agonist came on, I was feeling rather weak. They sounded pretty good, loud and riffy (this is another venue whose sound system seems generally tuned to rumble), and I headbanged a bit when I was able to pay attention. There seemed to be something lacking, though; they didn't inspire me as much as March to Victory and Demiz. It may also have been that I was sick and tired, because I literally passed out on S's shoulder by the end of the set.

Next show - Mayhem Fest on Wednesday!

Marduk, Moonspell, Inquisition, The Foreshadowing, Deathwolf, Helgardh - 2/20/13 at Empire, Springfield, VA

February has been so crazy, with a concert every week along with meetings and social and volunteer commitments, that if Moonspell hadn't been on this line-up, I probably wouldn't have gone. Marduk is great, but I've already seen them, and they aren't one of the five or so bands that I feel I MUST see every time they come around. I had never seen Moonspell before, though, and was very curious about them, so I went mostly to see them.

There was a local opener, Helgardh, but by the time I realized I should have headed to Empire early to see them, they were already playing or done. I stopped at Panera to eat, write and wait for S, and finally checked out the bands at the start of the line-up. The songs I heard by Helgardh sounded pretty good, solid quality black metal. I met two of the band members at the show and got a CD with a rough mix of three new songs, and they said the songs they have online are old, and these new ones are much better. The CD certainly sounded good - they had those nonstop black metal guitars, but sometimes more death metal like vocals and some other interesting things going on in the background.

When we got to Empire, Deathwolf was on, and we heard their last song. One of Marduk's guitarists is in this band. The one song I'd listened to (at Panera) sounded more rock-like, without the intensity of metal. They did sound heavier than I expected, but still had more of rock vibe; I wasn't really drawn to them.

I had heard of The Foreshadowing before, because they have in fact played them a couple times on XM radio, but I couldn't really recall what they sounded like. They started off with very heavy, metalcore breakdown-like guitars, but after that were mostly slow and doomy, with a few faster segments when the guitars and drums suddenly revved up. They had clean doomy vocals from a rather gothic looking guy. I wondered why two of the guys are bald, that's not metal. I liked them - I thought they had nice melodies and pretty good guitars.

I didn't know what to expect from Inquisition, besides having this vague hunch that it was a black metal band based on the logo. It was in fact a two person black metal band - a drummer and guitarist/vocalist. Their sound was fast paced and would have made me want to rush around or headbang frantically if I had had more energy. The guitar was weak at first, just a droning overwhelmed by the drums. The drums were actually interesting - they must have been using a variety of different sounds instead of just banging away like some bands do. After a few songs, the frontman called for the guitar to be made louder, and after that we could hear more of it - a dark low undertone with some pretty fast melodies over it, considering the guy was also singing at the same time. The vocals were unusual, with this croaking quality that reminded me of the lower tone of Mongolian throat singing. A great new find in my very limited knowledge of black metal.

Cutting back on the black metal intensity for a bit, the second to last band and the act that I really wanted to see was Moonspell, a gothic metal band from Portugal. At first, they were much heavier and more warlike than I expected, with fierce, battering guitars and drums. The singer wore a Roman-like helm for the first song, which made me think of Ex Deo. Despite the surprisingly intense guitars, there was a dark, gothic quality to vocals - a little harsh, but not brutal, very like the vocals of Deathstars - and often melancholy keyboard melodies were wafting over the heavier guitars. There was a lot of variation in their songs - some were slower and more gothic, others heavy and thundering, and still some full of racing black metal intensity. There was a pit for some songs, but overall the crowd was not as enthusiastic as for Inquisition.

On a side note, I spent about half of Moonspell's set staring at the bassist's hair. My daughter is mixed and will have hair just like that one day \m/

Sadly, by the time Marduk came on, I had run out of steam. I'm not sure if it was sleep deprivation, illness or depression (all of which have been affecting me lately) but by the time they started, I could hardly sit up on a stool. They were intense and fast, and I should have enjoyed them more, but I just couldn't. We left about 2/3 of the way through their set :(

Next show: unknown. It may be Wimme at the Kennedy Center :) I was planning on going to Nile, but I'm not a fan of Cannabis Corpse. Due to stress in my personal life, I've decided to limit myself to two concerts a month, so a show where I only like the headliner is probably not worth it compared to others where I like more of the bands :/

Enslaved, Pallbearer, Royal Thunder, Ancient VVisdom - 1/31/2013 at Ottobar, Baltimore, MD

I'm very glad I went to this show. I had some doubts, but I wound up enjoying it, most especially Enslaved's set.

This was my first visit to Ottobar, and so far it's the most underground (or at least underground-seeming) music venue I've been to in this area. I liked the posters and stickers plastered all over the walls, even if the only band I had heard of was Fallen Martyr. The bathroom was very tiny, though, and there was no quiet place to hang out and talk during an "off" set (not much seating at all in the bar area).

We got there during the local opener's set; honestly, I didn't pay much attention to them, other than noting that it was so loud, I couldn't talk to Enslaved's merch person until they finished playing. I was very tired, so I was kind of out it for much of this show :P

The first of the touring bands to come on was Ancient VVisdom (note that's spelled with two V's; Ancient Wisdom is a different band). Their sound is difficult to define. I've seen it called "occult rock" and "dark rock"; it's pretty heavy and kind of doomy, but not quite powerful enough to be metal. They were pretty intense, though - the drummer pounded on the drums and cymbals with mallets and the two electric guitars provided some background heaviness. At the same time, they had an acoustic (acoustic electric?) guitar, whose clean sound drifted over the pounding drums and churning guitars. The vocals were unremarkable, but being clean and little bit high, provided more contrast with the drums and heavy guitars. During one song, the singer brought out an actual chain and banged it on what looked like a wrought iron table; I found this DIY sound effect pretty entertaining. Overall, their sound was interesting and moving, although not really heavy or fast enough for headbanging. I liked them; it's always good to be exposed to something new and little different.

Ancient VVisdom

Royal Thunder was a little too different, though. To me, they seemed to be a bit all over the place; their guitars sounded messy and without direction, and the vocals had an irritating edge to them. I was also getting even more tired and having trouble paying attention.

Unfortunately, my sleepiness worsened during Pallbearer's set. I had listened to them a bit beforehand and was not terribly interested - their brand of doom metal is extremely slow without a lot of melody or development. But seeing them live was actually enjoyable (maybe partly because one of the guitarists was rather handsome!). They were slow, but extremely heavy. The guitars almost drowned out the vocals, which receded to just some vague harsh noises. I especially enjoyed them when I closed my eyes and let the slow, heavy riffs wash over me - which is usually the best way to listen to doom metal anyway XD Surprisingly (since I don't usually think of doom metal being something that appeals to a wide sector of metalheads) the crowd seemed really into them too - we were standing on a raised step or bench thing to the side and could see the whole crowd, and the floor was pretty full and most people were slowly bobbing their heads in time to the guitars.

Pallbearer

I took a nap on S's shoulder after Pallbearer finished, which turned out to be a great idea, as it left me feeling much revived when Enslaved came on. All the guys in this band of Norwegian Vikings are very tall, which made them seem to tower over the audience, especially when we went down to the floor near the end of the set. I was excited to see Enslaved, because they put on a great show when I saw them two years ago at Tuska Fest, but I wasn't initially thrilled with their latest album Riitiir, although it began to grow on me the more I listened to it. It turned out that what I observed about Enslaved two years ago after Tuska is still true now - their recordings don't come close to capturing the power they put out performing live.

Blurry photo of Enslaved where you totally can't see the shirtless lead guitarist's cool leather pants

Their riffs straddle the continuum between black metal melancholy and melodeath epicness, and filled the venue with energy whether the song was fast or slower, accompanied by death growls or clean vocals (clean vocals provided by the keyboardist, I learned). I was surprised not to see the crowd moving much in the first half of the set, but during "Ethica Odini" a pit finally broke out. I was happy to stand on the side and headbang. Although "Ethica Odini" and "Allfadr Odinn" have some of the greatest riffs ever, my favorite song of the night was "The Watcher," because it was so unexpectedly, intensely fast. They played a good mix of songs old and new, with only about one quarter of the setlist being from the latest album.

There were some technical difficulties partway through the set - something with the second guitar's amps, I think - and the lead vocalist and second guitarist tried to play it off by telling some truly terrible jokes (ok, well the one about festivals was decent).

After this show, Enslaved has now firmly established themselves in my mind as The Best Viking Metal Band - right up there with Amon Amarth, which isn't really a Viking metal band. Although the openers may not appeal to everyone, it's worth going just to see Enslaved, who should satisfy anyone that likes the most vital component of metal - heavy, powerful guitars!

Photos by Steve Wass (though the super blurry photo of Enslaved is courtesy of my phone!)

Next show: Turisas and Firewind - TOMORROW!

Primordial, While Heaven Wept, Cormorant - 9/12/12 at Empire, Springfield, VA

I saw Primordial last summer in Finland, and thought they were great. They're one of the longest running pagan metal bands, and while they do have some Celtic influence in their music, they have a slower and darker sound overall than some of the more upbeat, folk-heavy pagan bands. It's an intense experience, but rewarding if you like heavy music.

They did a short US tour before heading to ProgPower USA this weekend (a bit odd destination for them, but if it brought them to the US, who am I to complain?), accompanied by While Heaven Wept and Cormorant, two US bands that are rather outside the genre box.

Cormorant, a band from California, has a dark, churning black metal sound in their heavier moments, combined or interspersed with melodies that sound synth or even pop-like. One of their songs, "Blood on the Cornfields," literally sounded like a pop song speeded up and blasted full of metal riffs. The vocals were mostly harsh, with an intonation and rasp that I associate with pirate voices. (Perhaps this is purposeful, as the band apparently takes their name from the Latin corvus marinus, sea raven.) In spite of sudden changes in tempo and mood, there were only a few instances where I found the shifts jarring, such as the several sudden tempo changes in quick succession in the second song.

While Heaven Wept, originally from Virginia, has a background in doom, but their current sound is far too uplifting for me to comfortably put them in that box. Their vocalist, who joined the band in 2008, sings to the heavens in an unabashed clear and high power metal style, and the chord progressions on their newer songs have a very hymnal sound. They did play an older song, "Soul Sadness," which sounded darker and more textured. Overall, they had a much more polished and unified sound than Cormorant, with melodies that flowed seamlessly into and over the heavy segments. They ended with their best song, "Vessel"; during the chorus I noticed some "super-fans" rocking out near the front, and then realized that it was the members of Cormorant, swaying and singing along.

Primordial's performance was quite a change in tone - a pagan metal band from Ireland, they have a strong black metal vibe in their slowish, dark sound and their choice of themes - the persecution of their people, the fall of civilizations, the evil nature of man. Not to mention the singer's corpse paint and Irish miner outfit that looked like it was stained with grave dirt, and the way he gazed at the crowd with demonic intensity and pointed and gestured as though commanding a swarm of ghouls. They gave a solid performance, very heavy, with some Celtic influences in the guitars and drums. The instruments often struck a faster pace while the vocalist used a slower tempo, an angry lament if you will. I thought they sounded as good, if not better than when I saw them last summer in Finland.

Metal Chris from DCHeavyMetal.com posted some videos from the show:
Cormorant - "Two Brothers" (This was one of their most consistently heavy songs)
While Heaven Wept - "Saturn and Sacrifice"
Primordial - "Bloodied Yet Unbowed"

So, if you're headed to ProgPower and wondering what the heck this Primordial band is all about, now you know. They probably won't sound a bit like anyone else there, but isn't that the whole point?

Next concert: Korpiklaani, Moonsorrow, Tyr and Metsätoll, 9/21. FOLK PIT!!!!

Behemoth, Watain, The Devil's Blood, In Solitude, Evoken - 5/5/12 at Ram's Head Live, Baltimore, MD

Actually, we missed Evoken, In Solitude, and The Devil's Blood entirely, due to travel time, slow service at a restaurant and the need for corpse paint.

Our excuse for arriving late. From left, K., S. and I in corpse paint.

We got there just as a band was leaving the stage, which we figured was The Devil's Blood. I wasn't too disappointed, because I'm not that into the whole resurgence of 70's-esque slow and gloomy metal, of which they are an example. I might have changed my mind about them after seeing them live (just a glimpse of Ghost at Tuska Festival improved my opinion of that band immensely) but oh well.

As the next band set up, we guessed from the array of candles that it was Watain, setting up for their Satanic ritual. (As far as I know, they could have sold all our souls to Satan and we have no idea..) Their set had a great atmosphere - the candles and minimal lighting creating a spooky feeling that enhanced the music. They were not very heavy, but had a bewitching sound - sad melodies or melancholy riffs over pummeling bass and drums, alternating with slow and dark segments, the vocalist conducting it all with his growled incantations. I was not sure if there would be moshing, since it was black metal, but there was. "Total Funeral" was a crowd favorite - it starts with rocking riffs that got everyone jumping, and then a huge pit appeared. They ended with "Waters of Ain," a masterpiece of black metal - you could just about feel the cold dripping of evil.

Behemoth also evoked the ultimate evil but in a different way - whereas Watain was dark and gloomy, Behemoth was powerful and dominating. They lived up to my expectations - that they would be amazing. As with Watain, lighting and staging added to the effect. They began with lights directly behind them, which was painful if you were at an angle but pretty dramatic. They didn't move much - only switching between center, left and right positions a few times - but seemed to tower over audience like some sort of evil statues. Nergal looked even more sinister with short hair, and the other guys looked a bit like Klingons. Their sound was my favorite kind - the thunderous kind that shakes the building. It was like some sort dark god rising roaring out of hell..except that for Behemoth that god is probably humanity itself.

The crowd was energetic, and the pit was pretty crazy. At some point (perhaps during "Conquer All"?) a huge wave of moshers knocked down the people in front of us and pushed us back to the back corner of the floor. A guy in a wheel chair was spotted in the pit and crowdsurfing. I suspect it was the same guy we saw at Arch Enemy (I talked to him afterward but didn't get a chance to ask about that show).

Nergal, recovered from the brink of death, seemed to be doing fine. Some vocals appeared to be recorded but that may have been for effects - the lower, more ominous vocals. S thought the set was a litte short though. Neither band talked very much, they just played their songs with a few dramatic proclamations here and there.

Overall it was a great show, recommended for anyone who's into the darker side of metal, or into heavy music.

Next concert: Sabaton, 5/20 or 5/21

Arch Enemy, DevilDriver, Skeletonwitch, ChthoniC - 9/8/11 at Ram's Head Live, Baltimore, MD

aka. Arch Enemy, Devil Drivers, Skeltonswitch, cthohic according to the sign on Ram's Head's door. Way to go Ram's Head! You kept us well amused in the entrance line by inspiring people to do imitations of Toki and Murderface. Good times.

I hope this review will be decent because I wasn't feeling too well by the end of this show, and kind of lost the ability to concentrate.

This was my first time at Ram's Head in Baltimore. It's kind of in the middle of everything by the waterfront, which was annoying to me since it meant a lot of people around, but there was also a 24 hour Subway around the corner which is the best post concert food. Parking at Ram's Head is convenient - the garage is on top of the venue - but it's expensive ($10), and the garage seems sort of dangerous to drive in because of its narrow ramps. Inside is more open than Jaxx (yes, Jaxx is my standard for everything) but not just a huge warehouse like certain other venues. I didn't like the layout at first, with a bar in the middle of an open-ish area with the stage and floor off to the side, but I got used to it, and it was nice being able to see the stage from the bar. I thought the bar area needed more seating, though - tables or something. On the floor, I liked how the stage area feels large because of the high ceiling. There are three floors but only the  bottom was open for this show because the crowd wasn't large - people said that for bigger shows, the two tiers of balconies are open too.

We got there early on purpose because I was not about to miss the first band - ChthoniC, a melodic black metal band from Taiwan that combines Chinese melodies and traditional instruments with overwhelming metal heaviness. They blasted off with a loud, heavy sound right from the start. Like with most melodic bands, the melodies got a little lost in the noise, but the erhu (Chinese two stringed fiddle) segments came out nice and clear, probably since the vocalist, Freddy, was the one playing them. One of the erhu solos got cut short since his bow got stuck somehow, which made me sad. I was also sad that the guzheng that's seen in the video for "Takao" was nowhere in evidence, but I maybe they just couldn't bring everything across the ocean. They played a lot of songs from their new album. And there was almost a fight in the pit.

 ChthoniC rarrrrr

 S. with ChthoniC, it's pretty dark (fittingly so?) but from right to left (this is black metal after all) S., Doris, Freddy, Jesse. And C's merch guy behind S.

The next band was Skeletonwitch, a band that S. rather likes. He says they are blackened thrash, but they sound more like death metal to me, even sounding like Amon Amarth in one song. They had fast, interesting riffs and melodies, and they sounded more interesting live than on their recordings. I confess to not having familiarized myself with them as much as usual before the concert because the week before, I was listening almost exclusively, obsessively to ChthoniC (so flipping good).

I thought DevilDriver did not sound as good as Skeletonwitch, but they were still fast and heavy. They are hard to place genre wise, but I would peg them as some kind of death metal or deathcore. (Wikipedia calls them "heavy metal" which I think is basically a copout from trying to name their genre.) I like the songs from the newest album, "Beast," better than their older ones - the sound is very unique, with this kind of harsh whining sound to the guitars, the intense drumming and the combined growl/scream of the singer's voice. Basically, the "rar" factor of the new album is much higher :P Their sound in concert was a little, uh, blurred, though. (They didn't play "Blur," though; the only song from "Beast" that they played was "Dead to Rights," sadly, but at least they played that song.) Huge crazy pits appeared during their set.

The star of the evening was Arch Enemy, a death metal outfit with a revolutionary agenda. They were pretty good, but unfortunately I was too irritated by some people near me to really enjoy. Angela's voice was strong and vicious for the whole set, which was great. I thought their uniform-like outfits were odd, though - what were they supposed to be, Angela's Anarchist Army? There were several awesome melodic guitar solos, and I liked that they ended their encore with guitar solos, because of course most people are into Arch Enemy because of Angela, so it was nice that the guitarists got to send off the audience. Also, there was a crazy wheelchair guy in the pit - he had people, sometimes big knots of four or five people, pushing his chair around the pit, and he even crowd surfed up to the stage, chair and all. And then came back around to the pit again. Now that's hardcore.


This video shows some of the awesome guitarring. (Be warned though, the camera person must have been jostled by moshers because the camera shakes and jerks around a lot. Do not watch if you are sensitive to that type of thing.) I couldn't find video of the wheelchair moshing sadly :(

Next concert: Not sure. S. is going to see Within Temptation tomorrow and I'm pretty jealous. Enslaved is at Jaxx next week but practical matters may get in the way.

Book review(s) soon because I also finished China Miéville's Kraken.

Urgamla, Axegressor, Primordial - 7/14/11 at Klubi, Turku, Finland; and Summer Wars

Something extra for you today. Not just a concert review but also a short movie review! And there will be a book review when I get back to the States. I finished One Jump Ahead in June but I left the draft of my review on my laptop. So it will be posted when I get back. Now I'm reading Kadonneet Kyyneleet (Lost Tears) by Mike Pohjola, so you may get a double review. And now on to the good stuff...

In Finland, everything is death metal

I thought there'd be this huge metal scene in Finland but it seems to be concentrated in Helsinki and Tampere - then again I have to drive an hour to most metal shows in my area too. But I did find a couple of shows in Turku as part of Hammer Open Air Metal Festival and decided to go see Urgamla, Axegressor and Primordial at Klubi.

Getting into Klubi is a little disorienting but once inside its quite cozy, kind of like Jaxx. You have to go into this alley, down some stairs, through a restaurant/bar area (empty both when I arrived and left), up some stairs and finally you're at the entrance to Klubi Live. The floor is a little smaller than Jaxx (I'm terrible with measurements though so don't ask me what the dimensions are) but there are more tables, chairs and benches for sitting and a little room to the back that I didn't really explore.

Hardly anyone was there when I arrived - and Urgamla had already started even though it was only ten minutes past their scheduled start time. Perhaps in Finland concerts actually start on time? Anyway, Urgamla is a black metal band from Turku with a very brutal and death metal like sound - growled vocals (mostly in Finnish) and heavy guitars, with very headbangable riffs and melodies, and a little folk flavor. They were going for a very evil image - the singer was covered in fake blood and at some point brought out an inverted cross with some candles on it. I wish they had more CDs (they only have two short demos) and/or more stuff on youtube. I liked them better out of the two openers.

Axegressor bills themselves as a thrash metal band and if you really listen for it, you can hear the thrashiness in their songs. The heaviness and melodic touches were more reminiscent of Scandinavian death metal, though, and I (who doesn't like thrash too much, I find it kind of boring) thoroughly enjoyed their set. I thought the singer had some kind of odd shorts on of some kind of printed fabric, and then toward the end I realized they were actually covered in band patches. Hoped he would be hanging out somewhere afterward so I could compliment him on the awesome shorts but didn't happen. However, I just realized that Axegressor will be at Tuska the day that I'm there so I'll get the chance to hear them again, yay.

Primordial, lastly, is a pagan/black metal band from Ireland. They started late and I had to leave early, so I only got to hear 45 minutes of them (4 songs, I think?). But they were well worth the wait and I would happily have stayed for the whole set (although my neck might not have liked me the next day). This is the start of their set (not my video). I was shocked to see that the singer had a shaved head since I had the impression they all had lovely long hair, and everyone else in the band had epic long wavy hair. Instead, the singer had corpse paint, but it fit the mood of the songs - a little bit slow paced, but very heavy. I didn't headbang much, because of the slow beat, but there were some epic melodic moments that were quite headbangable. There were a definite Celtic influence and the songs seemed to have Celtic themes, including the fall of Rome. We got to sing along to that one.

For three unknowns - I'd never heard of any of these bands before this concert - this was a great find. Definitely a fan of all three of these bands now, looking forward to seeing Axegressor at Tuska, and hoping Primordial will tour the US.

next concert: TUSKA, Helsinki, Finland, 7/23

Summer Wars

Now for my first ever movie review (on this blog at least).

Someone pointed out a review of an anime movie in the paper, which turned out to be Mamoru Hosoda's Summer Wars. I'm a bit of anime fan but not an expert, so I hadn't heard of this movie or director before. The picture in the paper looked a bit goofy, but it said the director was a big Miyazaki fan, so I figured, it's got to be ok at least. And I was kind of bored. So I went to see it at Turku's biggest (and only) movie theater. There were exactly three other people in the that theater with me - everyone headed to the Harry Potter movie next door.

The movie started out plunging us straight into a virtual world called OZ, moving very fast, with lots of bright colors and cute images - it was very disorienting, and I thought, if the whole movie is like this, then I'm going to get tired of it very fast. But luckily, it soon moved to the "real" world. And once the main conflict emerged - BEGIN SPOILER - OZ, which controls everything from GPS navigation to cell phone and TV transmission, was hacked by a powerhungry AI thing, and an unlikely team of programmers and game fanatics got together to beat it - END SPOILER - I was hooked and followed the story on the edge of my seat.

The characters were not very deep, but easy to relate to - the shy and awkward computer geek, the girl he likes and tries to help, the kid who spends all his time on the computer and turns out to be the game champion of OZ. The girl Natsuki's huge family was very interesting - the aunt who just wanted to watch baseball, the silly kids and the spitfire great grandmother were very memorable. It was probably because there was such a huge cast that no one in particular could be excessively complicated, and props to the director that in spite of the huge cast, I didn't have any trouble keeping track of who anyone was - they were very distinctive (although, I'm not sure I could say for sure how anyone except the most important characters were specifically related. For instance, I have no idea whose kid Kazuma, the game fanatic and martial arts genius, was.)

The action sequences - battles between Kazuma and the hacker, which took place in OZ - were downright amazing. So much fun to watch.

The story a bit simple, so I don't know if this is a movie I would want to watch over and over (unlike other anime favorites like Appleseed and Perfect Blue). But I certainly enjoyed it this time and would recommend it to other anime fans. Non anime fans might find it less than amusing due to unapologetic animatedness of the OZ segments and not quite logical moments (ex. magical girl costume morph) that anime fans take for granted.

Next movie: don't know..I hardly ever watch movies.