Paganfest America V - Korpiklaani, Turisas, ChthoniC, Varg, Winterhymn - 4/25/14 at Empire, Springfield, VA and 4/26/14 at Ottobar, Baltimore, MD

So for some reason, Paganfest had two shows in my area this year - and as it's folk metal's biggest party of the year and I had to party with my best folk metal pit buds, and some were going to one show and some to the other...I had no choice but to go to both XD In order to make that happen, I had to take my kid along to avoid asking for two nights of babysitting, and thus, she accompanied me to the show at Empire :) (If someone has a pic of us, pls send, cause I didn't manage to get one! We were both wearing Turisas warpaint and my daughter got so many compliments for it :) )

Anyway, I'm just going to write both shows up together, cause no way I have time to write two separate reviews.

Unfortunately, both nights I missed the locals due to traffic. Cause of some silly sportsing event it took me twice as long as normal to get to Baltimore >.< So unfortunately, I missed Demiz who are awesome but did not even want to open for Paganfest XD And also Yesterday's Saints and March to Victory. Grrr!

But at least I got there in time for the first touring band. This year's US band on the tour was Winterhymn from Cinncinnati, Ohio. I didn't have a chance to listen to them before the show, so I was pleasantly surprised to find they had a solid sound, with a fiddle prominent in their sound, gruff vocals done by the portly rhythm guitarist and energetic guitars (including some galloping basslines). They started out sounding more Vikingy, but got more folky as they went on, peaking with the drinking and dancing song "Ale Song." They were a good start to the night both nights, with a decent pit going.

Next up was Varg from Germany (no relation to Varg Vikernes; the word means "wolf" in Old Norse and these guys just like wolves, apparently; the frontman kept calling their music "wolf metal"). I saw a song or two of them when they supported Eluveitie a couple years back, but didn't really get into them then. However, I was quite impressed this time. Especially at tiny Ottobar, they filled the venue with their racing drums, heavy guitars and the singer's harsh vocals, somewhere between a bark and a death growl, and some outright hellish roars in "Nagelfar." It was mostly dark, headbangable stuff with a few folkier moments in "Rotkäppchen" and "Guten Tag." My kid got into them and danced and jumped around a little.

I was perhaps most excited to see blackened-death-metal-with-folk-tidbits band ChthoniC (閃靈)  from Taiwan. I feel like they're one of the most original things lately in the international metal scene and the broad spectrum of metal-that-involves-folksy-bits. At Empire, I went up close with my kid, but she didn't let me concentrate much on staring at Doris, or at Freddy playing the erhu (Chinese fiddle). Besides, the sound up at the front was all distorted. In general, the kid did not like them much - I guess they were a bit dark and heavy for a five-year-old, more brutality than fun. It was disappointing, too, that Freddy played the erhu very little; most of the erhu and other folk instruments were piped in.

At Ottobar I got to headbang to my heart's content and hear them clearly from a bit further back (and I think I went in the pit for "Takao"). They seemed more confident and professional this time than when I saw them touring with Arch Enemy and Freddy's English seemed better, too. At both shows he proudly announced that the band was from "the country where the people have occupied Congress!" and interacted with the crowd a bit more than at the last show. They played mostly from their 2013 album Bu-tík, with just "Oceanquake" and "Takao" from (the previous album) Takasago Army, and nothing earlier. It would have been nice to hear something older, but I wasn't terribly disappointed since I'm more familiar with their newer stuff anyway, and it has a more polished, epic sound. Perhaps if they get up to a headline tour, they'll be able to play a greater variety, as well as some hidden gems like "Resurrection Pyre" from Bu-tík, which starts off with such an awesome guitar riff! After their set I talked to Doris and Freddy for a few moments by their merch table, and like every Taiwanese person, Doris told me I should go to Taiwan for the snacks! XD It's totally why I want to go, too. I almost got to pick up the Taiwanese version of Bu-tík for just $10 but I waited too long and they sold out! :(

Turisas-painted me with Doris and Freddy of ChthoniC!

After that great performance, the night was only half over; next was Turisas from Finland, second band of the night in red and black face paint and inventors of "battle metal." (Just kidding, I totally don't think that's an actual genre.) At Empire my kid and I enjoyed them from the counter at the side while finishing off some chicken fingers (her bedtime snack, as she fell asleep several songs from the end of the set); I couldn't wait to push people around to them at Ottobar! They came out to "Ten More Miles" ("Tu-REE-sas! You can count on us!") dressed in their new barbarian-biker-punk attire. I'm one of those old fans who is gonna complain that I preferred their old songs and their old barbarian look. But the new songs actually sounded ok live - epic choruses and some folksy bits courtesy of (fiddler) Olli - except "For Your Own Good" which was rather bland. (Song has a pretty good message, though; go read the lyrics.) And they actually played a great mix, with some epic old songs thrown in - "Rex Regi Rebellis" and "Miklagard Overture" - as well as the crowd-pleasers like "Battle Metal" and "Stand Up and Fight." Not only that, but, by popular demand as explained by Mathias, they played "Rasputin" both nights! Not unlike the last time, I got the crowd chanting at second show, cause damn if they were not going to play it when I could actually be in the pit. They actually went off and came back on to play that and "Stand Up and Fight," one of the few times I've seen a second slot band do an encore. At Empire, Mathias said they would play a different set at Ottobar, but this was not the case - they played the same songs in a different order, and there was perhaps one more song at Empire but I forget what it was. I was totally satisfied after their set, cause they played so many good songs, the pit was great, and the new songs didn't suck so that wasn't too bad.

I do wonder what they think of the fact that the song everyone wants to hear them play (and their most played song on Spotify, too) is "Rasputin," which is a cover XD

We left the Empire show after Turisas cause my kid was literally asleep. I wasn't too bummed, as I'd seen the bands I really wanted to see, and I would see Korpiklaani the next night anyway.

At Ottobar, I was worried that Korpiklaani wouldn't be very inspiring after Turisas - great respect for them, but they just don't get me as amped. After a little ginger beer, though, things were great, and Korpiklaani's set was a lot of fun, in spite of it being surely after midnight by the time they started (I left my watch and phone in the car to keep them safe from the pit). I think they played a lot from their latest album Manala - a lot of very folky, mythology-steeped songs with some joik vocals thrown in (yes!), and it seemed like less of the drink-themed songs than usual. They did play "Vodka," "Ievan Polkka," "Wooden Pints" and "Happy Little Boozer" to get party going, though. At Ottobar, they played "Pellonpekko" as the first song of the encore because D.P. kept shouting for it. In spite of recognizing hardly any of the songs, I had a great time dancing to the folky parts, and pushing people around a little for the heavy parts. (In general, the pits were a little fast and brutal for me, so I tried to stay near the edge.) There was a good mix of moshing and dancing in the pit, which has been a little harder to find recently around here. I was not quite as dead afterward as at Finntroll, though, so I must have been holding back a little XD

Personally, I thought this was the best Paganfest so far. Winterhymn started things off great, Varg and ChthoniC blasted our faces off, Turisas played an epic selection of songs and Korpiklaani's set was so much fun. I can hardly remember another show where I've had such a solid night of enjoyment. I know some people came especially for this band or that band but I was lucky enough to find something to enjoy in each of them \m/

Next show: Primal Fear, tonight! And then Negura Bunget, on 5/10.

Concert Review - My Enemy Complete, Rites of Ash, Technophobia, Stars and the Sea - 9/27/13 at Ottobar, Baltimore, MD

So this is the second show in a row where I just made it for the headliner. I had hoped to make it for Technophobia, since they are supposed to be some sort of industrial (I think), but I couldn't get out of the house on time. As it was, we got to Ottobar about ten minutes before My Enemy Complete went on.

My Enemy Complete plays a blend of industrial and metal (my favorite parts) with anguished clean vocals and more recently, lots of synth. Ever since finding out about them when I met the vocalist, Bilaal, at an industrial club a couple years ago, I've been bugging  him to make the music heavier and harder hitting. Their songs have always had great industrial/metal intros, but quieted down significantly once the vocals kicked in.

Still, the band seems to keep getting better each time I see them. Last time I saw them, at the goth/industrial club Zero, I thought they sounded significantly louder and heavier before, and I thought so this time as well. This time even the quieter segments and songs held my interest (mostly - I was pretty tired, too). Not only that, but for a streak of two or three songs in the beginning, the instrumentals were especially heavy. It quickly became clear to me that songs were Bilaal plays guitar along with Carlo tended to be heavier. The song "Memory Cell" stood out as the end of this streak, but even though it was not very heavy, it had a catchy synthpop vibe that kept things interesting. There were more heavy songs as the set went on, including one with an especially groovy and headbangeable intro. (I wish I was better at identifying their songs - now that I finally have an MEC cd, I might improve.)

As far as I can tell, they played all or most of their new album - they certainly played "Defragment," "Silent Compromise," "Fifteenth Night," "Memory Cell," and "Where Are You Now." Just before their set I managed to catch Bilaal and exchange a few words; he said something like, "We're playing a long set - twelve songs." He seemed a little worried about the band's stamina for such a marathon, but they seemed to do fine, sounding just as strong on the last song as the first.

They had a deal where if you bought two tickets ahead of time, you got their new album for free, so I did that - got a ticket for my friend K and got the cd. It's good - I might write more about it later.

Next show: Probably Coheed and Cambria on S's birthday :)

Enslaved, Pallbearer, Royal Thunder, Ancient VVisdom - 1/31/2013 at Ottobar, Baltimore, MD

I'm very glad I went to this show. I had some doubts, but I wound up enjoying it, most especially Enslaved's set.

This was my first visit to Ottobar, and so far it's the most underground (or at least underground-seeming) music venue I've been to in this area. I liked the posters and stickers plastered all over the walls, even if the only band I had heard of was Fallen Martyr. The bathroom was very tiny, though, and there was no quiet place to hang out and talk during an "off" set (not much seating at all in the bar area).

We got there during the local opener's set; honestly, I didn't pay much attention to them, other than noting that it was so loud, I couldn't talk to Enslaved's merch person until they finished playing. I was very tired, so I was kind of out it for much of this show :P

The first of the touring bands to come on was Ancient VVisdom (note that's spelled with two V's; Ancient Wisdom is a different band). Their sound is difficult to define. I've seen it called "occult rock" and "dark rock"; it's pretty heavy and kind of doomy, but not quite powerful enough to be metal. They were pretty intense, though - the drummer pounded on the drums and cymbals with mallets and the two electric guitars provided some background heaviness. At the same time, they had an acoustic (acoustic electric?) guitar, whose clean sound drifted over the pounding drums and churning guitars. The vocals were unremarkable, but being clean and little bit high, provided more contrast with the drums and heavy guitars. During one song, the singer brought out an actual chain and banged it on what looked like a wrought iron table; I found this DIY sound effect pretty entertaining. Overall, their sound was interesting and moving, although not really heavy or fast enough for headbanging. I liked them; it's always good to be exposed to something new and little different.

Ancient VVisdom

Royal Thunder was a little too different, though. To me, they seemed to be a bit all over the place; their guitars sounded messy and without direction, and the vocals had an irritating edge to them. I was also getting even more tired and having trouble paying attention.

Unfortunately, my sleepiness worsened during Pallbearer's set. I had listened to them a bit beforehand and was not terribly interested - their brand of doom metal is extremely slow without a lot of melody or development. But seeing them live was actually enjoyable (maybe partly because one of the guitarists was rather handsome!). They were slow, but extremely heavy. The guitars almost drowned out the vocals, which receded to just some vague harsh noises. I especially enjoyed them when I closed my eyes and let the slow, heavy riffs wash over me - which is usually the best way to listen to doom metal anyway XD Surprisingly (since I don't usually think of doom metal being something that appeals to a wide sector of metalheads) the crowd seemed really into them too - we were standing on a raised step or bench thing to the side and could see the whole crowd, and the floor was pretty full and most people were slowly bobbing their heads in time to the guitars.

Pallbearer

I took a nap on S's shoulder after Pallbearer finished, which turned out to be a great idea, as it left me feeling much revived when Enslaved came on. All the guys in this band of Norwegian Vikings are very tall, which made them seem to tower over the audience, especially when we went down to the floor near the end of the set. I was excited to see Enslaved, because they put on a great show when I saw them two years ago at Tuska Fest, but I wasn't initially thrilled with their latest album Riitiir, although it began to grow on me the more I listened to it. It turned out that what I observed about Enslaved two years ago after Tuska is still true now - their recordings don't come close to capturing the power they put out performing live.

Blurry photo of Enslaved where you totally can't see the shirtless lead guitarist's cool leather pants

Their riffs straddle the continuum between black metal melancholy and melodeath epicness, and filled the venue with energy whether the song was fast or slower, accompanied by death growls or clean vocals (clean vocals provided by the keyboardist, I learned). I was surprised not to see the crowd moving much in the first half of the set, but during "Ethica Odini" a pit finally broke out. I was happy to stand on the side and headbang. Although "Ethica Odini" and "Allfadr Odinn" have some of the greatest riffs ever, my favorite song of the night was "The Watcher," because it was so unexpectedly, intensely fast. They played a good mix of songs old and new, with only about one quarter of the setlist being from the latest album.

There were some technical difficulties partway through the set - something with the second guitar's amps, I think - and the lead vocalist and second guitarist tried to play it off by telling some truly terrible jokes (ok, well the one about festivals was decent).

After this show, Enslaved has now firmly established themselves in my mind as The Best Viking Metal Band - right up there with Amon Amarth, which isn't really a Viking metal band. Although the openers may not appeal to everyone, it's worth going just to see Enslaved, who should satisfy anyone that likes the most vital component of metal - heavy, powerful guitars!

Photos by Steve Wass (though the super blurry photo of Enslaved is courtesy of my phone!)

Next show: Turisas and Firewind - TOMORROW!